Written by: Blackie Skulless
Boy howdy, what fun it is when you find something that reeks of a gory bloodbath taking place in the kitchen! Just the album cover to Cartilage’s 12-minute offering Gore-Met was about enough to sell me, and the music sounds exactly what you’d picture. Grindcore riffs with blistering, incomprehensible vocals, all themed around body-horror in the kitchen is what we’re in for. Get your apron and chef hat ready, this is a wild ride!
“Enough To Make Your Skin Crawl” starts us off on the most conventional note, based around a failed experiment making beings become mutant and disgusting. The actual music is pretty death metal oriented, but the double-tracked vocals and smashing speeds are loads of fun. Helps it fit the overall idea as well. “Deranged Delikatessen” rails on with a bit more abrasion, tossing around guts and gore with slam-like rhythms and sharp blasts from the drumming.
Written by: Blackie Skulless
Dipygus: a severe and extreme deformity where the body duplicates at the caudal end. So yeah, that’s what we’re in for. The third and final of this Memento Mori run is a quick death metal spin heavily fascinated with gore, deformation, body horror, and… apes. Following their debut in 2019 titled Deathooze, Dipygus returned this year for an even more gruesome and rotted realm of Swedish-tinted riffs in the form of Bushmeat.
Going in, it’s still loaded up with the utilization of samples to set the tone of the incomprehensible and overly guttural vocals. They’ve always rung in a bit of an Entombed vibe, but brought to greater extremes in abrasion and execution. “The Khumjung Scalp” is probably one of the single most disgusting songs I’ve ever heard. Matter of fact, this record draws out the riffing to far slower degrees than before, this song being a glaring example. “Osteodontokeratic Savagery” (have fun with that one) follows it up and injects a bass-loaded break before hitting an explosive lead guitar bridge.
Let it be know: Sleeping Village stalwart Izzy doesn't skimp when it comes to year end lists. As such, we'll be publishing, over the course of the next few days, a series of genre-specific Top 20 lists proudly bearing the Izzy stamp of approval. As "death" in and of itself tends to be a broad descriptor the assorted sub-genres existing under the umbrella have been labeled for yer convenience.
Says Izzy in regards to this list: "A summary of 2020's death metal to me is "everyone else liked it but I don't get it", very few of the years most popular releases clicked with me, so while I don't think any of my picks here are controversial, I think there is more underground-ish releases. Enjoy!"
Written by: Izzy
So, for a little bit now I've been doing weekly retrospective reviews on older albums I enjoy a lot, with the main intent being for you as the reader to find new albums you may enjoy, and for me as the writer to get to talk about albums I may never have gotten to otherwise
But of course, as I am human and not a machine, sometimes I find it difficult deciding on what to review, twiddling my thumbs and trying out various rough draft ideas until eventually that fateful Friday creeps up on me and I’m left still unsure what to do. This was my response to my (admittedly self-created) new problem.
Peasantry’s Picks! This will be an occasional retrospective format I use for talking about a small, themed selection of EPs or short albums that would be nigh-impossible to review in the format of a full-length dissection, but when paired together offer a lovely little charcuterie of releases to sample and taste. And in the last minute spirit of this, I decided I wanted to talk about a handful of almost absurdly short grindcore EPs that, despite their unimposing runtime, I can’t resist coming back to. Like musical junk food, these EPs and albums are addicting, almost impossible to play just once. Each project presented is 10 minutes or less in length, and some as short as 5 minutes! So if you enjoy grindcore, I see absolutely no reason not to do yourself a favour and check them out.
Written by: Izzy
Well I suppose it’s time to christen my very first goregrind review, one of the most inhumanely brutal genres out there, so much so even some metalheads fear it! Think you look brutal in your Dying Fetus T-shirt little guy? Wait until you see my Active Stenosis and Sulfuric Cautery cassettes! (Disclaimer: I don’t own either of these bands music on cassette (yet)! So, what a better band to kick it off than the Netherlands' very own Last Days of Humanity!
...Oh wait a moment, I seem to be reading from the wrong script. Today we’re ACTUALLY reviewing one-man Arizonian goregrind act FIRST Days of Humanity. Bad jokes aside, do not let the parodied name put you off from this album. Even if you are familiar with LDOH
and know they aren’t your cup of tea, FDOH are a completely different monster and have carved a place for their own bestial niche amongst the cavernous cave walls of goregrind and gorenoise.
You may have already noticed this isn’t a regular review, well that is because FDOH have yet to put out an LP, and if or when they do, frankly I doubt it’ll be much longer than a standard EP anyways. This band’s projects thusfar have been especially short, more comparable to the average demo length than anything. I mean, their entire discography of 4 EPs and 2 splits is only about 40 minutes. So instead, since I’ve been dying to put out a full-sized review on these guys, we’re looking at the two EPs they’ve released thusly this 2020, Pixel Death and Atrocities.
Another day, another Borborgymus release. I've spoken on the prolific nature of this Wisconsinite one-man (increasingly avant-garde) goregrind outfit before, so we can skip the preliminaries and get straight into the good stuff. Splatter Movie Madness, Hellsmasher's latest, is an overt ode to classic horror and slasher films--in other words: an unexpectedly blood-spattered platter. Y'know, the usual. Medical malpractice, cannibalism, murder by classic deranged slasher baddie, and gory submersion into assorted depravities? All in a day's work. While the majority of projects that deal exclusively in such content tend to feel a little one-note, Borborygmus consistently seems invested in recreating and honoring the cheesy horror tropes of yore. It feels genuine. It works.
Bor•bo•ryg•mus: a rumbling or gurgling noise made by the movement of fluid and gas in the intestines. In other words, things are about to get nasty.
Seems like I’m always a release behind the curve when it comes to Wisconsinite goregrind one-man outfit Borborygmus. Bit of a bummer, really, as the self-appointed Hellsmasher consistently delivers delicious platters of still-warm viscera--”raw,” in other words. Ghoulish Goremet is a goregrind gorefest, with the trappings of such, from the horror-film samples, to the toilet gurgles, to the crashing percussion, to the wall-of-sound approach. And, of course: every implement and surface you encounter within this EP is coated in a thick patina of blood and guts.
We provide thoughtful reviews of music that is heavy, gloomy...and loud enough to wake us from slumber. Written by a highfalutin peasantry!