Sleeping Village Reviews
  • REVIEWS & PREMIERES
  • ARCHIVES
    • OLDE REVIEWS
    • OLDE INTERVIEWS
    • OLDE FEATURES
    • OLDE PREMIERES
  • SUBMIT FOR REVIEW!

COMMUNITY FAVORITES: Mid-Year List (Part 2 of 2)

6/21/2021

0 Comments

 
Picture
Welcome back, weary traveler! Firstly, if ye missed Part 1 of this mid-year extravaganza, we highly recommend checking that out first. If you're already familiar with what this is all about, however: thanks so much for reading and returning for more! As always, we appreciate your patronage and your support, particularly now that our humble halls are filled with an exciting array of guest writers who deserve to have their words read.

Again, this collaborative list is far from exhaustive, and represents but a fraction of our collective favorites. As such, please feel free to leave a comment with a recommendation or two! List season is a great time to show the musicians that we love a little well-deserved support, and if you wanna shout someone out, this is as good a time as any. In that spirit, I'd like to once again offer thanks to everyone who helped make this list a reality and a success.

Without further ado, let's dive in! Today's list is a tad longer than the first, so pull up a chair, put up yer feet, and stay a while.
 


Read More
0 Comments

FRESH MEAT FRIDAY: April 23rd, 2021, Feat. Frog Mallet, AntiMozdeBeast, Akiavel, and The Last Martyr

4/23/2021

0 Comments

 
Every Friday, a wagon arrives at the Sleeping Village’s crumbling gates, stuffed to the brim with our sustenance for the following week. Today is the day we must offload all this week's new and noteworthy music, and so, in the process, we thought it would be worthwhile to share some of our choice picks from this veritable mass of fresh meat. This is what we’ll be--and have been--listening to this week at the Village HQ. We hope you join us in doing so! 

All of today's releases are independently released, so show 'em some support!

​On the docket for today, April 23rd, 2021:
Frog Mallet, AntiMozdeBeast, Akiavel, and The Last Martyr

Picture
Frog Mallet - Dissection by Amphibian
(Independent Release)

Never before have I stated that the ribbits go hard as fuck, but here we are. On their debut album, Boston's own Frog Mallet promises, to quote, "mallet slamming death metal fit for only the beefiest of frogs." And, I am happy to report, they ain't joking. The excellent Dissection by Amphibian  is a delightfully enjoyable experience, defined by a good-humored self-awareness that is rivaled only by the sheer quality of the tunes themselves. Utilizing frog-centric samples to their fullest extent, Frog Mallet seamlessly weave the overt thematic content with riffage of the highest neanderthalian order. Having your skull bludgeoned into pulp whilst wearing a grin isn't a particularly common experience, but these guys pull off the balance between brutality and fun with great aplomb.  Of particular note is the impressive cast of featured musicians--from Undeath to Bodysnatcher and beyond, the talent pool/swamp represented on this release is pretty damn deep. Check it out!

Find it on bandcamp here! 

Picture
AntiMozdeBeast - The Ritual
(Independent Release)
​

​It ain't a successful Fresh Meat Friday, I've always said, unless it features an entry that deliberately defies categorization. This latest experimental experience from AntiMozdeBeast fits the bill more than adequately. Indeed, across these wild and wacky five tracks, one never knows what to expect. A flurry awaits: a frenetic barrage of harsh electronics, pulsating percussion, cacophonous murmurs, unhinged screams,  The Ritual is a deeply intense and immersive listening experience--there's something unsettlingly hypnotic about the sheer sonic and aesthetic chaos. Strange is still the best descriptor I can come up with, which, if we're measuring success by existential befuddlement, seems like a big win.

Perpetually unpredictable by design, The Ritual  sounds like the soundtrack to sci-fi hell. If you like experimental or avant-garde stuff, you will undoubtedly enjoy what AntiMozdeBeast ​has to offer.

​Find it on bandcamp here!


Read More
0 Comments

FRESH MEAT...erm, SATURDAY: April 17th, 2021, Feat. Bushido Code and Mother Anxiety / S H R I E K I N G

4/16/2021

0 Comments

 
Every Friday (erm...or Saturday, folks), a wagon arrives at the Sleeping Village’s rusted palisade, stuffed to the brim with musical sustenance. Today is the day we must offload this week's new and noteworthy music, and so, in the process, we thought it would be worthwhile to share some of our choice picks from this veritable mass of fresh meat. This is what we’ll be listening to today at the Village HQ. We hope you join us in doing so! 

This week marked the release of a whole lot o' stellar music, but we opted to focus on two albums rather than our typical four. As such, please accept these delayed-albeit-longer-than-usual reviews. - Ed.

​On the docket for today, April 17th, 2021:
Bushido Code and Mother Anxiety / S H R I E K I N G
​

Picture
Bushido Code - The Ronin
(Upstate Records)

Before we get too far into it: how 'bout that opening riff? Muscular, pugilistic, and delightfully earmwormy. Needless to say, The Ronin's title track is exactly what ye might expect from a band that bills itself as a hearty metal/thrash/hardcore crossover conglomerate. The tracks that hit do so with a notable gusto, and the energy contained within the first half of the album is quite infectious, coated with an unexpectedly fun and groovy patina. As such, Bushido Code operate best when they embrace the intrinsic physicality of their work.

While one might expect a typical bruiser-ish crossover lyrical route, "The Ronin" opts for character-driven storytelling over tough guy posturing, which is always a bonus in this line of work. Critically, the album does lose a little steam and sheer headbanging energy in the back half after interlude "Prelude to Battle," and makes me wonder if it would have landed even harder as an EP with all the fluff neatly trimmed away. But let's be real: for a 29 minute album, I ain't complaining all that much. Listening to this thing inevitably results in a whole lotta sweat and a very sore neck. It serves as prime "get pumped" music, and, as such, has found itself employed in mighty fine service down at the ol' home gym. If yer on the hunt for the juiciest cuts, give "Ronin," "Aftermath," and "Relic of War" a listen, and throw 'em on your workout playlist for good measure.

​Find it on bandcamp here!


Picture
Mother Anxiety & S H R I E K I N G - Isolation Diary
(Independently Released)


Confession time: I went into this release with a certain trepidation, despite a favorable familiarity with both artists featured. The trepidation came from the subject matter itself, and the prospect of immersing myself fully. In a not-yet-post-COVID-world, the impact of isolation is a sore subject, and living through the eyes of not one but two distinct projects was intimidating. After many, many listens, it still is. I think that's a good thing. 

Like unto the best of experimental music, this stellar split between solo acts Mother Anxiety and S H R I E K I N G is not immediately digestible. Given the complex arrangement of ambient, drone, post metal-- punctuated by the occasional blackened outburst or assorted spoken word samples--each of the nine tracks herein takes significant time to explore. As someone who thrives on releases that merit multiple listens in a variety of environments, I feel fully consumed by this split in a way that is equally satisfying and confusing.

​The first half, home to Mother Anxiety, presents a largely half-conscious atmosphere and ambiance, featuring a quiet cacophony of hushed voices and assorted electronic noises. Listening to these four tracks feels intrusive in a wholly unique fashion: this is like listening to the inside of my own skull, witnessing undeveloped thoughts tumble and collapse. "Entry 4" is the culmination, and it illustrates the yoke of anxiety with frightening accuracy. These entries are not meditative; Mother Anxiety's half feels like a reflection of a consciousness under constant duress. In contrast, S H R I E K I N G's contribution feels more outward--its (frankly indescribable) confluence of genre allows for more sonic range. That said, it still feels intensely individual, which, given the overarching theme of loneliness, indicates a Job Well Done. While the first half feels inwardly panicked, S H R I E K I N G somehow uses chaos to impart a deep sense of heart wrenching sadness. This is genuinely tear-inducing stuff, and I don't have the words to articulate why. That's uncomfortable, but it is also a demonstration that this split has succeeded enormously at what it set out to do. Bravo. 


​Find Mother Anxiety here and S H R I E K I N G here


0 Comments

AD NAUSEAM - Imperative Imperceptible Impulse (Review)

2/22/2021

2 Comments

 
Picture
Written by: Izzy

Cut from the same cloth as many similar Obscura-worshipping avant-garde technical death metal outfits, Ad Nauseam got a fair bit of attention for their debut release, Nihil Quam Vacuitas Ordinatum Est, an album I personally enjoyed. It was filled with complex, angular and abrasive melodies mixed with a subtle sense for melody, but I felt it wasn’t as good as it could’ve been and was more indicative of where the band could go. Its not a new or original idea to make dissonant skronky tech metal inspired by classical compositions, and I felt Nihil Quam was held back by falling into many of the microgenres cliches, thereby not doing enough to really make themselves stand out amongst the crowd.
​


Read More
2 Comments

FUCKED UP - The Chemistry of Common Life (Retrospective)

11/6/2020

0 Comments

 
Village stalwart Izzy is delivering a fresh retrospective review every Friday! Make sure to check in weekly for a dose of nostalgia. - Ed.

Picture
Written by: Izzy

In spite of my adoration for many of punk’s subgenres, from metalcore to screamo to post-hardcore and more, I tend to struggle with enjoying the older and purer forms of punk. I could talk about the three aforementioned  styles for hours and hours, but ask me about my favourite hardcore punk bands and my mind goes blank. Like, there’s uh…I like a couple Black Flag albums I guess? Crass and Spazz are okay too, and there’s a handful of Japanese hardcore bands like Gauze or Crow that I enjoy a lot, oh there’s Rudimentary Peni! Those guys are amazing. What about Midori, do they count? Eh they’re probably too artsy to be hardcore punk, much closer to jazz punk. I could maybe come up with one or two more, but you get the point.

Amongst that tiny list of bands,
Fucked Up would probably seem like an odd choice, as most people know them for their later punk rock opera albums, but rather early into their career yet quite late in the grand scheme of hardcore punk sits an oddity dear to my heart: their 2008 sophomore LP The Chemistry of Common Life.


Read More
0 Comments

BURIER - Burier III (In Communion With Death) (Review)

7/17/2020

0 Comments

 
Picture
Written by: Adam Paris

This is an album for staring into the ocean, watching the respiring of the sea, until your vision goes out of focus and you are no longer able to tell whether the shapes and shadows you see are a product of you or the waters. It is the kind of immersion in which the self is, for a moment, dissolved into something larger. This is an album that clears space and moves you through it--or moves it around you.
​

The album opens with 'The Grave Receives You': we feel a storm approaching over vast plains; the cold wind before a hailstorm; and, then: it breaks over us, guitar striking chaotically amid a vortex of drums, creating a dizzying rotary speaker effect.
​


Read More
0 Comments

NINE INCH NAILS - The Downward Spiral (Retrospective)

6/21/2020

1 Comment

 
In the rush to cover the constant waves of new music, we all too often neglect discussing the releases that leave the most substantial impressions in our lives. As such, we recently invited some bands and artists to wax poetic about an album that was deeply impactful or influential to them, either musically or personally. The second guest to graciously offer a retrospective in this series is Chris H of antifacist blackened outfit Phryne. Read on!

Picture
Written by: Chris H
​

The first time I listened to The Downward Spiral by Nine Inch Nails was in 2015. At that time, I was starting to find myself listening to heavier music, and I was venturing to discover all the classic hallmarks of metal. Industrial had always been interesting to me, but as a kid I was always too afraid of the dark imagery to really listen. When I sat down to listen to The Downward Spiral--the first industrial album I decided to listen to--and pressed play, I heard the sounds of a man being beaten in a strangely rhythmic fashion. At that moment, I was uneasy and wondering if I should keep going and listen on, but as the sample from the film THX 1138 crescendoed into a chaotic noisescape, I gave in and was transported to the grimy world Trent Reznor had created. “Mr. Self Destruct” is still one of my favorite album openers because of its raw attack and energy. It is the perfect beginning to the experience that is The Downward Spiral. 


Read More
1 Comment

SLOW DRAW - Gallo (Double Review)

5/23/2020

0 Comments

 
And now for something a little different, both in format and in sonic content! To adequately assess the latest offering from Slow Draw, two Village-dwellers--Continuous Thunder and The Administrator--took up the pen to express (complimentary) views, making for a somewhat rare double review 'round these parts. Without further ado:

Picture
Written by: Continuous Thunder

I’d like to start this with a bit of a disclaimer that I went into this album with no previous knowledge of Slow Draw or Stone Machine Electric (something I will be correcting immediately). I just saw the drone tag and I hit play. Drone can mean any number of things, but as this was a drone project of a member of a stoner band, I went in with expectations of good vibes and ultra-long riffs. What I didn’t expect was just how sparse the arrangements would be. Seriously, there’s little more than an electric piano, synths, and a guitar at any given moment on this album, and it lines up more with ambient music than drone.

Sparsity in music can be a blessing or a curse. On one hand, it strips things down to their bare elements, removing any fluff or embellishments that distract from the core of the composition. On the other, it reveals just how strong or weak a composition actually is. I think back to the last album from Earth where they dialed back the fuzz and reverb and had to lean on their riffs more than the atmosphere. Gallo does the same thing but to an even greater extent. The guitars are (mostly) acoustic, buzzy synths only serve as a backdrop, and there is very little, if any, percussion.


Read More
0 Comments

THIS WILL DESTROY YOU - Vespertine (Review)

5/21/2020

0 Comments

 
Picture
Written by: Ancient Hand

San Marcos’s This Will Destroy You should need no introduction at this point; the Texas post-rock group has seen plenty of success and experimentation in their now 16-year-old career. The group’s 2008 self-titled album is considered by many to be their magnum opus, and I am included in this group. That record is a beautiful blend of instrumentation that culminates into a moving and beautiful journey across an auditory version of the American Southwest. After 12 more years and plenty of other albums, we finally get the standalone release of Vespertine, the soundtrack to the high-class, two-Michelin star restaurant of the same name. The soundtrack has been available to those that have been in the restaurant for a few years now, but This Will Destroy You has finally released the soundtrack for the rest of us to enjoy. 


Read More
0 Comments

CAPTAIN'S CHRONICLES: When the Deadbolt Breaks - Angels are weeping​.​.​. God has abandoned​.​.​.

10/11/2019

0 Comments

 
Picture
Captain Graves is on what we earthlings might refer to as "a tear," and I'm certainly not going to stand in his way. Enjoy his latest treatise. - Ed. 
________________________________________________

​
I've been kept busy over here at The Village. They took me to their vomit pits for a glorious session. Watching feeble humans excrete from every orifice is quite satisfying if I do say so myself, and I do.


When The Deadbolt Breaks' Angel's Are Weeping... ...God Has Abandoned... is far from vomit inducing. It's more homicidal/suicidal, and I really get into that. Destroying worlds and making people suffer is somewhat of an expertise for me. The first track "Centering Through Isolation" has a long intro, it almost turned me off from writing this review, but I'm glad I gave it a chance. Its atmospheric and sludgy nature reeled me in. "Blood Born" also has a long intro, but the guitar is trance-like and seems to tell a story on it's own. I do love wet guitar lines. It turns into a sludgefest after that, switching between operatic vocals and deathly screams.


Read More
0 Comments

    Welcome!

    We provide thoughtful reviews of music that is heavy, gloomy...and loud enough to wake us from slumber. Written by a highfalutin peasantry!


    What are ye
    ​ 
    looking for?

    All
    2020
    420
    Acoustic
    Adam Paris
    Albums Of The Decade
    Albums Of The Year
    Alex Bringer Of Payne
    Alternative
    Alternative Metal
    Alternative Rock
    Alt Metal
    Alt Rock
    Ambient
    Ambient Metal
    Americana
    Ancient Hand
    Ancienthand
    Anti-imperialist
    AOR
    Aoty
    Apocalypse
    Art Rock
    Arzou
    Atmoblack
    Atmospheric
    Atmospheric Black Metal
    Atmospheric Doom
    Avant Garde
    Avant-garde
    Avant Garde Black Metal
    Avant Garde Death Metal
    Ballad
    Band Merch
    Bane Ov Silence
    Baroque Metal
    Beaston Lane
    Beatdown
    Bestial
    Best Of The Year 2018
    Blackened
    Blackened Crust
    Blackened Death
    Blackened Deathcore
    Blackened Death Metal
    Blackened Doom
    Blackened Grind
    Blackened Metal
    Blackened Punk
    Blackened Sludge
    Blackened Thrash
    Blackgaze
    Blackie Skulless
    Black Metal
    Black N Roll
    Black Thrash
    Blastbeasts
    Blastbeats
    Blood Metal
    Blues
    Blues Metal
    Blues Rock
    Breakcore
    Breakdown
    British Metal
    Brutal
    Brutal Death Metal
    Cantina
    Captain's Chronicles
    Captains Chronicles
    Capt Graves
    Carlos
    Cavern Death Metal
    Chaotic Death Metal
    Chaotic Hardcore
    Chaotic Metal
    Chinese Metal
    Chiptune
    Christian Metal
    Classic Albums
    Classical Crossover
    Classic Doom
    Classic Metal
    Classic Rock
    Comic
    Community Favorites
    Compilation
    Continuous Thunder
    Core
    Cosmic
    Cosmic Death Metal
    Country
    Cover Songs
    Crossover
    Crossover Thrash
    Crust
    Crust Punk
    Cyberpunk
    Dark Ambient
    Dark Metal
    Dark Pop
    Dark Rock
    D-beat
    Dbeat
    Deathcore
    Death Doom
    Death-doom
    Deathgrind
    Death Metal
    Death Thrash
    Debut Album
    Demo
    Depressive Black Metal
    Desert Rock
    Digital Hardcore
    Disco
    Dissonant
    Dissonant Black Metal
    Djent
    Doom
    Doom Death
    Doomgaze
    Doom Metal
    Doom Punk
    Doomviolence
    Double Review
    Dream Pop
    Dreampop
    Drone
    Dsbm
    Dungeons And Dragons
    Dungeon Synth
    Dungeon Synth Sunday
    Ecological
    Editorial
    Edm
    Electronic
    Electronic Rock
    Emo
    EP
    Epic Doom
    Epic Heavy Metal
    Epic Metal
    EP's
    Experimental
    Experimental Black Metal
    Experimental Electronic
    Extreme Metal
    Fantasy
    Favorite Music
    Finnish Metal
    Florida Death
    Folk
    Folk Black Metal
    Folk Metal
    Folk Rock
    Free Jazz
    Fresh Meat Friday
    Funeral Doom
    Fuzz
    Garage Rock
    German Heavy Metal
    Glam Metal
    Glam Rock
    Gore
    Goregrind
    Goth
    Gothic
    Gothic Metal
    Goth Metal
    Goth Rock
    Grind
    Grindcore
    Groove Metal
    Grunge
    Guest Post
    Guest Review
    Hair Metal
    Hallucinatory Black Death Metal
    Hardcore
    Hardcore Doom
    Hardcore Punk
    Hardcore Sludge
    Hard Rock
    Heavy Grinder
    Heavy Metal
    Heavy Psych
    Heavy Rock
    Hip Hip
    Hip Hop
    Horror
    Hxc
    Icelandic
    Immigrant Core
    Immigrind
    Indie
    Indie Rock
    Indonesia
    Industrial
    Industrial Metal
    Industrial Rock
    Instrumental
    Italian Metal
    Izzy
    Japanese Metal
    Jazz
    Legends
    Lichtmensch
    Lord Hsrah
    Lovecraft
    Loveloth
    Lunar Fanatic
    Mathcore
    Mathgrind
    Math Rock
    Melodeath
    Melodic Black Metal
    Melodic Death Metal
    Melodic Doom
    Melodic Metal
    Memorial
    Merch
    Metal
    Metalcore
    Metalhead World
    Metallic Hardcore
    METAL MENAGERIE
    Metal Reivews
    Metal Reviews
    Metalreviews
    Mid Year List
    Mid-year List
    Miscellaneous
    Modern Rock
    Murder Metal
    Music Review
    Music Video
    Mystic
    Negative Reviews
    Neofolk
    Nerdy
    New Age
    New Music
    Nintendocore
    Noise
    Noise Rock
    Nu Metal
    NWOBHM
    NWOTHM
    Occult
    Occult Rock
    Old School Death Metal
    OSDM
    Ozzy Osbourne
    Pagan Metal
    Peasantrys Picks
    Pirate Metal
    Pop
    Pop Metal
    Pop Punk
    Pop Rock
    Portal
    Post-black
    Post Black Metal
    Post-black Metal
    Post-classical
    Post Doom
    Post-doom
    Post-genre
    Post Hardcore
    Post-hardcore
    Post Metal
    Post-metal
    Post Punk
    Post-punk
    Post Rock
    Post-rock
    Post Sludge
    Post-sludge
    Power Electronics
    Power Metal
    Powerviolence
    Prehistoric
    Preorder
    Prog Metal
    Progressive Black Metal
    Progressive Death Metal
    Progressive Metal
    Progressive Rock
    Prog Rock
    Psychedelic
    Psych Rock
    Punk
    Punk Rock
    Raw Black Metal
    Raw Sludge
    Record Label
    Reese
    Reissue
    Relaxing
    Release Day Roundup
    Remix
    Re-recording
    Retro Rock
    Retrospective Review
    Review Off
    Review Redux
    Reviews
    Riffs
    Rock
    Rock N Roll
    Roots Rock
    Sabbath
    Sabbath Sunday
    Sadboi
    Saxophone
    Sci Fi
    Sci-fi
    Scorpi
    Screamo
    Shane Thirteen
    Shoegaze
    Short Reviews
    Singer-songwriter
    Ska
    Skramz
    Slam
    Sleeping Village Records
    Sleeping Village Sampler
    Slipknot
    Sludge
    Sludge Metal
    Soliloquist
    Solo Act
    Sound Design
    Soundtrack
    South America
    Southern Rock
    Space
    Space Rock
    Speed Metal
    Split
    Star Wars
    Statement Of Intent
    Stenchcore
    Stoner
    Stoner Doom
    Stoner Metal
    Stoner Rock
    Story Review
    Stream
    Surf Rock
    Swedeath
    Swedish Death Metal
    Symphonic Metal
    Synth
    Synth Metal
    Synthpop
    Synthwave
    Talesofdeception
    Tech Death
    Techdeath
    Technical Death Metal
    Texas
    The Administrator
    The Dungeon Awaits
    The Voiceless Apparation
    The Voiceless Apparition
    Thevoicelessapparition
    The Voiceless Appartition
    Thrash
    Thrashcore
    Thrash Metal
    Threefoldtreatise
    Tom
    Torture Doom
    Track-premiere
    Track Review
    Track Reviews
    Trad Doom
    Traditional Doom
    Traditional Metal
    Trad Metal
    Tribute Album
    True Doom
    Trve Doom
    Underground
    Usbm
    Vaporwave
    Vattghern
    Visual Review
    Volt Thrower
    War Metal
    Weird
    Zombie

    RSS Feed

Proudly powered by Weebly
  • REVIEWS & PREMIERES
  • ARCHIVES
    • OLDE REVIEWS
    • OLDE INTERVIEWS
    • OLDE FEATURES
    • OLDE PREMIERES
  • SUBMIT FOR REVIEW!