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A celebration and examination of two albums, intertwined somehow in time and space, that also happen to be some of the finest music on the planet.
Written by: Chuck
Gentle waves embrace a rocky landscape. An ominous wash of colored sounds accented by gentle intermittent piano strokes. A feeling of intrigue and subtle panic. FIRE. The ground shakes and the landscape transforms into anticipatory grandeur. Something important this way comes. This is "The Behemoth That Lies Asleep." A familiar melody. A latin feel. Dynamic rhythmic movement across a soft fretboard. A moment to think. A moment to feel. Full throated restatement of the melodic progression arrives as a complete arrangement, quickly progressing into blast-beat driven black-ish riffs backed by fretless bass. Despite the already impressive technical display, the instrumentation is last on the mind. This is a moment to think. This is a moment to feel. This is "Introspection I."
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Written by: The Administrator
We slumbering townsfolk seldom find consensus when it comes to the world of music appreciation and unsolicited commentary, but we do enjoy some common ground from time to time. One such instance of is the inevitable positive reaction upon the release of new music from Pittsburgh's Úzkost. They've been dropping a string of consistently excellent and hard-hitting tunes over the past few years, with a clear plan to continue releasing singles across the coming year. Self-described as "blackened and doomed death metal," this crew demonstrates a real knack for relentlessly disorienting (albeit engaging) songwriting. I absolutely loved the standalone "Mt'hr" released a month ago for its unique ability to balance undiluted and unhinged rage alongside highly memorable hooks. Needless to say, the announcement of another track following on the heels of "Mt'hr" was cause for much celebration 'round these parts. Enter "Arise: Assemble! Conjoin Your Flame!" 
Written by: The Administrator
Let's get the obvious out of the way. If you're reading a review for a band called, erm, Chestcrush, and haven't yet mentally and physically prepared to have your sternum mercilessly shattered and ground down into the finest of bonemeal, you might want to swiftly backpedal into calmer waters. Two parts of this three-track monstrosity are perhaps the most belligerent and violent manifestations of the Chestcrush approach to date, which is saying something if you are familiar with their prior work. Indeed, Apechtheia is as crushingly malevolent as 2021’s stellar Vdelygmia. The aggression displayed is frankly pretty stunning. However, on this latest, the stakes feel grander and the violence at play feels more calculated, more sinister. The tracks are certainly longer, trading the comfort of familiar song structure for more expansive odysseys through grinding blackened death and, perhaps more uncomfortable, a viciously introspective brand of nihilism. Apechtheia is progressive in the sense that it truly feels like a deliberate progression beyond that which came before. It feels like a genuine maturation. 
Written by: Blackie Skulless
Since the band’s black metal inception, Worm have slowly moved away from that raw and punishing sound towards something far more layered, swiftly becoming a doom/death icon. Last year’s Foreverglade (review here!) saw a complete realization of this, cleaning up all of the loose ends that Gloomlord beheld. The early black metal influence certainly still peaked its head, but each subsequent record would see it become more and more of a background technique. This isn’t to say that it wasn’t present, just less obvious. And then Bluenothing happened. One year following the album that really sent them to a broader scope, Worm dropped an EP that takes the influence they mastered and brings forth more atmosphere and reflects more on the black metal. Fear not, as this is still packed with the bleak and empty voids of cleaner doom wails crossed with rhythms holding the force of a hydraulic press. But there’s a higher presence of keys to coincide with the higher guitar wails, and contrast the harsher death metal bottom.
This year, in an attempt to cover more music that would all-too-oft slip through the very large cracks, we're trying something new and novel around these parts. Namely, we're gonna actually publish the little one-off reviews that were previously (and arbitrarily) deemed too short for publication. In that spirit, here's a mini-review of a single worth checking out.
Written by: The Administrator
For those of ye unfamiliar, Settle For Shadows makes music that feels distinctly weird. This is evidenced across a swath of quality projects over the past few years. Even those earliest releases, which feel a little easier to nail down, are nonetheless quite quirky in their willingness to throw unexpected passages into the fray with nary a backward glance. That said, Settle For Shadows makes a fairly substantial turn on this latest single "The Mourn," delivering a blistering blend of raw symphonic black metal with a healthy deathcore stomp and vigor. There's an underlying chug on display that isn't present in the jazzy avant-gardism of Settle For Shadow's (excellent) 2022 The Bleak Demo, alongside a potent sense of organic chaos that feels a far cry from the punkier early EPs. The Bleak also presents a marching momentum that feels almost industrial from a percussive point of view, yet the vocals and symphonic elements lend the whole affair a delightfully untethered quality. Balancing the ethereal with the more overt aggression is always going to be a difficult game, but here, Settle For Shadows walks that line pretty damn well. "The Mourn" is a very cool single. Moreover, it is an intriguing and enjoyable new direction for a band that has consistently delivered intriguing and enjoyable music. I'd be very excited to hear more music like this, but would also consider myself suffonsified should Settle For Shadows elect to switch up the formula on the next release. Unpredictability is an underrated characteristic. Bottom line? I recommend you snag it here. Settle For Shadows - The Mourn was released August 5th, 2022 
Written by: Blackie Skulless
Since the debut demo Krønike I in 2020, Dødskvad were a band I’ve found quite intriguing. Crafting a clear sense for death metal in a very non-traditional fashion, these Norwegians brought forth a nasty taste of history and mythology coated in synths, blackened feel, and unsettling production. Now, they’ve followed this up with another treat simply titled Krønike II. In some ways it’s a clearer vision, more of what came before, but there’s certainly a brighter element of focus. By that, I mean this second onslaught of harsh and unlovable tunes seems to have a better idea of what it wants to be. Things progressively get a lot doomier, as the passages themselves slow down, with sharp percussion and bouncy bass popping through the surface to take precedence. Percussion is really big across the board, more so than before. Considering the synth overlaying and galloping rhythms aren’t going anywhere, this manages to pack so much into four songs. |
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