Ancient Hand - Best regards,
​(Independent Release)

If you follow our shenanigans on Instagram, you may be aware of (unsubstantiated) rumors that I have accepted a sizeable bribe in exchange for this review. Let me dispel said rumor thusly: I love Ancient Hand's body of work, and Best regards, is his best work yet by a significant margin. Moving away from dungeon synth roots and into increasingly experimentally turbulent waters, this album is a wholly heartfelt exploration of pain, anger, and inevitable catharsis. Sonically, Ancient Hand embraces a palette of heft and aggression, moving into the arenas of dark(er), ambient, boom-bappy hip-hop beats, industrial noise, and EDM. It's a dynamic approach, and one that oozes emotive results--from the hard-hitting "metacognition" and "ORAL," to the reflective Interludes I & II, the intent is clear--but yet remains a joy to experience. 

Find it at bandcamp here (for NYOP!)

​Carrion Vael - God Killer
(Horror Pain Gore Death)

God Killer can get it. Which is to say: this here album fucks. 
Carrion Vael 
have concocted an expertly crafted blend of death metal motifs, ranging from technical shredding, to pounding riffage, to the melodic leanings of Swedeath's finest. This is like the bastard child of like, Slugdge and At The Gates, with a healthy dose of brutality thrown in for good measure. Rather than overpowering proceedings, the tech elements are  incredibly well balanced with the heft of traditional death. Headbanging and air guitar-ing is inevitable--and if that ain't a mark of death metal worth perusing, I dunno what is. 

Calling it now: Carrion Vael is responsible for the tech-death metal album of the year. God Killer is an absolute stunner.

​Find it on bandcamp here!

Mothers of the Land - Hunting Grounds
(Stonefree Records)

There's something so immensely satisfying about an album where the artwork reflects and mimics the beauty dwelling within. In the case of Hunting Grounds, our heavy psych instrumentalists in question have constructed a truly gorgeous package. Lush melody, organically psychedelic meandering, and vibrant NWOBHM momentum all serve to invite relaxation while maintaining sharp interest in the absence of vocals. Indeed, Hunting Grounds succeeds remarkably well at constructing a world of intrigue--this is an album for people who don't think they like instrumental albums. It's a difficult trick to pull off, to say the least. Beyond that, the guitar tone is beauty incarnate. I'm comfortable considering this a masterpiece, and will revisit it for some quite some time.

Find it on bandcamp here!

Marmalade Knives  - Amnesia 
(Electric Valley Records)

​In a week with a particularly hard-hitting release that has absorbed much of my time (read: Ulcerate​,) something with a laid-back vibe has been necessary to maintain a certain balance. To this end, Marmalade Knives succeed enormously. On their debut, these Santa Cruzian purveyors of proggy psychedelia unleash an instrumental exploration of astral planes. In other words: this is music with which to relax to. Rather than grabbing your attention outright--with the exception of the driving "Xayante"--this album exists as a calming expedition through equally ethereal and funky waters. Notably, these guys demonstrate very strong technical and compositional proficiency. I'm excited to see how they expand their progressive tendencies!

Find 'em on bandcamp here!

Total Fucking Destruction - ...to be alive at the end of the world​ (Translation Loss Records)

​You wouldn't think that a band with a name such as Total Fucking Destruction could possibly deal in subtlety. Sure, avant-garde isn't new to these guys, but this is a new level: ...to be alive at the end of the world is a delightfully nuanced, experimental, and well-balanced piece. While grind elements are still hanging around, serving as an anchor of sorts, a deliberately atmospheric and melancholic vibe asserts a certain dominance over the project as a whole. As such, typical grind brevity/aggression is well-represented in the meat of this TFD sandwich, but the title opener and 11-minute closer add a level of bleak flair that borders on indie-rock angst. A slow-burn vision of the apocalypse, if e'er the was. More like Total Fucking Destruction of expectations, am I right?

Find 'em on bandcamp here!

Lord Buffalo - Tohu Wa Bohu (Blues Funeral Recordings)

Anyone who follows my personal taste knows that I'm a sucker for Blues Funeral's offerings, and this is no different--albeit a stark turn in genre direction. Rather than peddling thunderous riffage, Tohu Wa Bohu successfully harnesses the landscape of the west, alongside a deep tradition of folk and Americana. Lord Buffalo inject their sophomoric effort with a dark, gothic, and otherwise moody energy, like unto, perhaps, a ghost town at dawn. Psychedelic blues tramp over windswept plains. Tohu Wa Bohu is equal parts morbid and comforting--that perfect place lurking, inexplicably, between comfort and unease. In a word? Haunting. Skeletal. Gorgeous. Recommended. 

​Find it on Bandcamp here.