Sleeping Village Reviews
  • REVIEWS & PREMIERES
  • ARCHIVES
    • OLDE REVIEWS
    • OLDE INTERVIEWS
    • OLDE FEATURES
    • OLDE PREMIERES
  • SUBMIT FOR REVIEW!

WOMBBATH - Choirs of the Fallen (Review)

2/12/2020

0 Comments

 
Picture
Written by: The Voiceless Apparition

Wombbath
 is a band that is simultaneously revered and underrated. I suppose the reasoning for this is that they formed pretty late during the Swedish death metal boom (formed in 1990) but that shouldn't have been the case. I'm glad that they reformed a few years ago because the quality of the albums are still great and it introduces them to a new sect of death metal fans who weren't born when they formed (that includes me). Choirs of the Fallen, I am happy to say is their best album since reforming and it goes beyond where they were with the previous 2 albums but while still sounding like themselves.

​Choirs of the Fallen kicks in immediately with "Fallen," and this is a stellar opener. Running the gamut of death metal, crust punk, and small flourishes of black metal, this track bleeds aggression, and,  at the same time, sinister atmosphere. It's a truly eerie sounding track. Track #2, "Crawling from the Pits," begins with a short intro but quickly bursts into a firestorm of groove and break neck aggression. This is a very evil sounding song as malevolent guitar melodies provide the atmosphere to your worst nightmares.

"We Shall Remain" kicks in with a sinister intro, only to bludgeon you with a barrage of crusty riffs and punky groove sections. This is a very old-school song and brings to mind the best of the best in Swedish death metal (Grave, Dismember, Nominon). Also, major props for the middle section of the song, it's a grand, epic section swimming in atmosphere and doom, it threw me off but in a great way. Unexpected but worth it.
​

Track #4, "A Sweet Taste of Death," ups the ante on the atmosphere. While this still remains a brutal number, this song develops more and goes into more epic and spaced out territories. A very dynamic song with grand keyboards and frightening melodies to add to the vastness of it. "From the Beggars Hand" is a crusty song with enough groove to move any mosher, but once again, in the middle of the song, we reroute into new pastures: an ambient piano and distorted bass guitar section, and to be quite honest it was unsettling. And that's a great sign. There's nothing really much to say on "Void", it keeps up with the same quality albiet a little bit more safe but the middle groove section with the keys overtop of everything was nice. "A Vulgar Declaration" sees the return of the more pummeling side but while still retaining groove and the punk-leanings when it's necessary. This song has easily the most memorable solo on the album, it was fantastic and doesn't distract from the rest of the song. Surprisingly, this song has no atmospheric section, but I think it works for the better. 

"Wings of Horror" continues the same trajectory until once again in the middle of the song we get an atmospheric section but this is the most eerie and jarring one. This section features the usual fare of keyboards but this piano line is played in the way that you would here off of a Bethlehem album before it would ever be used in a death metal way. Also the ending is absolutely ending with the same piano line and a distorted sample being played behind it. "Choirs of the Damned" is a groovy monster. So much headbangability in this song, catchy as all hell, and slaying riffs. One of the best songs on the album. What other way could we end the album on then with the epic "In a Cloak of Anger". It's another groovy number but the inclusion of the choir vocals in the background gives the song a grandness one wouldn't expect from old-school death metal. Fantastic way to end the album!

Now on to the production. Excellent quality. The drums sound great, the snare is booming, the toms are beefy. My only complaint is that the bass drums sound a little bit too triggered but that's a minor complaint. The guitars and bass are raw as hell, with the sound of it being unearthed from centuries of rot and filth. I'm a sucker for the "chainsaw" tone so this is up my alley. The vocals are very upfront in the mix but don't distract from the other instruments. Overall a strong mix from legendary Sunlight Studios producer Tomas Skogsberg. Also, the artwork for this album is beautiful, courtesy of Malfeitor guitarist Benny Moberg. It's sinister, obscured, and full of dread and atmosphere. I also love the way the design and color-scheme is very unique and original. Fantastic work!

Wombbath seems to have struck that fine balance between atmosphere and brutality on Choirs of the Fallen. If you fell in love with them because of Internal Caustic Torments, then you will surely love this album. I'd go as far as to say that this is almost like a follow-up to I
nternal Caustic Torments in a way (obviously not, but still). If you are a fan of the Swedish style of death metal, or death metal in general, this is for you. Highly recommended!

Wombbath - Choirs of the Fallen will be released March 6th from Soulseller Records

Wombbath can be found:
Facebook
0 Comments



Leave a Reply.

    Welcome!

    We provide thoughtful reviews of music that is heavy, gloomy...and loud enough to wake us from slumber. Written by a highfalutin peasantry!


    What are ye
    ​ 
    looking for?

    All
    2020
    420
    Acoustic
    Adam Paris
    Albums Of The Decade
    Albums Of The Year
    Alex Bringer Of Payne
    Alternative
    Alternative Metal
    Alternative Rock
    Alt Metal
    Alt Rock
    Ambient
    Ambient Metal
    Americana
    Ancient Hand
    Ancienthand
    Anti-imperialist
    AOR
    Aoty
    Apocalypse
    Art Rock
    Arzou
    Atmoblack
    Atmospheric
    Atmospheric Black Metal
    Atmospheric Doom
    Avant Garde
    Avant-garde
    Avant Garde Black Metal
    Avant Garde Death Metal
    Ballad
    Band Merch
    Bane Ov Silence
    Baroque Metal
    Beaston Lane
    Beatdown
    Bestial
    Best Of The Year 2018
    Blackened
    Blackened Crust
    Blackened Death
    Blackened Deathcore
    Blackened Death Metal
    Blackened Doom
    Blackened Grind
    Blackened Metal
    Blackened Punk
    Blackened Sludge
    Blackened Thrash
    Blackgaze
    Blackie Skulless
    Black Metal
    Black N Roll
    Black Thrash
    Blastbeasts
    Blastbeats
    Blood Metal
    Blues
    Blues Metal
    Blues Rock
    Breakcore
    Breakdown
    British Metal
    Brutal
    Brutal Death Metal
    Cantina
    Captain's Chronicles
    Captains Chronicles
    Capt Graves
    Carlos
    Cavern Death Metal
    Chaotic Death Metal
    Chaotic Hardcore
    Chaotic Metal
    Chinese Metal
    Chiptune
    Christian Metal
    Classic Albums
    Classical Crossover
    Classic Doom
    Classic Metal
    Classic Rock
    Comic
    Community Favorites
    Compilation
    Continuous Thunder
    Core
    Cosmic
    Cosmic Death Metal
    Country
    Cover Songs
    Crossover
    Crossover Thrash
    Crust
    Crust Punk
    Cyberpunk
    Dark Ambient
    Dark Metal
    Dark Pop
    Dark Rock
    D-beat
    Dbeat
    Deathcore
    Death Doom
    Death-doom
    Deathgrind
    Death Metal
    Death Thrash
    Debut Album
    Demo
    Depressive Black Metal
    Desert Rock
    Digital Hardcore
    Disco
    Dissonant
    Dissonant Black Metal
    Djent
    Doom
    Doom Death
    Doomgaze
    Doom Metal
    Doom Punk
    Doomviolence
    Double Review
    Dream Pop
    Dreampop
    Drone
    Dsbm
    Dungeons And Dragons
    Dungeon Synth
    Dungeon Synth Sunday
    Ecological
    Editorial
    Edm
    Electronic
    Electronic Rock
    Emo
    EP
    Epic Doom
    Epic Heavy Metal
    Epic Metal
    EP's
    Experimental
    Experimental Black Metal
    Experimental Electronic
    Extreme Metal
    Fantasy
    Favorite Music
    Finnish Metal
    Florida Death
    Folk
    Folk Black Metal
    Folk Metal
    Folk Rock
    Free Jazz
    Fresh Meat Friday
    Funeral Doom
    Fuzz
    Garage Rock
    German Heavy Metal
    Glam Metal
    Glam Rock
    Gore
    Goregrind
    Goth
    Gothic
    Gothic Metal
    Goth Metal
    Goth Rock
    Grind
    Grindcore
    Groove Metal
    Grunge
    Guest Post
    Guest Review
    Hair Metal
    Hallucinatory Black Death Metal
    Hardcore
    Hardcore Doom
    Hardcore Punk
    Hardcore Sludge
    Hard Rock
    Heavy Grinder
    Heavy Metal
    Heavy Psych
    Heavy Rock
    Hip Hip
    Hip Hop
    Horror
    Hxc
    Icelandic
    Immigrant Core
    Immigrind
    Indie
    Indie Rock
    Indonesia
    Industrial
    Industrial Metal
    Industrial Rock
    Instrumental
    Italian Metal
    Izzy
    Japanese Metal
    Jazz
    Legends
    Lichtmensch
    Lord Hsrah
    Lovecraft
    Loveloth
    Lunar Fanatic
    Mathcore
    Mathgrind
    Math Rock
    Melodeath
    Melodic Black Metal
    Melodic Death Metal
    Melodic Doom
    Melodic Metal
    Memorial
    Merch
    Metal
    Metalcore
    Metalhead World
    Metallic Hardcore
    METAL MENAGERIE
    Metal Reivews
    Metal Reviews
    Metalreviews
    Mid Year List
    Mid-year List
    Miscellaneous
    Modern Rock
    Murder Metal
    Music Review
    Music Video
    Mystic
    Negative Reviews
    Neofolk
    Nerdy
    New Age
    New Music
    Nintendocore
    Noise
    Noise Rock
    Nu Metal
    NWOBHM
    NWOTHM
    Occult
    Occult Rock
    Old School Death Metal
    OSDM
    Ozzy Osbourne
    Pagan Metal
    Peasantrys Picks
    Pirate Metal
    Pop
    Pop Metal
    Pop Punk
    Pop Rock
    Portal
    Post-black
    Post Black Metal
    Post-black Metal
    Post-classical
    Post Doom
    Post-doom
    Post-genre
    Post Hardcore
    Post-hardcore
    Post Metal
    Post-metal
    Post Punk
    Post-punk
    Post Rock
    Post-rock
    Post Sludge
    Post-sludge
    Power Electronics
    Power Metal
    Powerviolence
    Prehistoric
    Preorder
    Prog Metal
    Progressive Black Metal
    Progressive Death Metal
    Progressive Metal
    Progressive Rock
    Prog Rock
    Psychedelic
    Psych Rock
    Punk
    Punk Rock
    Raw Black Metal
    Raw Sludge
    Record Label
    Reese
    Reissue
    Relaxing
    Release Day Roundup
    Remix
    Re-recording
    Retro Rock
    Retrospective Review
    Review Off
    Review Redux
    Reviews
    Riffs
    Rock
    Rock N Roll
    Roots Rock
    Sabbath
    Sabbath Sunday
    Sadboi
    Saxophone
    Sci Fi
    Sci-fi
    Scorpi
    Screamo
    Shane Thirteen
    Shoegaze
    Short Reviews
    Singer-songwriter
    Ska
    Skramz
    Slam
    Sleeping Village Records
    Sleeping Village Sampler
    Slipknot
    Sludge
    Sludge Metal
    Soliloquist
    Solo Act
    Sound Design
    Soundtrack
    South America
    Southern Rock
    Space
    Space Rock
    Speed Metal
    Split
    Star Wars
    Statement Of Intent
    Stenchcore
    Stoner
    Stoner Doom
    Stoner Metal
    Stoner Rock
    Story Review
    Stream
    Surf Rock
    Swedeath
    Swedish Death Metal
    Symphonic Metal
    Synth
    Synth Metal
    Synthpop
    Synthwave
    Talesofdeception
    Tech Death
    Techdeath
    Technical Death Metal
    Texas
    The Administrator
    The Dungeon Awaits
    The Voiceless Apparation
    The Voiceless Apparition
    Thevoicelessapparition
    The Voiceless Appartition
    Thrash
    Thrashcore
    Thrash Metal
    Threefoldtreatise
    Tom
    Torture Doom
    Track-premiere
    Track Review
    Track Reviews
    Trad Doom
    Traditional Doom
    Traditional Metal
    Trad Metal
    Tribute Album
    True Doom
    Trve Doom
    Underground
    Usbm
    Vaporwave
    Vattghern
    Visual Review
    Volt Thrower
    War Metal
    Weird
    Zombie

    RSS Feed

Proudly powered by Weebly
  • REVIEWS & PREMIERES
  • ARCHIVES
    • OLDE REVIEWS
    • OLDE INTERVIEWS
    • OLDE FEATURES
    • OLDE PREMIERES
  • SUBMIT FOR REVIEW!