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FRESH MEAT FRIDAY - July 17th, 2020

7/17/2020

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Every Friday, a wagon arrives at the Sleeping Village’s crumbling gates, stuffed to the brim with our sustenance for the following week. Today is the day we must offload all this new music, and so, in the process, we thought it would be worthwhile to share some of our choice picks from this veritable mass of fresh meat. This is what we’ll be--and have been--listening to today here at the Village HQ. We hope you join us in doing so! 
On the docket for today, July 17th, 2020:
Väki, Eremit, Entry, and deathnoisefrequency

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Väki - Kuolleen Maan Omaksi ​
(Redefining Darkness Records)

The illustrious Redefining Darkness deals pretty exclusively in gritty and grimy death metal, so (on the rare occasion) when they dip their toes into blackened waters, you know the album/artist in question is exceedingly worthwhile. This is certainly the case for the Finnish Väki, who present a delicious brand of chaos-ridden black metal that recalls The Great Old Ones in its telltale complex frenzy. There's a distinct focus on oppressive atmosphere throughout, with little attention given to pleasing melodic or earwormy hooks--despite an admitted penchant for muscular riffage amidst the fray. This album is equally explosive and introspective, and every listen reveals an additional layer of complexity. A must for those in search of quality chaotic black metal...but perhaps not an album intended to entice newcomers into the darkness.

Find it on bandcamp here!

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Eremit - Desert of Ghouls ​
(Transcending Obscurity)

Eremit--Germany's heaviest doom duo
--are swiftly becoming masters in their own right when it comes to delivering crushing-yet-atmospheric-sludge. Desert of Ghouls ​is a beast unto itself--easily their most ambitious and technically adept accomplishment yet. The behemothian bass tone is utterly sasquatchian. The drums are forceful and present. The compositions are dynamic and dexterous, at times reaching a near-hypnotic cadence. Sludge lives and dies by an ability to maintain interest, and here, Eremit's songwriting abilities clearly enhance the two tracks beyond the sum of their sonic parts. If you're looking to sample...I recommedn you just listen to the whole damn thing. "Beheading The Innumerous" is plodding and pummeling, whereas "City of Râsh-il-nûm" is more progressive and exploratory. Both are, I humbly submit, essential listening.

​Find it on bandcamp here!


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FRESH MEAT FRIDAY: June 26th, 2020

6/25/2020

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​Every Friday, a wagon arrives at the Sleeping Village’s gates, stuffed to the brim with our sustenance for the following week. oday is the day we must offload all this new music, and so, in the process, we thought it would be worthwhile to share some of our choice picks from this veritable mass of fresh meat. This is what we’ll be listening to today here at the Village HQ. We hope you join us in doing so! Note: there was a veritable horde of excellent music released today. When the wagon overflows with such wealth, it's up to the weary peasants to make sure everything gets delivered. As such, our very own Volt Thrower stepped in to help provide some extra reviews. Enjoy the bounty!

​On the docket for today, June 26th, 2020: 
​
Pyrrhon,
 The Third Kind, Battle Born, Uprising, Green Claws, Pale Divine, Fleshvessel, and Ohhms

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Pyrrhon - Abscess Time
​(Willowtip Records)

I'll be honest: I genuinely had no clue how avant-garde metal mavericks Pyrrhon were ever going to top 2017's brilliant What Passes For Survival​. As it turns out: they don't. But that's okay, 'cuz despite not pushing boundaries when taking their own work into consideration, this crew has once again proven their prowess in the avant-garde arena. This behemoth runs a veritable gamut of genres and influences, from grind, to raw death metal, to overtly experimental noise. The complexity on display is effectively unmatched by...well, anything other than the band's own past work. In sum? While Abscess Time didn't blow my expectations out of the water, it remains a prime example of Pyrrhon's dominance in the game.

​Find it on bandcamp here!

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The Third Kind - Man vs Earth
(Independent release)

Amen! My kingdom for a 23 minute album! I love frenetically brief onslaughts,
particularly when wrapped up in crossover thrash glory. As a street thrash outfit by trade and ethos, The Third Man is scrappy and tough, albeit with a subtly modern edge. There are skinned knees and elbows a-plenty to be had herein, with an emphasis on fast-paced verve and nose-bloodying groove. Tghe entire affair, of course, oozes NYC hardcore 'tude and swagger.

These guys don't even come close to reinventing the wheel with 
Man vs Earth, but I sincerely doubt that was ever the point. This is dynamic and energetic music perfect for a mosh or a bare-knuckle streetfight.

Find it on bandcamp here!


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Bandcamp Day Donation Roundup

6/4/2020

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On a typical Friday, we Sleeping Villagers spend some time looking over new releases. Today, however, is not a typical Friday. Instead, we are opting to focus entirely on bands that are donating today's proceeds to bail funds, mutual aids, and other organizations working hard to bring positive change and assistance to black individuals and communities, who, (as you are hopefully all aware,) are disproportionately impacted by police brutality and racist institutional oppression. Bandcamp is not taking a cut of sales today, so all proceeds will go directly to artists--and, in turn, into the hands of organizations that can turn dollars into action. 

If you're looking to donate directly to a bail fund working to support jailed protesters, either in your city or in cities heavily impacted by police brutality and wanton arrest during this past week of demonstrations, here is a link. 


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FRESH MEAT FRIDAY: May 15th, 2020

5/15/2020

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​Every Friday, a wagon arrives at the Sleeping Village’s gates, stuffed to the brim with our sustenance for the following week. Today is the day we must offload all this new music, and so, in the process, we thought it would be worthwhile to share some of our choice picks from this veritable mass of fresh meat. This is what we’ll be listening to today here at the Village HQ. We hope you join us in doing so!

On the docket for today, May 15th, 2020:
 In The Company of Serpents, Devangelic, OKKULTOKRATI, and Vide/Witchbones

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In The Company of Serpents - Lux  
(Self Released)

Now this. This is doom metal how I like it: an exercise in extremes. menacing yet delicate, dynamically light-footed yet seismically plodding, and utterly willing to throw genre convention out the window. From neo-folk acoustics to sludgy Neurosisian heft, In The Company of Serpents demonstrate a keen ability to shift expectations and apply nuance to a genre that all-too-oft relies entirely on the power of the riff. There's a gentle balance struck here between the lighter ambiance and the shadow-cast atmosphere that few bands are able to apply. Simply put, this is an engrossing album, likely to appeal to anyone who enjoys doom across the spectrum from thick sludge to esoteric psych.  Hence, I do gladly declare that Lux is the greatest album this week has to offer. 

​Find it on bandcamp here!

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Devangelic - Ersetu
​(Willowtip Records)

Ersetu is the first album of its ilk to appear on Fresh Meat Friday--namely, an album that I don't understand, nor particularly enjoy. That said, there is something intriguing dwelling in these repetitive riffs, and I aim to spend the day figuring out what that quality is, hence the inclusion here. On the plus side: Devangelic has their brand of filthy rhythmic riffs delivered in rapid-fire succession down to a science. The downside? Those same incessant riffs are the entire meat of this album. There's no deviation, no dynamism in the songwriting--which ultimately leads to an utter lack of perception of one's place in the album. Track distinctions lose meaning. As such, Ersetu feels more like submersion into a brutal bath, an exercise in hypnosis by incessant march of sixteenths.

Find it on bandcamp here!


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FRESH MEAT FRIDAY: May 8th, 2020

5/8/2020

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Every Friday, a wagon arrives at the Sleeping Village’s gates, stuffed to the brim with our sustenance for the following week. Today is the day we must offload all this new music, and so, in the process, we thought it would be worthwhile to share some of our choice picks from this veritable mass of fresh meat. This is what we’ll be listening to today here at the Village HQ. We hope you join us in doing so!
On the docket for today, May 8th, 2020:
...and Oceans, WitchUrn, Holden, Hadewijch, and ÆNON

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...And Oceans - Cosmic World Mother
​
(Season of Mist)

Let's not draw this out: symphonic black metallers ...And Oceans have made a remarkably  triumphant return from the depths of increasingly industrial and electronic experimentation. Here, the meloblack is (largely) back, with a renewed focus on atmospherics and melodic composition. Shylmagoghnar feels like an apt (albeit lesser) comparison, as ...And Oceans execute a blend of powerful aggression, triumphant and near-grandiose symphonics, and and gorgeous sonic accoutrements with a grace and confidence that very, very few can match. Cosmic World Mother is the kind of album that sucks you in an spits you out with the desire to immediately dive back in. This is a wonderous return to form for ...And Oceans, and is, undoubtably, an album that I will be enjoying for quite some time. 

Find it on Bandcamp here!

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WitchUrn  - The Debt 
​
(Self Released)

...But, dear readers, I am excited to inform you that today's best blackened-affiliated record may actually  
be 
the debut album from WitchUrn. At risk of gushing, The Debt delivers almost everything I love in a single package--vicious thrashy freneticism, forward-thinking aggression, dynamic (and at times damn near surprising) composition, emotive vocals, and just enough braggadocio to exercise technical prowess without flaunting it. There’s just enough death metal weight to lend the affair a groundedness that blackened thrash all-too-oft lacks, and just enough progressive meandering to allow the audience a moment to breathe. I do wish that the acoustics of the intro were implemented a tad more, but...what else can I say? This is an absolute masterclass in how to write a (one man?!) debut album. Bravo. At this rate, a full-length review will undoubtedly follow.

​Find it on Bandcamp here!

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Holden  - Ursa Minor 
​
(Self Released)

​Groove-laden post-sludge? Rest assured: this slumbering scribe is always down. On Ursa Minor, Holden demonstrate that they have studied long and hard at the school of Conan-esque riffage, leaning into sluggish heft with a languid aplomb. Meanwhile, some harsh vocals punctuate the enormity of the tone. As drawn-out riffs are the name of the game, this is not music that grabs your throat and demands attention. Rather, it feels cinematic in scope--a flowing soundtrack, not a series of distinct tracks. As such, it serves quite nicely as background tunage for those times when you want some slow riffs but aren’t in the mood to focus intently. I, for one, in spring-cleaning fervor, will be spending the day sweeping the cobwebs and mouse bones from our drafty scriptorium, Holden spinning all the while.

Find it on Bandcamp here!

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Hadewijch - Herbal Doom
​
(Electric Valley Records) 

​Sometimes we all need to sink into the ethereal plant-based bliss of post-rock infused doom. Post-doom, perhaps? Who knows. In any case, Hadewijch deliver a single track-EP with the sole intent, presumably, in helping us calm our trouble minds. This track feels relentlessly organic--like falling asleep on the forest floor and become the compost heap upon which a garden grows. "Salvia" is dreamy, droney, and tastefully heavy. ​The meld of naturalism and unconventional stoner doom convention is pretty damn seamless. 

​As aforementioned 'round these parts, this particular scribe is consistently sober--but this EP/song makes me feel otherwise. Mission accomplished. If you've got 19 minutes to simply chill, I highly recommend you sample some Herbal Doom. ​Thank me later. ​

​
Find it on Bandcamp here!

BONUS TRACK RELEASE!
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ÆNON  - In All Honesty​ 
​
(New Single!)

Normally I'm not one to go for metalcore, progressive or otherwise, but sometimes you need A. some meaty breakdowns and B. a melodic kick in the ass. ÆNON deliver both with their latest single--a Make Them Suffer/Parkway Drive-esque explosion of headbangable fury. Of particular note is the whiplash-inducing (in a good way!) use of tempo changes throughout the breadth of the track. It tugs and pulls and throws the listener, but never loses sight of the core sense of melodicism. Definitely a solid showing--I'm excited to see more from these guys. Check 'em out! 


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FRESH MEAT FRIDAY: April 16th, 2020

4/16/2020

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Every Friday, a wagon arrives at the Sleeping Village’s gates, stuffed to the brim with our sustenance for the following week. Today is the day we must offload all this new music, and so, in the process, we thought it would be worthwhile to share some of our choice picks from this veritable mass of fresh meat. This is what we’ll be listening to today here at the Village HQ. We hope you join us in doing so!
On the docket for today, April 16th, 2020:
At the Altar of the Horned God, FOES, REPTILIUM, and Funeral Leech

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At the Altar of the Horned God - ​Through Doors of Moonlight (I, Voidhanger Records)

Ye olde I, Voidhanger specializes in delivering music that pushes boundaries and toes lines of obscurity and invention. In that regard, At the Altar of the Horned God certainly delivers: this album is a blackened avant-garde paganistic ode to the natural order. While the majority of the ritualistic soundscape blankets the listener with an odd meditative sensuality, a sharp vicious rage frequently shows teeth. Equal parts spiritual and menacing, Through Doors of Moonlight feels like a genuine journey--although it’s yet to be determined whether said journey leads into enlightenment...or through madness. Let me get back to you on that one; I’ve only listened to this horn’d beast once. Highly recommended for those of you who like a brand of black metal as experimental as it is organic.

Find 'em on bandcamp here!

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FOES - American Violence
(Glacier Recordings)

Metallic hardcore? Not my typical genre o’ choice. But sometimes you just need an ass-kicking soundtrack, and so here we are, latest EP from OR’s hardest hardcore outfit  clutched in white-knuckled grasp. In short? These guys rip it up with elbow elbow-throwing zeal, laying down a potent mix of punishing deathy riffage and gritty hardcore swagger. Muted chugs throw down alongside breakneck percussion and the most furious vocal delivery of the week.
 FOES are not here to make friends, and, in the process, will likely end up gaining themselves some fans instead--after all, if there was ever a time to be fuckin’ furious, this is surely it.
American Violence succeeds because it wears its vitriolic intent on its ragged and punk-patch ridden sleeves. Check this one out.

Find 'em on bandcamp here!


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VILLAGE CRYPT: Bethlehem - Dark Metal

4/16/2020

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Here at the Sleeping Village, we keep our most revered albums in....a very special place. Their time may have gone, but they are certainly not forgotten. Today's pick: another one of  The Voiceless Apparition's all-time favorites. The man, as you may have noticed, is on a goddamn roll with these retrospectives!

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Written by: ​The Voiceless Apparition​
  
Germany is quite known for their metal scene, whether it's the thrash of Sodom, the metalcore of Heaven Shall Burn, the death metal brutality of Morgoth...but then there's Bethlehem.  Bethlehem is quite an enigma in the German metal scene. They're pioneers (hell, they basically created dark metal) but also remain underlooked and underappreciated. So for my next review I decided to take on their legendary and underrated debut album known as Dark Metal, released in August of 1994 (exact date unknown) on Adipocere Records. Let's dive in to one of metal's more obscure albums.


"The Eleventh Commandment" begins the album on a catchy and eerily groovy note. The opening riff is superb: filled with melody, dread, and atmosphere. While this song is a great way to begin the album, it DOES NOT represent the album as whole, in my opinion. To drive that point home, track two, "Apocalyptic Dance," is where the album really kicks off. This song is the definition of dynamic. Melding in between spaced out sections and crushing doom, this song is a journey. My favorite part of the song is the last few minutes, because the song fades out, only to re-emerge into a down-trodden and depressive section with piano and a really memorable bass-line to keep you engaged, courtesy of founder Jurgen Bartsch. 


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VILLAGE CRYPT: Opera IX - Sacro Culto

4/15/2020

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Here at the Sleeping Village, we keep our most revered albums in....a very special place. Their time may have gone, but they are certainly not forgotten. Today's pick: another one of  The Voiceless Apparition's all-time favorites. Read on! ​​

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Written by: ​The Voiceless Apparition

Part III of my retrospective review series! Today's review is brought to you by the highly underrated Italian black metal band Opera IX and their second studio album entitled Sacro Culto, released on April 18th, 1998, on Shiver Records. This album marked an evolution in the band's sound compared to their first album, bringing in more elements of doom metal, gothic metal, classical, and small hints of folk, while still retaining their black metal roots. Does this extension of the bands sound work in their favor? Let's dive in.

Right off the bat, opening track "The Oak" swings out the gate and beats you over the head with a barrage of brutal and heavy riffs, but there's also a strong emphasis on the keyboards being a major part of the band, as they are implemented throughout Sacro Culto as a whole. This song is pretty pummeling the whole way through and serves as a teaser to what's to come, but without showing too much. Followup "Fronds of the Ancient Walnut" is a beast of a track. While still being brutal, there is a lot more atmospheric compared to the previous song.  The stars of this song are the riffs, and the keyboards/piano. They really complement each other so well, the guitar riffs/tone are so heavy and the keys are so pretty and spacious and gothic--all told, it really mixes well together. This is a definite highlight on the album. 


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VILLAGE CRYPT: Paara - Riitti

4/4/2020

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Here at the Sleeping Village, we keep our most revered albums in....a very special place. Their time may have gone, but they are certainly not forgotten. As ye may have noted, we're trawling through many of our 2018 Album of the Year picks--many of which, I'm pleased to state, still hold up today. On the docket for today: my personal #3 album of '18. Read on! 

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Like dissecting a joke, the process of over-analysis often kills the magic...but sometimes, it serves to enhance. The latter holds true here, & I can say with great satisfaction that over multiple attempts to pen this review, Paara’s Riitti has only tightened its delightful stranglehold. This is a masterfully crafted & richly emotive album, expressing folkish and blackened influences with a vibrancy eschewing mere imitation. Comparable to the glory days of Insomnium, or perhaps Moonsorrow if their songwriting wasn’t so, well, bland, each of these four tracks drives forward at natural gait without ever feeling overdone. This is particularly so in the case of intro track "Viimeinen virta"--the longest of the bunch, no less. A brave move with spectacular payoff. ​


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FRESH MEAT FRIDAY: April 3rd, 2020

4/3/2020

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Every Friday, a wagon arrives at the Sleeping Village’s gates, stuffed to the brim with our sustenance for the following week. Today is the day we must offload all this new music, and so, in the process, we thought it would be worthwhile to share some of our choice picks from this veritable mass of fresh meat. This is what we’ll be listening to today here at the Village HQ. We hope you join us in doing so!
On the docket for today, April 3rd, 2020:
SKAM, Weed Demon, AARA, and Lucifer Star Machine 

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SKAM - The Sound of Disease (Redefining Darkness Records)

“Anger” isn’t an unfamiliar term to us connoisseurs of the loud and heavy, nor to the bands who dwell in genres defined by explosive emotion. On Sounds of a Disease, Sweden’s own SKAM have found a way to hone anger into a purely belligerent form of explosive catharsis. Utilizing a potent blend of grindy death with d-beat punk ‘tude, this is a soundtrack to exorcise personal demons. Like unto chaos incarnate, the ridiculously swift-footed riffage skitters over powerful blasts and unhinged animalistic diatribes. When people talk about music as therapy, I don’t anticipate this being the first album on their mind--but for me, this short-n-visceral journey has been a lifesaver in recent days.

​$1 on Bandcamp, to boot!

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Weed Demon - Crater Maker (Electric Valley Records)

When it came to naming their sophomoric album, these guys genuinely couldn’t get more accurate than “crater maker.” How so? Part of what allows Weed Demon to stand apart from the horde is a distinct emphasis on sheer heft. The most essential aspect of Weed Demon’s sound is the sheer crushing heaviness on display. Everything is massive, impactful, and oppressive by design. This latest effort, notably, aggressively toes that line between stoner-drenched doom and sludge, but also brings in some bluesy acoustics to even things out. Despite these occasional moments of levity, Crater Maker is dark, warm, fuzzy as hell--an embrace from slow-moving subterranean magma. If you love big riffs: definitely worth yer while. 

Get it on Bandcamp here!


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