Written by: The Administrator
At this stage in the game, a new Through Mists album spawning forth every few months feels like one of life's true constants. Moreover, there's a certain joy I derive from observing a fresh batch of Through Mists tracks careen into the promo pit, and the fact that it happens three to four times a year is truly a gift. If the band name sounds familiar, there's a good chance you saw something here. This will be a record-breaking fifth premiere that we slumbering scribes have written for this prolific one-man proggy death/black/sludge juggernaut over the past few years. If nothing else, I hope that our own extensive Through Mists catalog serves as an indication that I'm personally a big fan of what he does. Anyways! Let's cut to the chase and head hellward, shall we? This latest forthcoming album, appropriately entitled Hellscape, will be released on Dec. 6th. It may very well be the most abrasive entry in the Through Mists discography to date, and we are honored to premiere here the title track. Give it a listen below! As always, we'll catch you on the other side.
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Written by: The Administrator
Full disclosure: I have very little frame of reference for the thematic content that informs the Stormland brand. Gundam remain a mystery; my knowledge in this particular department is regrettably nonexistent. That said, I am a sucker for art that serves as a lens and love letter to something that the artist is clearly passionate about. Indeed, sole member Justin Pierrot has successfully imbued Stormland with an immediately recognizable sense of excitement. I've always loved that the project has a lot of charisma and character, regardless of my personal connection (or lack thereof) to the subject matter at hand. And, of course, Stormland serves as a reliable delivery agent for my most favorite subject of all: sick fuckin' riffs. The Altar of War, Stormland's new-ish EP, pretty much picks up right where 2022's The Human Cost left off, with the first three tracks exemplifying the solid foundation of combat-ready riffage upon which the band is built. 
Written by: The Administrator
A quick stroll through the archives will indicate that we slumbering and ink-splattered scribes are no strangers to hosting a good ol' Through Mists premiere. Back in 2022 we dropped a couple if 'em back-to-back, writing about the both the overtly referential "Awaken The Sleeping Village" and the epic bird-centric concept album "Mindless Automations." Since then, Through Mists has proven prolific to an intimidating degree, releasing a frankly astounding six(!) albums in 2023. Of these, I was a particular fan of Starkiller, which embraced an aggressive yet proggy sonic palette and a distinctly mythical lyrical direction. Perhaps the best album from the project to date, in my opinion. Time moves on, and the Through Mists machine churns ever onward, albeit with a slightly longer timeframe separating the old and new material. And so here we are, with a new Through Mists release on the cusp of official droppage. The appropriately entitled Prolific--a four track EP--will be available tomorrow, April 25th. In the hours preceding, we are honored to host a premiere of the EP in full here in our less-than hallowed halls. Give it a listen below! As always, we'll meet ye on the other side to discuss. 
Written by: The Administrator
We slumbering scribes are nothing if not considerate. In that spirit, here's a relevant public service announcement: if you choose to fire up Terror Labyrinthian, the debut album from Baltimore's Nuclear Tomb, please know that you are willingly subjecting yourself to an undiluted sonic onslaught. Real face-melting stuff. Prodding and squirmy and barbed and apocalyptic and absolutely ripping. Representing a particularly weird and wild variant of death-oriented thrash, Nuclear Tomb have perfected a brand of chaos that appears, at first blush, quite unhinged. In reality, their approach is as calculated as it is contorted. In a case of promo material feeling exceptionally accurate, Nuclear Tomb do indeed skillfully integrate an old-school blistering aggression à la Sadus alongside a more punky off-kilter Voivodian approach to dynamics. That's a win/win combination in my book. On the very occasional Friday, a wagon arrives at the Sleeping Village’s crumbling gates, stuffed to the brim with sustenance. Today is the day we must offload all this new music, and so, in the process, we thought it would be worthwhile to share some choice cuts from this veritable mass of fresh meat. This is what we’ll be--and have been--listening to today here at the Village HQ. We hope you join us in doing so! On the docket for today, April 12th, 2024 Necrot, Corvus Corone, Heavy Temple, and Exist
Written by: The Administrator
No time for a superfluous introduction. Here is a collection of things I love about Principality of Mechanical Violence, the latest album from death metal duo Soulmass. Let us begin. Firstly, I love the album artwork. I am inclined to judge a book by its cover, and the case of this gorgeous piece by Samuel Nelson, I was immediately struck by the evocative palette and setting. Here, Samuel has captured a moment in time so articulately as the moon rises over a prone gundam. This is the gloaming; the moment where dusk becomes night. I generally adore heavy usage of pinks and purples, and the color of the logo is warm and wonderful, full stop. The color scheme in general feels quite unique in the world of death metal, and stands out from the crowd. It is by far one of the best covers I've seen this year.  Written by: The Administrator
Here's a rare (but hopefully welcome) occurrence 'round these parts: a music video premiere! For our old-school readers who are perhaps a little skeptical of this more newfangled technology, consider this. It's kind of like a standard track premiere, but your eyeballs get a little piece of the action as well. Today's artist in question is the one-person Fire at the Plantation House. This progressive death metal project explicitly tackles conversations surrounding injustice and revolt, and the realities of contributing to efforts to resist systems of oppression while existing in a position of privilege. Make no mistake: this is overtly and unabashedly political stuff. Thematic content aside, the music itself is engaging and genuinely progressive, very willing to reject convention in favor of the truly unexpected. But please don't take this as mere promotional hyperbole--just glance at the band bio and you'll see mentions of death metal, bluegrass, neo-soul, and sacred choir alongside promises of memorable melodies and mosh-inducing riffs. But enough preliminary blathering--let's cut to the chase, shall we? We're honored to present the endearingly homegrown video for title track and album opener "Southampton Insurrection." Check it out below! As always, we'll meet you on the other side.
A celebration and examination of two albums, intertwined somehow in time and space, that also happen to be some of the finest music on the planet.
Written by: Chuck
Gentle waves embrace a rocky landscape. An ominous wash of colored sounds accented by gentle intermittent piano strokes. A feeling of intrigue and subtle panic. FIRE. The ground shakes and the landscape transforms into anticipatory grandeur. Something important this way comes. This is "The Behemoth That Lies Asleep." A familiar melody. A latin feel. Dynamic rhythmic movement across a soft fretboard. A moment to think. A moment to feel. Full throated restatement of the melodic progression arrives as a complete arrangement, quickly progressing into blast-beat driven black-ish riffs backed by fretless bass. Despite the already impressive technical display, the instrumentation is last on the mind. This is a moment to think. This is a moment to feel. This is "Introspection I."
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