Written by: The Administrator
One of my most-listened EPs of 2020 was Deserts of Mars' stellar Return From The Void, an eclectic and addictive 5-track project that effectively consumed my listening habits for the better part of a year. I'm fairly certain that these tracks are permanently and physically etched upon my brain, and I ended my (very extensive) review by predicating that I would inevitably be listening Return From The Void until the band released something new. Little did I know that new music from the Mars camp would be a loooong time coming. But! I am happy to report that Deserts of Mars have successfully maintained a prominent position in rotation whenever the urge for some familiar stoner metal hits. Which is, y'know, quite often. I am also happy to report that the mighty Dead Planet Exodus, released independently on Oct. 18th, was well worth the wait. Self-describing their hefty and irresistible style as "Mars Metal," Deserts of Mars exists in a fuzzy and occasionally tempestuous zone between stoner rock, grunge, doom, and a little trad metal attitude strewn about as well. This thing is loaded up with hard rockin' riffs and sci-fi flourishes galore, and immediately establishes a well-defined interplanetary aesthetic--not cosmic per se, but rugged and dusty. This is a concept album through and through, with the interwoven crash-landed-on-an-hostile-alien-planet storyline proving an engaging and consistent framework. And not to be overshadowed by the narrative, the music itself is likewise engaging and consistent. If you're looking for a brief review: Dead Planet Exodus is a wonderful album that successfully builds a world and capitalizes on pent-up potential, and I have very much enjoyed spending time with it over the past few months. If you're looking for a significantly longer review: I've got you covered. Read on below!
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Written by: The Administrator
Welcome back to AMPWALL Roundup, our new column dedicated to shining a little light on music that we slumbering scribes find whilst trawling through the explore page over on Ampwall. That "random tag" search feature has turned up some good stuff over the past week. If you don't know what this whole Ampwall thing is all about, please take a quick gander at Volume I, where we get a little more in-depth regarding the many virtues of the new platform/marketplace/community. We here at ye olde Sleeping Village are big advocates for the integration of additional resources into the independent artist's promo toolkit. To that end, having more music-purchasing people become aware of Ampwall's existence will only help it grow as a viable option moving forward. Anyways, let's get to the music! Below are 6 (more!) bands I highly recommend checking out.
Written by: The Administrator
Welcome to Sleeping Village Micro-Reviews: Volume I! The following is a collection of very short reviews written in reaction to individual tracks submitted by a delightfully eclectic assortment of artists. The only thing the musicians featured herein all have in common? They responded to our following twitter prompt: "If you reply to this tweet within the next uhhhh 60 minutes with a link to one of your songs, I'll check it out and write a lil' micro review." And so here we are. Thank you to everyone who submitted tunes, I had a lot of fun doing this and will certainly be sending out a similar prompt again in the future. To everyone reading, I hope you find something lurking below that appeals to your tastes. Please note: we had a few submissions come in after the deadline--they will not appear here, but I will collect them all in a forthcoming Volume of Sleeping Village Micro-Reviews. If you are responsible for one of those submissions, fear not and stay tuned! Enough of my blathering. Without further ado: 
Time is regrettably short 'round these parts, so please accept this abbreviated review with the full guarantee that the album in question deserves many more words.
After spending far too long in the belly of the death metal beast, this recently awakened scribe has been craving some lighter fare as of late. Now, then, seems like an opportune time to take a well-earned gander at Spacelord's stellar False Dawn, released this past Friday. Spoiler: I really like it, and I think you should buy it. And you don't just have to take my word for it. Reviews have been favorable, the Doom Charts placement was been more than respectable, and talk has been quite positive--in fact, I haven't heard anyone with critical word to say about this album, and in an genre arena where words "derivative" and "unoriginal" are frequently thrown around, that's no small feat. |
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