Written by: The Administrator

Ah, nu-metal. Occasionally umlauted, frequently maligned. 

My own affair with nu-metal was lustful but exceedingly brief. The tail end of the genre's heyday represented the first time I got to introduce music to my dad rather than the other way around. While my fascination with the seemingly unmatchable aggression of Slipknot or outspoken edge and jubilant oddity of System of a Down didn't exactly translate, we did spend several months exploring and enjoying Korn's discography together. That phase passed pretty quickly in favor of my era of angsty grunge revivalism, and nu-metal ceased to have any impact in my life or listening patterns beyond the occasional nostalgia trip. For myself, and, I can only imagine, many others, it was high time for something new that could capture the same swagger and violence and unbridled magic. And thus, the prolific Garry Brents' announcement of a forthcoming nu-metal project felt like a harbinger: a nu wave of nu-metal was inevitable.

Quickly, some background. If you're unfamiliar, please note that Garry has made quite the name for himself over the past few years by benefit of a collection of monikers including Gonemage, Sallow Moth, Homeskin, and Cara Neir. Besides a common creative driving force, these projects share a certain unwillingness to abide by genre convention. Instead, his work seemed to attack expectations, using familiar sounds and motifs but subjecting them to a distinct subversion. Also of note is frequency, as Garry releases new music at a pace that is frankly intimidating. Multiple projects, multiple releases, one remarkably consistent ethos.

This is all to say that I fully trust Garry to deliver good shit. This debut album from Memorrhage blew away all my expectations. Sorry to spoil, but this is one of my favorite albums of the year, full stop. Let's jumpdafuck into it, shall we?

The track is built on a driving churn, which lends the verses an aggressive urgency. Things slow down significantly on the chorus, and then the driving riff returns with the same production line precision. While I typically avoid music with a blatantly inorganic aesthetic, the mechanized momentum on this track is quite nice and offers a headbangable bounce.

"Synthetic Fields," the more recent of the  singles and my favorite of the two, decidedly ups the ante on the cleans, bringing to mind the soaring ultra-polish of something like Skull Fist. It is sleek and manufactured, which serves fits to the general synthetic aesthetic pretty damn well. The chorus here is catchy and liable to run loops in my brain throughout the day. Much like the prior single, "Synthetic Fields" is overtly bouncy and thus quite fun. Bottom line? While I suspect Kaosware is a harder sell for the typical Sleeping Village readers and passers-by, I do recommend giving 'em a listen if you enjoy modern industrial metal with a cyber sheen.

Kaosware - "Electric Cuts" was released March 31st, 2023. "Synthetic Fields" was released May 26th, 2023. Find Kaosware via linktree here!

Written by: The Administrator

It's been quite some time since today's project in question was released, but god-tier stoner riffs are always gonna get the time of day 'round these parts. Moreover, when they are this damn enjoyable, you can bet your ass they'll be stuck in rotation for a good long while.

When it comes to god-tier stoner riffs, the subtly monikered ROBOT DEATH MONKEY have decidedly got the goods, delivering a cheekily flippant EP with rough 'n' tumble component parts aplenty. Intergalactic Party Powder is chock full o' groove, a crude sense of humor, an apparent love for the swagger of Orange Goblin's catalog, and a healthy dose of Neil Fallon's phlegm nasty sneer. The riffs are big. The attitude is off the charts. Let's party.

Written by: The Administrator

​Our council of shadowy and ink-splattered scribes have decreed the following: Wednesdays are for epic progressive opuses. Or at least...that's what this Wednesday is for. Next week may very well deliver something entirely different, but that's to be expected. We're a fickle crew, after all.

In any case, today is for epic progressive opuses. Thankfully, Dallas' own Onward We March was kind enough to approach us with a track for premiere, and what a track it is: a 17-minute-and-change odyssey through the necromantic gates of Hades. "Nekromanteion" is a track that bears the weight of its breadth quite well, delivering both in terms of narrative intrigue and gloriously engaging composition. Without further ado, check out "Nekromanteion" below! Sink into its expansive environs. As always, we'll meet ye on the other side.