On a typical Friday, we Sleeping Villagers spend some time looking over new releases. Today, however, is not a typical Friday. Instead, we are opting to focus entirely on bands that are donating today's proceeds to bail funds, mutual aids, and other organizations working hard to bring positive change and assistance to black individuals and communities, who, (as you are hopefully all aware,) are disproportionately impacted by police brutality and racist institutional oppression. Bandcamp is not taking a cut of sales today, so all proceeds will go directly to artists--and, in turn, into the hands of organizations that can turn dollars into action.
If you're looking to donate directly to a bail fund working to support jailed protesters, either in your city or in cities heavily impacted by police brutality and wanton arrest during this past week of demonstrations, here is a link.
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Here at the Sleeping Village, we keep our most revered albums in....a very special place. Their time may have gone, but they are certainly not forgotten. Today's pick: another one of The Voiceless Apparition's all-time favorites. As I noted before, the man, as you may have noticed, is on a goddamn roll with these retrospectives. Once you're done with this retrospective, check out some of these look-backs on underrated classics! Written by: The Voiceless Apparition ...And just like that, we are back. Hello everyone. Today we're gonna take a small detour from the black metal-leanings of the last few reviews and go for where my heart lies: death metal. I'm happy to say that today's review is the debut album from Austrian death metal gods Pungent Stench, and their album entitled For God Your Soul... For Me Your Flesh, released on April 9th, 1990, via Nuclear Blast Records. This is a monumental album in the growth of the European death metal scene, and while it may be still underappreciated compared to it's peers, this is a bonafide classic to the ones who adore it. The album begins with really eerie intro before being led into "Extreme Deformity." This is the perfect way to start the album. Tasty and filthy grooves combine with pummeling death metal and grindcore brutality, but without sacrificing hooks and catchiness. A major facet of this album that I like quite a lot is the prominent use of bass on this album, courtesy of Jacek Perkowski. He gets time to shine with 2 glorious bass solos that mix well with everything on this song, but that's just a small aspect of this album as he is heard really well in the mix throughout the whole album. Track two, "Hypnos," is a bruiser. The groove sections on this song are glorious, they are simple and catchy but they still keep that energy and rawness to the song. Another fantastic tune on this fantastic album. Every Friday, a wagon arrives at the Sleeping Village’s gates, stuffed to the brim with our sustenance for the following week. Today is the day we must offload all this new music, and so, in the process, we thought it would be worthwhile to share some of our choice picks from this veritable mass of fresh meat. This is what we’ll be listening to today here at the Village HQ. We hope you join us in doing so! Note: there has been a veritable tsunami of high-quality releases today. This is but a fraction of the stuff you should check out. Reviews in forthcoming days will seek to fill the gaps! - Ed. On the docket for today, April 24th, 2020: Marmalade Knives, Total Fucking Destruction, Sölicitör, and Lord Fowl (and Firelink!)
Every Friday, a wagon arrives at the Sleeping Village’s gates, stuffed to the brim with our sustenance for the following week. Today is the day we must offload all this new music, and so, in the process, we thought it would be worthwhile to share some of our choice picks from this veritable mass of fresh meat. This is what we’ll be listening to today here at the Village HQ. We hope you join us in doing so! On the docket for today, April 3rd, 2020: SKAM, Weed Demon, AARA, and Lucifer Star Machine
Here at the Sleeping Village, we keep our most revered albums in....a very special place. Their time may have gone, but they are certainly not forgotten. On the today's docket is an album that, despite not receiving a whole lot of love from critics, ended up smacking 2018's Albums of the Year list in the face, coming in at a respectable #8. And, if I had to do it all again, I suspect it would land in a very similar place. Hindsight is always 20/20, and in this case, I regret nothing. TerrorVision is a damn fun album--one that I still listen to frequently to this day. There are a lot of brutal death metal bands that bring visceral bombast to the operating table, but Aborted ply their trade with an indistinguishable and unmatched glee. It's absolutely disgusting. Across the breadth, individual tracks begin to lose distinct character, but rather form a series of brutal procedures, grinding and lacerating with bloody intent. Unlike many of their counterparts in the realm of goregrind and brutal death, who may wield scalpels like blunt force instruments, Aborted are relentlessly calculating in their technicality. That said, they never let flashiness take president over that which matters most--pummeling riffs, cranium-splitting drums, belligerent vocals, and straightforward songwriting. TerrorVison is fast, hefty, and, despite boasting a modern hone, is smeared with the accumulated viscera of a remarkably consistent career. |
Welcome!We provide thoughtful reviews of music that is heavy, gloomy...and loud enough to wake us from slumber. Written by a highfalutin peasantry. What are ye
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