Written by: Blackie Skulless
Man do I love situations where a band doesn’t impress me at first, and then completely changes my perspective after another helping. Salt Lake City’s heavy metal quartet Blood Star didn’t offer a lot in the beginning. They only put out a few singles for a few years, but on this, the Year of our Lord 2023, they’ve come forth with a full-length, fully selling me. Unlike a few other traditional outfits that have sung me away this year, the band’s debut First Sighting is completely to the point, causing a love at first sighting…er, love at first sight; or sound, rather. What I’m saying is that this is very accessible! Playing it safe, Blood Star is very true to the classic roots of heavy riffing. The band holds loads of melody with anthemic choruses and a decent variance of tempo. Their vocalist boasts a powerful front, honing in on a clean approach that has loads of oomph, thus pairing nicely with tunes on the faster side. Not only is this very evident on “No One Wins,” but the short bass solo tacked onto the end of the lead’s bright presence is pristine! As a matter of fact, “bright” is a pretty good word to describe all of this, considering how nicely every instrument comes through. Even the speed metal backbone of album closer “Wait To Die” couldn’t even escape this, so you know consistency is not an issue.
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Written by: Blackie Skulless
My first impression just looking at this artwork had me thinking a death metal painting had collided with a traditional metal logo. Would the music reflect that? Not at all. The Swiss outfit Megaton Sword veer on the epic side of the traditional metal flavors, which has been a slow development since their first EP. While not changing much in style from before, Might & Power is the band’s most concise and compelling work to date. Don’t take that lightly, because both the prior full-length and the EP hold a pretty hot flame. As with many bands that take this approach, part of the magic lies in letting the epic coats sit nicely atop several different songwriting approaches. Here there’s a pretty even blend between upbeat, hopeful attitudes, choppy crunches, and full-on catchy vocals. Better are the numbers that push all of that into one song. “Iron Plains” is almost obvious with its aim for being one of the standout numbers, but I’ll be damned if it isn’t incredible. Cool emotion in the chorus, the speedier gallops, a slow melting center, and stellar buildup into blast beats seal this banger’s fate as the perfect epic metal tune. 
Written by: Blackie Skulless
Once in a blue moon, I’ll come across something that I find to be decent at best, worthwhile enough to revisit, and each subsequent revisit makes me appreciate it a little more. The Chilean heavy metal outfit Shadows fit that exact situation. Without the backing familiarity of their EP, going into this blind yielded many surprises. While in the realm of “traditional metal,” I would struggle to call their debut Out For Blood traditional at all. The term fits in regards to the riff style, but there’s really a lot going on here, giving it that effect of growing more addictive every time I hit it. In a formulaic sense, this is everything I could ask for. Rough and raw rhythms with grating burrs make up an otherwise melodic foundation, backed by some thunderous basslines and eerie synths to muffle coarse edges. Emphasis on the melody, though, because almost every lead is surprisingly catchy amidst a foggy haze that matches the obvious occult-loving album art. It should come as no surprise that influences of doom metal make a pretty aggressive appearance. This is more evident in the presentation, however, not so much in the riff structure; very seldom do we find doomy riff stomps. |
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