Here at the Sleeping Village’s dilapidated mead hall, our blood-stained butcher/chef/warden of the promo pit will, on occasion, serve something a little out of the ordinary. Artistic license is generally a good thing...but when finding crunchy bits in the soup d’jour becomes an everyday occurrence, it’s probably might be time to tighten those creative reins. Let’s face it: sometimes we nascent tastemakers are looking for meat ‘n’ potatoes, plain and simple. To this end, Wisconsin’s own Necrokvlt are on the menu.
Delivering an unpretentious slab of black metal colored by the outward aggression of proto-death, there isn’t much on their latest 2-track that feels overly sophisticated. In moving beyond the enthusiastic Venom worship we witnessed in their prior works, Necrokvlt are effectively bridging the 1st and 2nd waves of black metal--and, in doing so, they play to their strengths very, very well. Opening track 7th Sound of Chaos is filled with riffage aplenty, complemented by a solid bass tone and pleasantly present cymbals. The true star here, however, is Golgotha on vox. The era of demo cassette black metal is punctuated, in my mind, by jubilantly throat-wrenching vocals. This guy delivers the goods. Pained, strained, yet simultaneously gleeful--this is the energy Golgotha brings to the table.
His obvious talent feels somewhat squandered, however, as the title (and final) track, A Spirit’s Suicide, is purely instrumental. From the instrumental perspective, this track is a headbanger regardless; the hookiest of surf rock progression with the moodiness of makes for a catchy track indeed. That said, it doesn’t hold enough weight to quite merit the exclusion of vocals. An odd choice, but the overall strength of this release dictates a significant number of replays in those short pockets of time that need filling. Necrokvlt are clearly proficient in their no-nonsense brand, and I’m excited to see where their next release projects them.
A certain groggy-eyed, highfalutin' peasantry