As indicated by the general scope of our output this week, the name of the game as of late is brevity. Nobody has the time nor energy to stick through an arduous slog, and thus, we're embracing music that is over practically as soon as it begins. Case in point: today's band--and 48 second music video--in question.
Xeno Ooze, for those regrettably unfamiliar, are a sci-fi lovin' and death-grindin' unit out of Arizona. Their 2019 debut effort, the excellent Parasligm, was quite well received amongst the metal blog-o-sphere, and while I never did get around to penning a writeup myself, their brand of frenetically slam-imbued grind/powerviolence/crust left one hell of an impact. This was (and is) music for violent incidents in the cosmos, for obliteration at the hand of extraterrestrials. In other words: sign us up. Parasligm routinely receives airtime 'round these parts, and so when news of their followup effort breached our Village inbox, I was more than happy to do my part. We're honored to present here today the (animated!) music video for "Swillbirth," a standout track on their forthcoming Slimewave EP. Without further ado, cast yer earholes and eyeballs below.
Look, I know. It's December, which means you'd much rather be catching up on all the music you missed rather than being clobbered with a continuing surge of new releases. But bear with me: the debut effort from grind duo Populace lasts for all of 9 minutes--and the tracklist is 10 tracks deep. Running those numbers indicates a certain disdain for unnecessary filler and fluff. We're dealing with brevity at its most blistering here. Bread and Roses, in other words, certainly ain't going to take much of your time today, and what little time it takes is wholeheartedly worthwhile.
Without further ado, we inksplattered scribes are pleased and honored to premiere Populace's first outing in its entirety. In the search for music that wakes us from slumber, it really doesn't get more effective--nor enjoyable--than this. Dig in below, and we'll meet you on the other side!
Like unto the best that the world of grind has to offer--i.e. Discordance Axis, let's be real--this two-piece excels at delivering ideas, both sonic and thematic, in their most succinct form. Like capturing a fleeting thought in amber, Populace use a single sample, howl, or churning riff as the basis for an explosive diatribe. Take opening track "Pollutant," which swiftly introduces the abrasivity with rolling drums and ranting vocals over intensely crashing guitar. Even though Populace pump the brakes very briefly to deliver a little extra emphasis, the forward momentum is utterly unstoppable. And so it goes for the remainder: a thrashing freefall through chaos-imbued guitar 'n' drums, blips of samples from a veritable bevy of sources, and omnipresent raging vox. Even when they do slow things down a tad--take, for example, midway through "Cocoon"--the consistently unhinged delivery never feels restrained or contained. At the end of the day, Populace balances dynamic composition and outright emotive rage in a fashion that is pretty damn nuanced for grind.
I hesitate to ascribe a "political" label to Populace, being of the firm belief that music, art, and life in general is intrinsically political. But, as a general rule, the instrumentation itself serves as a vehicle for the lyrical content, which, in unrelenting fashion, decries "fascism and all of its ugly friends." It is the thematic content that grounds Populace in the chaos, and topics such as pollution, ableism, and the churn of capitalism similarly find a strong foundation in the pure visceral anger of the instrumentation. It's a well-executed balancing act between form and function. Both thematically and sonically, nothing here is delivered gently--and that, of course, is by design.
Given the brevity on display, discussing individual tracks feels like a moot point. That said, lead single "Pangea" and the aforementioned "Cocoon" are, in my book, the strongest individual showings here--but listening in isolation from the remainder is hardly recommended. Rest assured: with Bread and Roses, there is never a dull moment.
Populace - Bread and Roses will be released on Dec. 4th, 2020, and can be pre-ordered here! Artwork by Misha Mono
You know the adage that runners will inevitably tell you they are runners, without every being prompted to do so? I’m that guy with Borborygmus. Stick around long enough, and, utterly uninvited, I promise I’ll start talkin’ about Wisconsin’s finest one-man goregrind outfit. What I admire most is this constant process of self-betterment--the gradual remixing and reconstruction of old tracks into their final polished form, across a series of many EPs and singles. Borborygmus drops new morsels with ridiculous regularity, and so my diet consistently consists of said morsels. The tracks get better with time, yet still maintain a raw and visceral quality that one craves when it comes to goregrind consumption. We’re happy and honored to premiere an entirely new track today, feverishly torn from the ghastly innards of the forthcoming Splatter Movie Madness--which will be Borborygmus’ third official release of the year.
We provide thoughtful reviews of music that is heavy, gloomy...and loud enough to wake us from slumber. Written by a highfalutin peasantry.
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