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OSIAH - Loss (Review)

5/9/2021

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Written by: The Administrator

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Speaking exclusively from an admittedly shallow well of experience, there are few genres as situational as deathcore. Am I actively engaged in an a high-intensity workout? If so, deathcore is an appropriate soundtrack. Am I doing anything other than slangin' iron and sweating bullets? Deathcore is more than likely buried underneath a veritable mountain of  genres I would rather spend my time with. Given this implicit bias, I have spent a lot of time listening to Osiah's latest while strutting around in the cobwebb'd cellar confines of my home gym. To their credit, however, this album has slowly started to escape the typical listening environments. The ability to hold interest outside of the usual arena is a pretty notable quality.


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FRESH MEAT FRIDAY: April 23rd, 2021, Feat. Frog Mallet, AntiMozdeBeast, Akiavel, and The Last Martyr

4/23/2021

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Every Friday, a wagon arrives at the Sleeping Village’s crumbling gates, stuffed to the brim with our sustenance for the following week. Today is the day we must offload all this week's new and noteworthy music, and so, in the process, we thought it would be worthwhile to share some of our choice picks from this veritable mass of fresh meat. This is what we’ll be--and have been--listening to this week at the Village HQ. We hope you join us in doing so! 

All of today's releases are independently released, so show 'em some support!

​On the docket for today, April 23rd, 2021:
Frog Mallet, AntiMozdeBeast, Akiavel, and The Last Martyr

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Frog Mallet - Dissection by Amphibian
(Independent Release)

Never before have I stated that the ribbits go hard as fuck, but here we are. On their debut album, Boston's own Frog Mallet promises, to quote, "mallet slamming death metal fit for only the beefiest of frogs." And, I am happy to report, they ain't joking. The excellent Dissection by Amphibian  is a delightfully enjoyable experience, defined by a good-humored self-awareness that is rivaled only by the sheer quality of the tunes themselves. Utilizing frog-centric samples to their fullest extent, Frog Mallet seamlessly weave the overt thematic content with riffage of the highest neanderthalian order. Having your skull bludgeoned into pulp whilst wearing a grin isn't a particularly common experience, but these guys pull off the balance between brutality and fun with great aplomb.  Of particular note is the impressive cast of featured musicians--from Undeath to Bodysnatcher and beyond, the talent pool/swamp represented on this release is pretty damn deep. Check it out!

Find it on bandcamp here! 

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AntiMozdeBeast - The Ritual
(Independent Release)
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​It ain't a successful Fresh Meat Friday, I've always said, unless it features an entry that deliberately defies categorization. This latest experimental experience from AntiMozdeBeast fits the bill more than adequately. Indeed, across these wild and wacky five tracks, one never knows what to expect. A flurry awaits: a frenetic barrage of harsh electronics, pulsating percussion, cacophonous murmurs, unhinged screams,  The Ritual is a deeply intense and immersive listening experience--there's something unsettlingly hypnotic about the sheer sonic and aesthetic chaos. Strange is still the best descriptor I can come up with, which, if we're measuring success by existential befuddlement, seems like a big win.

Perpetually unpredictable by design, The Ritual  sounds like the soundtrack to sci-fi hell. If you like experimental or avant-garde stuff, you will undoubtedly enjoy what AntiMozdeBeast ​has to offer.

​Find it on bandcamp here!


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NARAKAH - Blast Haven (Review)

2/16/2021

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Written by: The Administrator 

Full disclosure: this haggard scribe is not exactly what one would safety consider a connoisseur when it comes to the weird world of grindcore and deathgrind. A certain base of familiarity feels like a requirement in an environment defined largely by extreme abrasivity and extreme...well, extremity, and I'm always left questioning whether my casual enjoyment of a grind-adjacent release will translate in the eyes of people who drink deep of the genre's turbulent waters. While the classics are always fun to revisit, and I'll dabble here or there when it comes to stuff that particularly grind-knowledgable people seem to universally enjoy, grind is a space in which I'm happy to take recommendations...but less happy being the recommend-er.

Today, however, I can hardly resist putting in a good word. Narakah is a Pittsburgh-based deathgrind outfit with an apparent knack for infusing the style of the early aughts with a fresh-faced flair. Their latest effort--the 12 minute Blast Haven--is an incredibly strong showing of 
Discordance Axis-esque chaos with a notable focus on intriguing composition.


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WORMHOLE - The Weakest Among Us (Review)

11/25/2020

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Here's a republication of an old guest post. Enjoy! - Ed.

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Written by: The Administrator 

How best to describe Wormhole? If you're familiar with 'em, you know what I'm talking about. If you aren't, here's my best attempt: The Weakest Among Us is like unto a janitors' big ol' ring of keys, wherein every jangly item represents a markedly distinct genre. Which is to say, there is a lot going on here. Wormhole don't have a denying characteristic of their own, except for the ability to chameleon their way through both slam and tech-death landscapes--which, frankly, don't have a whole lot in common. Whilst one is an intricately designed garden, the other is a pile of craggy boulders. Do they mesh? After listening to this thing like 10 times, I'm still not entirely convinced...but Wormhole certainly put in the work.


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AFTERBIRTH - Four Dimensional Flesh (Review)

3/16/2020

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To be frank, I approached Four Dimensional Flesh with immense trepidation. Brutal death metal and/or slam aren’t exactly locales I find myself frequenting with any kind of regularity--if I pass through, it’s usually a lone track in the midst of an otherwise innocuous playlist. While the dedication to slammin’ riffs and woodpecker-on-a-hot-tin-roof percussive fills are certainly attractive bedfellows, the trademark drainpipe gutturals and resonance chamber bree-brees really ain’t this scribes cup o’ vox.

And yet here we are, plumbing the gurgling pipes with a grim sense of glee. Why? Because
Afterbirth, much like Wormhole, strives to make slam interesting. 
And it is this quality that remains Four Dimensional Flesh’s greatest strength amongst strengths.


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SANGUISUGABOGG - Pornographic Seizures (Review)

10/11/2019

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While many of you are likely aware of the plague pit we keep out back here at the Sleeping Village, a better kept secret is our vomit pit. That's where we go when the going gets...gross. Luckily, Pornographic Seizures, the debut from Ohio's nigh unpronounceable Sanguisugabogg, comes with an appropriate warning on the label: "we are not responsible for any instantaneous vomiting upon listening." Thanks, guys. Long story short, we made it out to the aforementioned vomit pit prior to hitting play on this 4-track grotesquerie , and everyone is for the better because of it. 
​

Pornographic Seizures is just that: gross. Obviously. And in that spirit, as is the case of most metal of this variety, it's a bit of a race to see how many negative words I can attribute in a positive light.


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