|
Every Friday, a wagon arrives at the Sleeping Village’s gates, stuffed to the brim with our sustenance for the following week. Today is the day we must offload all this new music, and so, in the process, we thought it would be worthwhile to share some of our choice picks from this veritable mass of fresh meat. This is what we’ll be listening to today here at the Village HQ. We hope you join us in doing so! On the docket for today, May 29th, 2020: Xibalba, Atavistia, Paralysis, and Held In Secret
0 Comments
Every Friday, a wagon arrives at the Sleeping Village’s gates, stuffed to the brim with our sustenance for the following week. Today is the day we must offload all this new music, and so, in the process, we thought it would be worthwhile to share some of our choice picks from this veritable mass of fresh meat. This is what we’ll be listening to today here at the Village HQ. We hope you join us in doing so! Note: there was a veritable horde of excellent music released today. As such, we tried to focus on some lesser-known artists for this edition. More reviews to follow in days to come! On the docket for today, May 22nd, 2020: Pile of Priests, Molder, Without Light, and Capra
Every Friday, a wagon arrives at the Sleeping Village’s gates, stuffed to the brim with our sustenance for the following week. Today is the day we must offload all this new music, and so, in the process, we thought it would be worthwhile to share some of our choice picks from this veritable mass of fresh meat. This is what we’ll be listening to today here at the Village HQ. We hope you join us in doing so! On the docket for today, May 8th, 2020: ...and Oceans, WitchUrn, Holden, Hadewijch, and ÆNON
BONUS TRACK RELEASE!  ÆNON - In All Honesty (New Single!) Normally I'm not one to go for metalcore, progressive or otherwise, but sometimes you need A. some meaty breakdowns and B. a melodic kick in the ass. ÆNON deliver both with their latest single--a Make Them Suffer/Parkway Drive-esque explosion of headbangable fury. Of particular note is the whiplash-inducing (in a good way!) use of tempo changes throughout the breadth of the track. It tugs and pulls and throws the listener, but never loses sight of the core sense of melodicism. Definitely a solid showing--I'm excited to see more from these guys. Check 'em out! Welcome to ON THE HORIZON, our relentlessly infrequent feature wherein we discuss upcoming albums that have caught our sleep-encrusted eyes. Us Villagers are always on the lookout for the next best thing to wake us from slumber. On the docket today: the forthcoming full-length from Pomona, California's Xibalba.  While we use terms like "pummeling" with great regularity around these parts, I'm always vaguely worried that those words have become cheapened--synonymous with "heavy," rather than with "physically damaging beyond repair. And, as fans of loud and aggressive music, sometimes we just need something that kicks it up a notch. You know, a classic skull-crushed-by-bulldozer type experience. I was in the mood for such an experience today, and, graciously, Xibalba were ready to oblige. Their forthcoming full length, Años En Infierno, will be hitting the streets on May 29th--but, more immediately, Revolver is streaming the title track from said album. It's a bruiser.
Xibalba have historically nailed that hearty combination of sinewy groove, meaty death metal riffage, and breakdown-worthy hardcore aggression. Here, that same formula is employed to great effect--with a deliberate focus on conjuring a plodding, hefty, and otherwise bone-crushing atmosphere. Momentous drums and thunderous roars lead to an ominous mid-track breakdown that can easily roll with the best of 'em. Despite its simplicity, the leisurely pace and immeasurable weight makes a serious impact. This is brutality incarnate. As you head through your Monday, I highly recommend you give "Años En Infierno" a spin or three. And, spoiler: the rest of the album rips just as hard--if not, dare I say, harder. Without further ado: head over to Revolver to stream the excellent "Años En Infierno." If that's to your liking, check out the album trailer below: Every Friday, a wagon arrives at the Sleeping Village’s gates, stuffed to the brim with our sustenance for the following week. Today is the day we must offload all this new music, and so, in the process, we thought it would be worthwhile to share some of our choice picks from this veritable mass of fresh meat. This is what we’ll be listening to today here at the Village HQ. We hope you join us in doing so! On the docket for today, April 16th, 2020: At the Altar of the Horned God, FOES, REPTILIUM, and Funeral Leech
Examining the Years 2004 to 2019 Written by: Ancient Hand Underoath: A group of musicians that stretch the definition of “metalcore” to its limits. Also defined as: “Christian Metalcore”; more accurately defined as: A tidal wave of experimentation in a dry desert of formulaic metalcore in the mid-2000s (with the exception of Converge).  After years of experimenting with black metal sounds and lyrics dealing with topics ranging from sexual assault to failing relationships, all under the lens of Christian faith, Underoath reinvented itself. With a new vocalist, Spencer Chamberlain, front-manning the group, the sound of the band began an evolution that would never cease-- even to this day. This era of Underoath, often dubbed “The Spencer Era,” is all the band considers themselves to be nowadays, even stating that their famous album, They’re Only Chasing Safety, is their “first album.” To many fans, this is a slap in the face to the band’s beginnings, but it is important to note the drastic shift between the band’s first 3 releases (Act of Depression, Cries of the Past, and The Changing of Times) and their world-famous 2004 release, They’re Only Chasing Safety. While I will not spend my time discussing these first few releases, I still do consider them a part of Underoath. What I do want to discuss are the many aspects of the band post-2003. The shift in the Underoath’s sound, musical stylings, lyrics, and approach to making music all culminate in a band that can only be described as important.
|
Welcome!We provide thoughtful reviews of music that is heavy, gloomy...and loud enough to wake us from slumber. Written by a highfalutin peasantry. What are ye
All
|
RSS Feed