When it comes to the music lurking in our humble halls, we Villagers have been happy, as of late, to abide in the presence of doom and gloom. But all things must change, and today's change comes in the form of...an alt-rock ballad? Not our typical fare, but upon receiving this track some time back, I was quite taken with its deceptively confident approach and (equally deceptive) replayability.
Said track--"Dragon Of The West"--comes to us courtesy of one Underking, a versatile outfit that, by virtue of seemingly disparate influences, is actually a little hard to describe in a quick sound-bite. Their early stuff is more classically "metal," but this track delves deep into the mellow waters of the emotive rock ballad--promo material mentions both Meat Loaf and Judas Priest's softer side, which certainly applies, albeit with a significant orchestral bent. As if that wasn't enough, this thing is inspired by Avatar: The Last Airbender. And, like, it has a wicked cool visualizer. Sign me up.
Rather than scaring you all away with excessive explanation, how about you just give it a listen for yourself? Check out the subtly mighty "Dragon Of The West" below, and, once you've had your fill, I'll meet you on the other side.
Alright, picture this. It’s another friday night at your prototypical dive--you know the scene. 80’s wood paneling, scabby pool table, cardboard coasters. Cigarette butts litter the bathroom floors. Bad lighting. Cheap beer and urinal cakes. Two or three dead soldiers on the table already, with room for more. The band moves in, sets up, and launches into a boisterous set. It should be a normal night.
But it isn’t, because the band is Brandy and the Butcher. You don’t know ‘em now, but you’ll know 'em soon. By the first few notes, they have your attention. By the chorus, everyone stares in bewilderment. By the time the first song rolls to an end, accompanied by raucous applause, everyone in the damn room has swiftly come to the same conclusion: this is, by far, the best entertainment this bar has ever seen. Practically leaps and bounds beyond the typical rocker mold. This is exactly how quality rock 'n' roll should make you feel. In a word: invigorated.
To draw you back to the here and now, we slumbering Villagers are honored to premiere Dick Circus, the latest effort from these talented South Carolinians. Fire it up below, and we'll meet ye, as always, on the other side!
Y'know what I find so endlessly endearing and intriguing about Connecticut's own Turkey Vulture? Despite a lack of released tunes in the grand scheme--indeed, the tracks herein account for, like, half of their discography--this duo consistently brings startlingly fresh ideas. Every track to their name is a new take, an exciting conglomerate of seemingly non-adjacent influences.
In other words: if invention is a product, Turkey Vulture produce it with an admirable fervor. Mixing olde-timey Americana with aggressively studded punk, morose grunge, and sludgey hard rock shouldn't, frankly, work as well as they make it. We’ve reviewed both their debut EP and a followup single, so if three reviews ain’t good enough reason to check ‘em out, I’m not sure how to help ye out of your particular predicament.
Intro aside: let's get to tunes, shall we? We're honored to present here today--in full!--a premiere of Time To Pay, Turkey Vulture's latest (and greatest) EP. That's right. Four banging tracks, fresh off the press. Eat ‘em up while they’re still hot. It's damn good, but don't just take my word for it!
What, dear reader, makes a song--or an album, or an artist for that matter--quintessentially metal? That's obviously a question so broad as to be belligerently provocative, so let me just assert my two cents and get on with it: (italicized) metal is epitomized by chunky riffs, hefty atmosphere, a certain adherence to heartfelt aggression, and a devil-may-care attitude. Sure, the vast majority of music falling under the assorted subgenres will divert from this basic formula, but the existence of those factors can mean only one thing: metal is present. Time to break out the headbang.
New York's very own DemonScar are quintessentially metal, and their latest single--"MDCXCII," which we are honored to premiere here today--is a perfect exemplar of their Motorhead-by-way-of-Sabbath-by-way-of-Corrosion of Conformity aesthetic. In regards to the track in question, DemonScar state: “our new song has got a lot of those classic doom, stoner, and witchy vibes. Groove along with DemonScar as we journey back to Salem, 1692.” It's a tempting invitation, and I hope you take 'em up on the offer. Have yerselves a listen below:
We provide thoughtful reviews of music that is heavy, gloomy...and loud enough to wake us from slumber. Written by a highfalutin peasantry.
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