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In a continuing attempt to cover more music that would all-too-oft slip through the very large cracks, we slumbering scribes are making an effort to publish short reviews at a greater frequency, thereby shining our very small spotlight on more cool shit. Without further ado:
Written by: The Administrator
Given a useful but also obnoxious penchant for hyperactivity, I often crave music that is chaotic enough to drown out the dreadful din of my own brain. It's what draws me to extremity in music, regardless of genre, and when I stumbled upon something truly unhinged, I get excited. Enter Daniel Neel's latest EP, Descent. Brandishing a simultaneously djenty and orchestral brand of progressive metal, Daniel Neel revels in a variety of odd inclusions. Descent is an intense blend of djent, dramatic choral arrangements, gothic ambience, mechanical precision, and a veritable orchestra of electronic instrumentation. Unexpected time signatures? Check. Big chugging riffs? Check? Shuddering and shivering percussion? Check. Cheerful and/or mournful keys? Check. There's so much going on, and it's all happening so fast--it often feels like I've accidentally set my audio player to run at 1.5 speed. In other words, Descent successfully itches the part of my brain that refuses to shut up. It is maximalist to a remarkable degree. I can only imagine Daniel Neel as a mad musical scientist, pouring sonic elements into a comically large Erlenmeyer flask, screaming "More! More!" as the concoction bubbles and glows and overflows. While there is a good balance between the djent and the orchestration, I do feel like a few tracks run a little long for the ideas they present. "Tic," for example, starts with an awesomely frenetic riff that starts to feel stale after some time, and I wish the other elements--the vicious vocals, for example--were given more time in the limelight. But I also appreciate the irony in impressing my own impatience on an already hyperactive project, so take that with a grain of salt. Highlight tracks "Cosmic Waves" and "Harbinger ov the Void" present a tidier balance of component parts. Bottom line: if you're intrigued by chaos, give this one a listen! Daniel Neel - Descent was released Dec. 1st, 2025. Find it here!
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Written by: Blackie Skulless
Chicago’s Black Sites are a heavy metal act I’ve been eyeing closely since their second album Exile blew me away in 2019. From their inception, they’ve always been a band that leaned towards the progressive metal side of the spectrum, without diving full-force into that realm. Their sound was always a treat that I compared to Queensryche meeting Iced Earth under a unique flair. Considering Untrue felt like a simple continuation of that sound, I was pretty excited to see what the latest The Promised Land? had to offer. Jumping in, that “progressive element” that described an otherwise traditional metal backbone sneaks in just a notch more often. Though the band may not be a stranger to longer, intricate songs, that’s exercised to a jarring degree this time around from time to time. More emphasis is put on the start/stop riff structure that jumps around the fretboard, coating different layers with different techniques ahead of sophisticated drum patterns. Vocally, things still feel right at home, boasting Mark Sugar’s consistent melody paired with clear emotion being ever present. And of course, I must mention that this record sees the band’s first attempt at crossing the ten minute mark in its title track, indicating that things may have more of a single narrative across the board leading to a climax. 
Written by: The Administrator
Much has been said 'round these parts about the prolificity of Through Mists, so much so that I'm using the word "prolificity." I won't belabor that particular point. In short, one never needs to wait long for the one-man extreme metal band to drop another release, and this latest, Branches, follows up April's Prolific EP, which I enjoyed quite a bit. Needless to say, we're excited to premiere Branches here today prior to its official release tomorrow, July 12th. Branches consists of five tracks built on the shoulders of Through Mists' trademark blend of blistering and progressive death/black/sludge metal. While instantly recognizable from a sonic perspective, this latest outing notably leans into more melodic and technical flourishes, lending a sense of individuality from track to track. This is a quality that only continues to blossom across the discography at large, and at this stage in the game, I feel like the balance struck results in some of the most engaging and interesting Through Mists tracks to date. As always, we slumbering scribes invite ye to listen below! We'll be waiting on the other side of the virtual fold.  Written by: The Administrator
Given an interest in both cryptids and excellent music, I am a proud Mothman and the Thunderbirds fanboy. Ever since hearing and subsequently reviewing the crisply remastered version of "Simpson = Real Footage," one of my favorite tracks from 2021's debut Into the Hollow, I've been dying for news of a follow-up album. Into The Hollow presented a near-endlessly intriguing and eclectic weirdo blend of prog and sludge, but over time, Alex Parkinson has increasingly leaned into more infectiously poppy songwriting and production that feels lush and oh-so clean. The latter comes from Egor Lappo, who has polished away sludgy scuzz to exceptional results. The weirdness remains, however, and in the latest stage of evolution, the band labels their blend of "adventurous prog, thrilling hard rock, and dreamy psychedelia" as "dream metal." I'll be damned if that isn't a damn fine descriptor. Which brings us, conveniently enough, to today's premiere. Mothman and the Thunderbirds will be releasing the intensely enjoyable Portal Hopper on July 12th. We're honored to present here the lead single and album opener "Ruby Skies." Check it out below via the bombastic lyric video, and, as always, we'll await your arrival on the other side! 
Written by: The Administrator
A quick stroll through the archives will indicate that we slumbering and ink-splattered scribes are no strangers to hosting a good ol' Through Mists premiere. Back in 2022 we dropped a couple if 'em back-to-back, writing about the both the overtly referential "Awaken The Sleeping Village" and the epic bird-centric concept album "Mindless Automations." Since then, Through Mists has proven prolific to an intimidating degree, releasing a frankly astounding six(!) albums in 2023. Of these, I was a particular fan of Starkiller, which embraced an aggressive yet proggy sonic palette and a distinctly mythical lyrical direction. Perhaps the best album from the project to date, in my opinion. Time moves on, and the Through Mists machine churns ever onward, albeit with a slightly longer timeframe separating the old and new material. And so here we are, with a new Through Mists release on the cusp of official droppage. The appropriately entitled Prolific--a four track EP--will be available tomorrow, April 25th. In the hours preceding, we are honored to host a premiere of the EP in full here in our less-than hallowed halls. Give it a listen below! As always, we'll meet ye on the other side to discuss. 
Written by: The Administrator
We slumbering scribes are nothing if not considerate. In that spirit, here's a relevant public service announcement: if you choose to fire up Terror Labyrinthian, the debut album from Baltimore's Nuclear Tomb, please know that you are willingly subjecting yourself to an undiluted sonic onslaught. Real face-melting stuff. Prodding and squirmy and barbed and apocalyptic and absolutely ripping. Representing a particularly weird and wild variant of death-oriented thrash, Nuclear Tomb have perfected a brand of chaos that appears, at first blush, quite unhinged. In reality, their approach is as calculated as it is contorted. In a case of promo material feeling exceptionally accurate, Nuclear Tomb do indeed skillfully integrate an old-school blistering aggression à la Sadus alongside a more punky off-kilter Voivodian approach to dynamics. That's a win/win combination in my book. On the very occasional Friday, a wagon arrives at the Sleeping Village’s crumbling gates, stuffed to the brim with sustenance. Today is the day we must offload all this new music, and so, in the process, we thought it would be worthwhile to share some choice cuts from this veritable mass of fresh meat. This is what we’ll be--and have been--listening to today here at the Village HQ. We hope you join us in doing so! On the docket for today, April 12th, 2024 Necrot, Corvus Corone, Heavy Temple, and Exist
Written by: The Administrator
Whomst among us is ambivalent about the ocean? I may be way off the mark, but it seems as though opinions towards the deep blue sea trend towards the extremes. Representing a certain landlubbery perspective, several of my fellow inksplattered scribes experience an abject terror when it comes to the ocean's vastness. As for me, I'm smitten by the serene chaos of breakers, the lushness and oddity of aquatic life, and the eventual call of the sodden void. Representing perhaps the pinnacle of oceanic fandom, Into The Deep demonstrates a deep fascination and reverence for the ocean. This is a fact that is immediately apparent--everything from their moniker to their artwork to their track titles and band bio and beyond reeks of brine. I absolutely love a band with a singular focus, and when they play music this good, I can't help but sing their praises. Blackfin came out Jan. 3rd, and I haven't stopped listening yet. It is my favorite EP of 2024 thusfar. 
Written by: Big Adz
Back in Autumn of 2017, I had a bad day: I was working in a crappy, soul-crushingly dull role that I desperately wanted to get out of for the sake of my own mental well-being, and had just finished up yet another day of this drudgery. Sullen and verging on despondent, I walked out of the building that housed me during said soul crushing, onto the street and hit play on the commute home playlist I had put together during my lunch time reprieve. The first track was a recommendation from a friend, a song called "Kiss of Death" by a band called Mutoid Man. Within a minute of that fateful finger twitch upon my phone, the weight of the capitalistic fuckery I had just endured lifted from my shoulders like an ascendant non-denominational messiah and my face lit up in the way that one’s does when they’ve just heard the first bit of music from their soon-to-be new favourite band.
A celebration and examination of two albums, intertwined somehow in time and space, that also happen to be some of the finest music on the planet.
Written by: Chuck
Gentle waves embrace a rocky landscape. An ominous wash of colored sounds accented by gentle intermittent piano strokes. A feeling of intrigue and subtle panic. FIRE. The ground shakes and the landscape transforms into anticipatory grandeur. Something important this way comes. This is "The Behemoth That Lies Asleep." A familiar melody. A latin feel. Dynamic rhythmic movement across a soft fretboard. A moment to think. A moment to feel. Full throated restatement of the melodic progression arrives as a complete arrangement, quickly progressing into blast-beat driven black-ish riffs backed by fretless bass. Despite the already impressive technical display, the instrumentation is last on the mind. This is a moment to think. This is a moment to feel. This is "Introspection I."
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