​Carrion Vael - God Killer
(Horror Pain Gore Death)

God Killer can get it. Which is to say: this here album fucks. 
Carrion Vael 
have concocted an expertly crafted blend of death metal motifs, ranging from technical shredding, to pounding riffage, to the melodic leanings of Swedeath's finest. This is like the bastard child of like, Slugdge and At The Gates, with a healthy dose of brutality thrown in for good measure. Rather than overpowering proceedings, the tech elements are  incredibly well balanced with the heft of traditional death. Headbanging and air guitar-ing is inevitable--and if that ain't a mark of death metal worth perusing, I dunno what is. 

Calling it now: Carrion Vael is responsible for the tech-death metal album of the year. God Killer is an absolute stunner.

​Find it on bandcamp here!

Mothers of the Land - Hunting Grounds
(Stonefree Records)

There's something so immensely satisfying about an album where the artwork reflects and mimics the beauty dwelling within. In the case of Hunting Grounds, our heavy psych instrumentalists in question have constructed a truly gorgeous package. Lush melody, organically psychedelic meandering, and vibrant NWOBHM momentum all serve to invite relaxation while maintaining sharp interest in the absence of vocals. Indeed, Hunting Grounds succeeds remarkably well at constructing a world of intrigue--this is an album for people who don't think they like instrumental albums. It's a difficult trick to pull off, to say the least. Beyond that, the guitar tone is beauty incarnate. I'm comfortable considering this a masterpiece, and will revisit it for some quite some time.

Find it on bandcamp here!

In The Company of Serpents - Lux  
(Self Released)

Now this. This is doom metal how I like it: an exercise in extremes. menacing yet delicate, dynamically light-footed yet seismically plodding, and utterly willing to throw genre convention out the window. From neo-folk acoustics to sludgy Neurosisian heft, In The Company of Serpents demonstrate a keen ability to shift expectations and apply nuance to a genre that all-too-oft relies entirely on the power of the riff. There's a gentle balance struck here between the lighter ambiance and the shadow-cast atmosphere that few bands are able to apply. Simply put, this is an engrossing album, likely to appeal to anyone who enjoys doom across the spectrum from thick sludge to esoteric psych.  Hence, I do gladly declare that Lux is the greatest album this week has to offer. 

​Find it on bandcamp here!

Devangelic - Ersetu
​(Willowtip Records)

Ersetu is the first album of its ilk to appear on Fresh Meat Friday--namely, an album that I don't understand, nor particularly enjoy. That said, there is something intriguing dwelling in these repetitive riffs, and I aim to spend the day figuring out what that quality is, hence the inclusion here. On the plus side: Devangelic has their brand of filthy rhythmic riffs delivered in rapid-fire succession down to a science. The downside? Those same incessant riffs are the entire meat of this album. There's no deviation, no dynamism in the songwriting--which ultimately leads to an utter lack of perception of one's place in the album. Track distinctions lose meaning. As such, Ersetu feels more like submersion into a brutal bath, an exercise in hypnosis by incessant march of sixteenths.

Find it on bandcamp here!

At the Altar of the Horned God - ​Through Doors of Moonlight (I, Voidhanger Records)

Ye olde I, Voidhanger specializes in delivering music that pushes boundaries and toes lines of obscurity and invention. In that regard, At the Altar of the Horned God certainly delivers: this album is a blackened avant-garde paganistic ode to the natural order. While the majority of the ritualistic soundscape blankets the listener with an odd meditative sensuality, a sharp vicious rage frequently shows teeth. Equal parts spiritual and menacing, Through Doors of Moonlight feels like a genuine journey--although it’s yet to be determined whether said journey leads into enlightenment...or through madness. Let me get back to you on that one; I’ve only listened to this horn’d beast once. Highly recommended for those of you who like a brand of black metal as experimental as it is organic.

Find 'em on bandcamp here!

Like Rats - Death Monolith
​(Hibernation Release)

Desperate times call for death metal. This, I’m fairly sure, was written as gospel at some point in the past 30-odd years. In any case, Chicago death outfit Like Rats are here to crush, mush, and otherwise pulverize this release day with their hardcore-tinged brand of OSDM. Offering up a hearty stew of Immolation riffage and Morbid Angel ‘tude, the groove is predictably strong with these guys, with every single track herein delivering an opportunity or two for a behemothian fit of headbanging.

​If you’re in the mood for death without a jangly assortment of bells and whistles, I highly recommend you give Death Monolith a shot during your release day shenanigans. ​

Find 'em on bandcamp here!

CURSE - The Awakening..and the Old
​(Redefining Darkness Records)

We’ve got two offerings from the consistently amazing Redefining Darkness Records today--the first being this tasty blackened thrash EP from Sweden’s CURSE. Those of ye who know me very well will know that I have a fondness for the black(ened thrash) arts, and these five tracks are no exception to the rule--although I will say that the general approach in a tad slower than genre convention might dictate. As a result, we’re presented with a surprisingly atmospheric assault, with the trashier elements feeling particularly visceral when they do unsheathe their claws. It’s as if the lovechild of Urgehal and early Watain were left to rot for a decade or two before being abruptly awoken. In other words: good stuff. ​

Find 'em on bandcamp here!

Lord Buffalo - Tohu Wa Bohu (Blues Funeral Recordings)

Anyone who follows my personal taste knows that I'm a sucker for Blues Funeral's offerings, and this is no different--albeit a stark turn in genre direction. Rather than peddling thunderous riffage, Tohu Wa Bohu successfully harnesses the landscape of the west, alongside a deep tradition of folk and Americana. Lord Buffalo inject their sophomoric effort with a dark, gothic, and otherwise moody energy, like unto, perhaps, a ghost town at dawn. Psychedelic blues tramp over windswept plains. Tohu Wa Bohu is equal parts morbid and comforting--that perfect place lurking, inexplicably, between comfort and unease. In a word? Haunting. Skeletal. Gorgeous. Recommended. 

​Find it on Bandcamp here.