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Those of you who have been around since the inception of the Sleeping Village may remember one Ancient Hand, who was around...well, technically before the inception of the Village proper. Back in 2018, he was one of the very first people I met whilst writing silly lil' reviews on Instagram. He wrote some stuff here, I wrote about some of his musical projects...and then we both kinda stopped using Instagram. Needless to say, it was quite nice indeed to receive an email with this surprise AOTY list. Here it is (sans pink background, which is sadly not possible to replicate). Enjoy! - Ed Written by: Ancient Hand 2024 was filled with albums that I highly anticipated and was extremely satisfied with upon release, but 2025 held a number of records that were absolute surprises– both from artists I was aware of but maybe didn’t expect a ton in terms of quality and from artists I had never heard of before. I am happy to have listened to over 90 records that came out in this one calendar year and run down my thoughts on some of them! Let’s get started with my honorable mentions: records that I very much enjoyed but did not have space on my top 10 for.
This year was not without its duds, of course. Therefore, I feel I have to share what I think is the worst album of the year. In jest, of course. All art has value… or whatever.
And a quick shoutout to my biggest disappointment. It hurts, and I won’t harp on it for fear of disrespecting my kings.
The EPs this year were not as strong as last year’s in terms of overall standouts, but the highs of this year’s EPs did clear last year’s. Here are my top 3 EPs of the year!
And now, the moment I’ve been waiting for that nobody actually cares about… my top 10 albums of 2025! (at the time of writing this, who knows what I will think in the future… who knows what the future holds for any of us, fuck ICE by the way):
 #3: Ego Death At A Bachelorette Party by Hayley Williams Now this one… we knew music could sound like this. Williams’ exploration of late 90’s-early 00’s sounds feels familiar while its presentation is anything but. Releasing the record as 17 standalone singles that listeners could construct in whatever order they see fit is something that can only be done in the digital age, and, more importantly, feels like something truly new and inventive from a release standpoint--something we as music fans have been desperate for since the commodification of every moment of our listening. “True Believer” is Williams at her lyrical best--20-something years into her career--while “Hard” is anything but its title, eschewing bravado for vulnerability and exploring the warring gender expressions of Williams after decades of being surrounded by testosterone and dangerous peers in the alternative music scene. My only issue is that with the official release of the album, the record’s tracklist feels off to me. The physical release obviously needs a clear order, but a burned CD-R in a clear jewel case made by you and decorated with a sharpie is the only real way to experience these tracks.  #2: Willoughby Tucker, I’ll Always Love You by Ethel Cain A lyrical prequel to (spoiler alert for my 2030 list…) the decade’s best record, Preacher’s Daughter, Willoughby Tucker, I’ll Always Love You is a slowcore dirge for a high school romance fallen apart. Ushering in a closer-to-even split between tracks with vocals and instrumental tracks, Anhedönia creates an equally cinematic experience compared to her 2022 debut, but this time around, she delivers a tale focused inward: exploring themes of regret, love, and loss compared to the external threats of Ethel Cain’s tragic ending. Sensitively painting a hazy image of the blood-stained blonde that started it all, Anhedönia led me to downright weep at the pain suffered by both counterparts in this foreboding love tale. “Nettles” is an all-time love song for the patient. “Dust Bowl” is a fan staple and has been since the demo was posted on SoundCloud. “Tempest” is a disturbingly believable exploration of the young male psyche, where vitriolic insults lie in wait at the back of the tongue, waiting to be hurled at those most loved until the brain is finally finished developing… as long as it is free of “sulfuric acid.”  #1: Lonely People With Power by Deafheaven Deafheaven somehow cleared the seemingly impossible task of Sisyphus with this record. They topped 2013’s Sunbather, a record that has held a special place in my heart since I first heard it. However, this album might be the band’s new greatest outing. The songs are significantly more packed with vocals than previous black metal outings, which some may like less, but Clarke’s lyrics are at an all-time profound. I struggle to put into words the emotions this album stirs in me. I will leave it at this: incredibly tight and ferocious performances manage to maintain aggression (“Doberman”) while also giving way to starkly beautiful moments (“Amethyst”) and disturbingly brutal honesty (“Body Behavior”). This is a record for anyone who feels lonely in this panoptic age. “I was a man made of yesterdays Mornings glowing like coal Blinding the every day Legs buckling together when moving” Big thanks to Ancient Hand for the words! Give him a follow over on Instagram. I personally found some unfamiliar stuff in these lists--hopefully you did as well. - Ed.
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Written by: The Administrator
This one admittedly came down to the wire, but we still got this one in before 2026 begins so all is well. If you've missed out on my long-winded justifications for why my Favorites lists habitually run a year late, you can find an explanation here. Long story short, this year-behind approach allows releases to outlast a narrow moment in time. I enjoy the process of reflection, and I like to think a shoutout 18 months later or whatever is nice for the bands involved. So! These are 24 albums from 2024 that are, in significant hindsight, still very much my favorite albums of 2024. In terms of format, this list follows my established convention, i.e. alphabetical and unranked. Genres are primarily metal and hip hop adjacent--someday I may split the list into different genre categories for the sake of covering more releases, but today is not that day. If you are at all interested, you can check out my Favorite EPs of 2024 here, and my Favorite Album Artwork of 2024 here. The trilogy is complete. Regardless of whether or not you check out anything appearing in these lists, I hope you're inspired to revisit a favorite or two from yesteryear. To the readers: thank you for reading! It means a lot and I am very grateful that you've chosen to spend time checking out what some random internet guy thinks is cool. To the artists: thank you for making music that is cool. I have very much enjoyed listening and writing. Let's dive in, shall we? 
Written by: The Administrator
Whelp. Here I am once more, basking uncomfortably in the midst of list season, justifying why my year end lists are published a year behind schedule. If you've been around for a while, please feel free to skip ahead to the good stuff. If you're wondering why I do it this way, here's a brief explanation: I firmly believe that staying power is an important aspect of music appreciation. The ability of a project to outlast the narrow moment in time immediately surround release day is a testament to its quality. In deliberate spite of the inevitable industry churn, I enjoy the process of looking backwards to revisit old favorites at this time of year. But mostly, I started doing this because I got wildly off-schedule and found great value in committing to the bit. This is the way it is, now and forever. If you are at all interested, you can check out my Favorite Album Artwork of 2024 here, and my Favorite Albums of 2024 list will follow at, y'know, some random and inopportune point in the future. So: here are 20 EPs from 2024 that, given significant hindsight, are still my favorite EPs of 2024. They made an impact and stuck around in my rotation, and that's worth celebrating. As per established precedent, the following list draws from the assorted genres and subgenres that interest me, mostly within the sphere of metal and rap. I took some liberties with the "EP" label; some may technically be mini-albums, so apologies in advance. The list is alphabetical and unranked. Everything comes highly recommended. I'd also like to issue a massive umbrella "thank you!" to every artist who contributed to the releases contained within this list. And to you: thank you for your readership of this little music blog! You're very cool and I appreciate you very much. 
Written by: The Administrator
When it comes to jazz rap in the modern era, McKinley Dixon quite simply has no equal. His stellar Beloved! Paradise! Jazz!? handily made my Favorite Albums of 2023, and I'm pleased to announce that this follow-up is an even clearer distillation of his uniquely vibrant style. Indeed, the Chicago rapper has only grown more competent when it comes to imbuing his projects with seemingly effortless fluidity and lushness. The live instrumentation feels profoundly alive, relishing in a bold and organic eclecticism. On the title track, for example, jazz guitar flirts with sparkling flutes, chaperoned by scintillating sax. It feels like a whole lot is going on, but somehow the underlying boom-bappy vibe keeps it grounded. Elsewhere, clean piano communes with brash brass, riding funky bass and crisp drums. The percussion is particularly exciting, continuing infusing tracks with an exciting energy. Some tracks are dusty and pattering, some are overtly growling and menacing. Some lean into the wailing lamentation of the saxophone. Some are almost overpoweringly bright and colorful, like unto listening to music through a sun-drenched prism.  Written by: The Administrator Yes, I know I don't formally rank my favorite albums of the year, but Let God Sort Em Out is indisputably #1. And yes, I know I don't rate albums, but after much consideration I am considering it a perfect 10. I have no complaints, no unsolicited notes. I am consumed by a radiant admiration for the impeccable execution of the craft. There are zero skippable tracks. Pretty sure skipping is cosmically impossible, in fact. If I get the urge to listen to any track in particular, you know I'm starting at the top and letting the whole damn thing play out. From the emotional "The Birds Don't Sing," to the intimidating swagger of "Ace Trumpets," to the narrative-driven snarling coke rap teamup with Stove God Cooks on (song of the year?) "F.I.C.O.," the Brothers Thornton deliver on literal decades of wordcraft and worldbuilding experience. Pusha T nails a level of intention-setting intensity that has become a bit of a trademark over the years, and Malice's similarly trademark second verses absolutely level the playing field with masterful wordplay and punchy rhyme schemes. He is an absolute force of nature as a lyricist, and his delivery is as pugilistic as they come. Pusha T has always been antagonistic, but at times Malice's tone practically drips with vitriol. Have you ever heard someone say "penne a la vodka" with such force? They both operate with an extremely admirable precision and care, with every single word feeling essential in the greater construct of the whole. They are masters of impact. And that's not even mentioning the glorious pantheon of Kendrick Lamar, Tyler, the Creator, Ab Liva, and Nas guest verses. While Kendrick has received much recognition, Tyler's verse on "P.O.V." is a standout for me--the way he delivers "I need God to play the lead in my biopic" is so unreasonably hard that, upon first listen, I needed to pause the track to refill my lungs. And then Malice drops in like a tungsten rod from God to absolutely demolish the third verse. And lest he be forgot, it's excellent to see Pharrell at the reins of production once more. I swear he's saved his best beats for years, saving 'em and breaking 'em out for the perfect occasion. His drums are striking and vivacious; his sample game succeeds enormously creating dramatic and attention-grabbing moments. I love, for example, the repeated integration of "cuz it's hot!" on "M.T.B.T.T.F." And if you haven't yet had the pleasure of hearing the masterful utilization of Tahal Maddah's "Maza Akoulo" on "So Be It," I highly recommend giving it a listen below. The cohesion Pharell's production imparts upon the tracklist is essential. I mean, I'm still in awe. Let God Sort Em Out is God-tier. What an incredible comeback project on all counts. I wish I had the time to devote a full review to this release. From the extensive backstory to the sheer influence it inevitably carries into the future, it deserves a dissertation. Clipse - Let God Sort Em Out was released July 11th, 2025 via ROC Nation Distribution. Clipse can be found here
Written by: The Administrator
Once more, we bear witness to yet another 2025 rap album that, if released any other year, would have easily served as a strong AOTY contender. The competition this year is fierce, almost unbelievably so. The arena is packed to the brim with viable champions, and the brilliant (albeit confusingly entitled) Lei Keli ft. 47 / For Promotional Use Only has found a comfortable position among my roster of 2025 favorites. And yet, despite demonstrating a clear artistic vision whilst running the gamut from badass bangers to heartfelt introspection, this project has received far less hype than it deserves. Indeed, Leikeli47 has been unfairly overlooked and underrated for far too long. In this era where rappers are lauded for their lyricism, experimentation, and willingness to put in the effort, where are the laudations for Leikeli47? With every release, she only gets better. While 2022's Shape Up undeniably contained some very high highs, Lei Keli ft. 47 / For Promotional Use Only is her most cohesive album to date from a quality standpoint. There's pretty significant variety on display here, with a radiating assurance and an infectious energy permeating the project as a whole.
In a continuing attempt to cover more music that would all-too-oft slip through the very large cracks, we slumbering scribes are making an effort to publish short reviews at a greater frequency, thereby shining our very small spotlight on more cool shit. Without further ado:
Written by: The Administrator
2025 has been an undeniably incredible year for rap, and while this particular collaborative project was one of the first albums of the year to make a splash, I fear it has been largely forgotten in the flood of post-February releases. It's currently sitting within the loose confines of my favorite 25 albums of the year, and after many listens, I'm itching to write about why I enjoy its strangely seamless meeting of minds. So here we are. Given the seemingly distinct lanes Larry June and 2 Chainz have historically operated in, I will concede that on the surface, this seems like an unwieldly collaboration. There is uncommon genius in the oddity, however. An interesting tension exists between Larry June's understated raps and 2 Chainz's often outlandish near-mythical character. The former is an introspective corner lurker, the latter tends to bask in a bombastic larger-than-life persona. I do find that their individual projects have the tendency to lose momentum, but here, when their styles meet in the middle, their togetherness provides a level of intrigue that forces a sense of balance. 2 Chainz has certainly leaned into a more understated delivery; Larry June embraces a little more braggadocio. Both exercise a maturity that feels confident and lived-in. The lyrical substance often focuses on aging in the business, fatherhood, emotional regulation, words of motivation. Grown man raps. And notably, when their verses meet, they do so without a ripple. Nothing is jarring, everything is effortlessly smooth. The album flows. And, lest he be forgot: at this stage in his god-tier career, I'm confident that The Alchemist understands intrinsically how to make any song sound regal, lavish, luxurious, and otherwise heavenly. While the drumless minimalism across the board is generally gorgeous, the integration of the vocal sample in the bold "Bad Choices" in particular is absolutely sublime. The whole project is gloriously nonchalant, occasionally even disengaged...but in a way that feels like "cool and confident escapism" rather than "boring dad rap." If that's not a rousing endorsement, I don't know what to say. Larry June x 2 Chainz x The Alchemist - Life is Beautiful was released February 7th, 2025 via The Freeminded Records / 2 Chainz / ALC / EMPIRE. Find it on Bandcamp here!
In a continuing attempt to cover more music that would all-too-oft slip through the very large cracks, we slumbering scribes are making an effort to publish short reviews at a greater frequency, thereby shining our very small spotlight on more cool shit. Without further ado:
Written by: The Administrator
I'm an established fan of redveil--his 2023 EP playing w/ fire was one of my favorites of that year. As such, I've been eagerly awaiting news of a new project from the redveil camp, and while 2024 didn't see a full project, he did drop a couple of singles, with this latest, "what3ver," materializing on the very last day of the year. This is an excellent track, both a display of redveil's skill as a rapper/producer, and highly re-listenable to boot. The hook is earwormy in a way that feels more subtle than immediate. The clean production is bright and crisp, almost glowing. Warm and immersive stuff, with the eventual piano adding a nice flourish. Meanwhile, his lyrics paint a short and sweet narrative of recognizable unrequited love. I love the second verse where he discusses his casket outfit in detail: "I can get it all dry-cleaned quick, I just need you to decide/Maybe I'll be satisfactory if I'm easy on your eyes." I feel like I saw more that a few reviews and articles comparing his cadence and lyrical approach on 2022's Learn 2 Swim to Earl Sweatshirt, which felt like a fair comparison for that project. Here, several years later, there's a similar focus on impactful word choice, but "what3ver" feels first and foremost like a redveil song. As a rapper, he has a distinct identity, which bodes well. I feel like in a few years we'll be saying that up-and-coming rappers take influence from redveil. Anyways, yeah. This is great. Fingers crossed that "what3ver" serves as the first salvo of an album cycle, or at least an indication that redveil is in the mood to release music. I'm hopeful that the fireworks on the outro signal the beginning of something anew. In any case, 2025 would be the perfect time for new redveil. redveil - "what3ver" was released Dec. 31st, 2025. Find it here and listen below! 
Written by: The Administrator
If you are a purveyor of music review sites, you've undoubtedly learned to skip over the fluff that constitutes AOTY intros. The pointlessness of writing this isn't lost on me, let alone the fact that this is a list for, erm, the wrong year. In the music industry churn, an album released last year might as well be a million years old. Obsolete. Irrelevant. Forgotten. So: why 2023? Why not 2024, like unto a proper music review website? What's the rationale behind publishing this list a whole damn year late? There are two reasons. The first is that I think demonstrable longevity is an important aspect of music appreciation, and the ability of an album to outlast a narrow moment in time is a testament to its particular excellence. The second (and real) reason is that I am a profoundly lazy and frequently overwhelmed person, and compiling this list last December was a very large task that seemed, frankly, insurmountable. So here we are. These are 23 albums from 2023 that are, in significant hindsight, still very much my favorite albums of 2023. In terms of format, this list is alphabetical and purely unranked. The generally arbitrary structure of counting down to #1 simply doesn't demonstrate the way I enjoy music, nor is it an effective or accurate way to make recommendations. I'm also completely unconcerned about genre, as I listen to a lot of different stuff. If I'm writing a list, it should probably reflect the reality of listening habits instead of projecting a false image of metal exclusivity. Be prepared for eclecticism. I hope there's something lurking herein that catches your ear. A massive thank you to every artist who contributed to the releases below. And, dear reader, thank you for your readership and support of artists! You're the best. Yes, you. 
Written by: The Administrator
When you hear that emphatic "Conductor! We have a problem!" tag followed immediately by Boldy James' calmly nonchalant tone, you know you're inevitably in for a good time. This full project team-up with Kansas City's own Conductor Williams felt almost destined--like the universe demanded a partnership. They are both masters of their respective craft, and arguably operate in a similarly pensive aesthetic lane. The fruits of their collaboration was inevitably going to be worthwhile. My first interaction with Across the Tracks was the lowkey "Off-White Lumberjack," which then prompted me to check out lead single, the emphatic "Terms and Conditions." After that point, waiting for the midnight release was a bit of a chore, but fear not. I made it, folks...and then waited like 4 months to write a review. That's how it's done 'round these parts. Long-term slow-burn musical digestion, or laziness? You decide. |
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