FRESH MEAT FRIDAY: April 9th, 2021, Feat. Gangrened, Heavy Feather, Onward We March, and Sublation
Every Friday, a wagon arrives at the Sleeping Village’s rusted palisade, stuffed to the brim with musical sustenance. Today is the day we must offload this week's new and noteworthy music, and so, in the process, we thought it would be worthwhile to share some of our choice picks from this veritable mass of fresh meat. This is what we’ll be listening to today at the Village HQ. We hope you join us in doing so!
On the docket for today, April 9th, 2021:
Gangrened, Heavy Feather, Onward We March, and Sublation
Written by: The Voiceless Apparition
The world is in constant evolution--the gradual development of something, especially from a simple to a more complex form, whether it be physically, mentally, artistically, or emotionally. Empyrium are not exempt from that process. Since forming in 1994 they have evolved from a dark metal band blending elements of symphonic metal, folk metal, doom metal, and tinges of black metal, to a purely neofolk group with classical elements as well. An evolution, which might I add, was great and I have absolutely no complaints about.
After breaking up for a few years back in the early 2000's, Empyrium reformed and continued their quest of all things grand and majestic in subtle forms, leading to their previous album, 2014's The Turn of the Tides, which served as a reminder of why Empyrium are great at what they do. After seven years of absence of full-length output, it makes me happy as hell to review Uber Den Sternen, the latest album from the German legends. And there is a lot to talk about on this album.
Written by: Izzy
So normally, I like to give a little background in the intro paragraph of my reviews about the band I’m reviewing--some of their history, or how I came to discover the album. But in the case of May Our Chambers Be Full, Emma Ruth Rundle and Thou's recent cooperative album, neither artist is one I’m particularly familiar with, despite their long and storied careers.
Thou are a band by which I’ve briefly listened to a couple albums and previous splits; they’re a very traditional sounding sludge metal band and I was never crazy about them. Not a bad band, but certainly not one that ever amazed me. Emma Ruth Rundle, on the other hand, I knew nothing about previously. After some quick googling I found that she’s made a handful of solo albums to decent acclaim, her style towing the line between singer-songwriter, dream pop, folk, and shoegaze, but has also been a member in post-rock and atmo-sludge bands. She also notably helps run the record label Sargent House, a rather eclectic group of diverse and beloved artists, most notably featuring Chelsea Wolfe and Kristin Hayter (A.K.A. Lingua Ignota.)
If only I was someone else
I could have tried to help myself
It could have been so safe and good
But enough’s enough, enough’s enough
Written by: Heavy Grinder
It takes but the first stanza to become captivated by her warm and rich vocal timbre; gripped by the message, pointed and reaching deep into the soul; blanketed by the hearty and spatial sound that, despite just being piano and vocals at this point, completely envelops you leaving no path for escape.
It’s not as if you would want to or even try to take that first step in the opposite direction. A.A. Williams, in her opening lines of Forever Blue, softly paralyzes you into docility, forcing an internal reckoning within yourself that you didn’t know you needed, but yet are unable to refuse. Your time is hers and you will not shy from the moment because, as you will quickly realize, her voice navigates to the place where you thought you had refuge, only to find her awakening that spirit you sought to hide, bury, and quiet.
Written by: The Voiceless Apparition
In life, sometimes we need a break. Be it the stresses of life, exhaustion, etc., humans need a breather. That goes for music as well. As much as I love and worship metal, especially extreme metal, I find myself in need of calmer and more meditative music to help satiate that desire.
Hence: here we have My Silent Wake. A doom metal troup from England... but this album is quite different. This album is a detour for the band and showcases an ambient/acoustic/folk side to their sound. This is my first ever experience with this band, so lets dive in to see how this album plays out.
Right off the bat, you are reminded that ATMOSPHERE IS KEY. These compositions are gorgeous and stunning. I found myself becoming lost in the beauty of these songs and how dense the atmosphere is.
We provide thoughtful reviews of music that is heavy, gloomy...and loud enough to wake us from slumber. Written by a highfalutin peasantry!