Written by: The Administrator
Each year, I inevitably spend a whole lot o' time with EPs. Is this due to my bafflingly short attention span? Yes. Is it also because EPs often feel like the perfect vehicle for a band to flaunt their strengths in a concise and well-trimmed manner? Also yes. Listening to a well-constructed EP is perhaps my favorite way to spend time with music, and so here I am, an eclectic collection of favorites gripped in outstretched grubby fingers. But first, some housekeeping! There are, assuming I counted correctly, 30 entries. I was planning on 20, but have no real interest in trimming a list of untrimmable favorites. In that spirit, hopefully you find something here that worms its way into your favorites as well. This list is not sorted by genre despite featuring a lot of different genres. I apologize for the whiplash, but sorting feels antithetical to the overall notion that listening habits should not be confined for the sake of convenient lists. And lastly, this is utterly unranked--if something appears here, please know that it comes highly, highly recommended! Anyways. Let's get into it.
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 Greetings, dear reader. It is once again listmas 'round these humble halls. Time, then, to look back the music that has defined our collective year. The non-exhaustive AOTY smorgasbord hath begun.
My personal EP and album lists shall follow in (less-than) good time, but before we get to that, the community speaks. This list is a collaborative effort, with ten distinct music writers, musicians, and fans lending a few words. Hopefully the variety of perspectives results in a list containing at least one or two releases that speak to you! This, of course, is far from exhaustive--indeed, every single one of ye could undoubtedly highlight a vast number of deserving albums not appearing here. A massive thank you is in order to everyone who contributed words and energy to this lil' project. As always, we couldn't have done it without ye! Please check out the writer's respective projects and links. This list constitutes the first five entries, with another five to follow. Read on! 
Written by: The Administrator
We slumbering townsfolk seldom find consensus when it comes to the world of music appreciation and unsolicited commentary, but we do enjoy some common ground from time to time. One such instance of is the inevitable positive reaction upon the release of new music from Pittsburgh's Úzkost. They've been dropping a string of consistently excellent and hard-hitting tunes over the past few years, with a clear plan to continue releasing singles across the coming year. Self-described as "blackened and doomed death metal," this crew demonstrates a real knack for relentlessly disorienting (albeit engaging) songwriting. I absolutely loved the standalone "Mt'hr" released a month ago for its unique ability to balance undiluted and unhinged rage alongside highly memorable hooks. Needless to say, the announcement of another track following on the heels of "Mt'hr" was cause for much celebration 'round these parts. Enter "Arise: Assemble! Conjoin Your Flame!" 
Written by: Blackie Skulless
Since the band’s black metal inception, Worm have slowly moved away from that raw and punishing sound towards something far more layered, swiftly becoming a doom/death icon. Last year’s Foreverglade (review here!) saw a complete realization of this, cleaning up all of the loose ends that Gloomlord beheld. The early black metal influence certainly still peaked its head, but each subsequent record would see it become more and more of a background technique. This isn’t to say that it wasn’t present, just less obvious. And then Bluenothing happened. One year following the album that really sent them to a broader scope, Worm dropped an EP that takes the influence they mastered and brings forth more atmosphere and reflects more on the black metal. Fear not, as this is still packed with the bleak and empty voids of cleaner doom wails crossed with rhythms holding the force of a hydraulic press. But there’s a higher presence of keys to coincide with the higher guitar wails, and contrast the harsher death metal bottom. 
Written by: The Administrator
Let's start with the obvious. As anyone you has listened to their music will attest, attempting to pigeonhole or pin down Horned Wolf in the span of a mere introductory paragraph (or, indeed, the span of a whole review) is a fairly fruitless activity. This crew demonstrates little regard for genre expectation or compositional convention on Become Like They Are, and, as a result, their work sticks out from the crowd in a big way. To be markedly different and hence produce unique results is always an excitingly quality. Refreshing, even. I'll be upfront: I've spent a lot of time with this album this year. A scary amount. If it tops my list o' most listened albums, I won't be surprised in the slightest. If the brilliant title track isn't my most consumed song of the year, I'll eat my boots. Paradoxically, though, this obsessive listening has been to the detriment of my actual ability to wrap up the review. The "listening for enjoyment" phase never really ended, and the "listening for writing" phase never truly began in earnest. In retrospect, this is obviously a Very Good problem to have, as much of the time spent with Become Like They Are has been pure and unadulterated by notions of my own imposed narrative framing or turns of phrase. But! In any case, here we are. Let's get the fuck into it already. 
Written by: The Voiceless Apparition
Welcome back, my friends! I had stated in my previous post that I would do a review of this album, so here we are. For those who haven't yet read my interview with Mark Tierney, I'll keep this short and simple. This album is twenty eight years in the making. Enchantment were an unfortunately little known name in the early '90s British metal scene, but with the passing of time, things change. My first introduction to this band was about 6 years ago when I bought an original pressing of their debut album Dance the Marble Naked on CD. I was in love with their melodic yet crushing display of death and doom metal, so this is a really special album for me. So as you can see, I was very excited to see that they unexpectedly reformed to work on this album in question. The results are what we will now be hearing with Cold Soul Embrace. The first taste we received of the album was last year's "As Greed as the Eye Beholds," which in turn is the opening track of the album. Almost immediately, you know you are in good hands. Everything about this song is dripping with atmosphere and melancholy: the opening morose melody, the crawling drums, and the gut-wrenching vocals. "A Swanlike Duet" starts out with some beautiful clean guitars before launching into some surprisingly rockin' riffs, but even with that in mind it is still a rather heavy affair. It's catchy and all, but never loses any bite. FRESH MEAT FRIDAY: June 17th, 2022 Feat. Void Witch, Trocar, Valley of the Sun, and Inexorum6/17/2022
Every Friday, a wagon arrives at the Sleeping Village’s crumbling gates, stuffed to the brim with our sustenance. Today is the day we must offload all this new music, and so, in the process, we thought it would be worthwhile to share some of our choice picks from this veritable mass of fresh meat. This is what we’ll be--and have been--listening to today here at the Village HQ. We hope you join us in doing so!
This Friday, Bandcamp is holding their third annual Juneteenth fundraiser, where they donate 100% of their cut of sales to the NAACP Legal Defense Fund. Win/win! On the docket for today, June 17th, 2022: Void Witch, Trocar, Valley of the Sun, and Inexorum
Written by: The Voiceless Apparition
Death, doom, and sorrow. The three words that best describe the death/doom metal powerhouse known as Temple of Void. For those of you who don't know who Temple of Void are, I'd highly suggest you rectify that because you won't be disappointed. Over the span of 9 years, this stellar band has been pushing the boundaries of death/doom, blending in elements of post rock, shoegaze, and much more into their sound. Their previous album The World that Was was viewed by many as a pinnacle of modern death/doom, and I certainly agree. There's a lot of hype and eyes on them, especially after signing to Relapse Records. So let's find out if they've reached new heights, or missed the mark. Interview by: Voiceless Apparition Much like all of you, I'm really excited to see what new releases will continue to be announced for this year. Plenty of new releases from new and old bands alike are inevitable. That's where Enchantment come in. Enchantment are a death/doom metal band that existed from 1991 until 1995, and released one album before breaking up, but then abruptly reunited in 2020 for a really special reason. I was lucky enough to have been given the opportunity to interview founding bassist Mark Tierney. Welcome to the world of Enchantment. 
Voiceless Apparition: Welcome! Can you please state your role in Enchantment? Mark Tierney: I'm Mark, I play bass and write/arrange any extra parts like keyboards, strings, choirs, etc. when required. I also was involved in the recording process on the new album, as it was mostly recorded at my house due to COVID restrictions. VA: What was the impetus for forming Enchantment in 1991? MT: We were all friends or friends of friends. I think we all just shared a love for the heavier side of music and were at similar early stages in our musical development. There was quite a good local band scene, although we were the only death metal band locally at the time, and it was a nice friendly environment to make loads of noise and refine our songs. 
Written by: Blackie Skulless
Taking formation about a decade ago, Worm built themselves on a black metal laced template that would evolve by the time their debut came out in 2017. Two years later, they broke into a bigger audience with Gloomlord, cementing themselves more into the doom/death realm. This year we got Foreverglade, a more refined version of what they’d been working towards, and this hit serious levels of peak performance. Taking their earlier black influence, they inject this into the latest sound while trimming up any sharp edges. By removing “sharp edges,” I mean the songwriting takes a substantial step forward, which I think the band lacked prior. Mostly, it isn’t overly foreign; you still get your doses of cavernous growls over gut-wrenching doom/death chugs, with the higher pitched howling leads to contrast this swampy execution. But incredibly, the production allows the deeper rhythms to feel more pronounced than before, which makes them standout enough on their own. Now add in the blackened drum tropes and higher, precise screams, and you’ve got a bit of a different animal on the loose. |
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