Look, let's be transparent here. If you've already listened to the existing three(!) singles from Breath's forthcoming debut, yet still aren't convinced, I don't know if anything I write here today can change your mind. In any case, if this bad boy isn't on your release radar, you are certifiably missing out.
But, more to the point: what's this? Another Breaths track premiere? As if Lined in Silver's killer title track wasn't enough to get our collective blood a-pumpin' here at the Sleeping Village? When you're dealing with the quality stuff, sometimes you just need to help yourself to seconds, and that's exactly what we slumbering scribes are doing here today. "The Forgotten Ones" is next up for a little love, and we're pleased and honored to present it here today for your listening pleasure. Without further ado, then, cast yer earholes and eyeballs below. We'll meet ye on the other side!
In the experience of this dutifully somber scribe, somberness alone does not quality death doom make. While the genre in question clearly relies on emotional heft, staying power is all too oft nonexistent when the sheer weight of sadness is all a track has going for it. But in the case of Rise to the Sky, one-man atmospheric death doom outfit from Santiago, Chile, emotionally one-dimensional songwriting and a lack of lasting impact are most certainly not of concern.
Case in point: "Liebestod." This lead single from the (excellent) forthcoming Let Me Drown With You delivers the depressed and downtrodden air one might expect alongside funereal riffage...but also carries itself with a subtly triumphant air. It's a killer track, and before I scare you away with more talk, please do yourself a favor and check it out below. As always, we'll see you on the other side.
When it comes to a concept album, the best (and arguably only) place to begin is...well, the beginning. Nosocomial, the forthcoming release from North Carolinian solo black/death/prog/etc. act Iōhannēs certainly qualifies as conceptual in scope--although the particulars of its narrative nature are a bit of an unknown at this time. The story itself will inevitably become a little more clear across the expanse, but for now, we're left with a few pieces to the puzzle: a brief artist statement in the bandcamp bio as well as the intro track, the latter of which we are happy to premiere here today in all of its haunting glory.
Without further ado, give the excellent and evocative "Surgery Theater" a listen below. We'll meet ye on the other side!
Readers familiar with this particular scribe's listening patterns may note that, in the grand scheme, I am more often than not drawn to the doomier and gloomier end of the multifaceted metal spectrum. But! Unbeknownst to many, the sweet strains of melodic death metal make for a non-insignificant chunk of my musical diet. When I'm feeling down, there's nothing quite like a vibrant melody riding in on the back of a boisterous riff to raise spirits a little higher. And, while it may seem sparse praise given the small dent we've made in 2021, my most-enjoyed melodeath release of the year thusfar is Means To An End, Svn.Seeker's forthcoming debut.
This small-yet-mighty collection features tight musicianship, concise and compelling composition, and, perhaps most importantly, a whole lotta sick riffage. Svn.Seeker fuckin' knocked it out of the park with this beast. Needless to say, we're pleased and honored to premiere here today the title track and second single. Give "Means to an End" a listen below, and, as always, we'll catch ye on the other side.
As a young scribliong, my very first exposure to music that could be deemed "heavy" was my father's Black Sabbath collection. Indeed, the opening cough on "Sweet Leaf," and subsequent sweet-ass riffage, was the clarion call of my youth. This appreciation for the low, slow, and psychedelic as a child has only grown to this day, and, more often than not, I'm quite comfortable strolling the pastures of stoner rock, doom, heavy psych, and affiliated genres.
As such, premiering a track from Burning Sister's forthcoming self-titled EP was a bit of a no-brainer. This self-declared "mile high downer rock" trio from Denver plays in an admittedly crowded field, but possess a unique ability to balance a simultaneously mellow and energetic quality. I'll blather on further soon enough, but before you're scared away, check out the excellent "Lord of Nothing" below!
As indicated by the general scope of our output this week, the name of the game as of late is brevity. Nobody has the time nor energy to stick through an arduous slog, and thus, we're embracing music that is over practically as soon as it begins. Case in point: today's band--and 48 second music video--in question.
Xeno Ooze, for those regrettably unfamiliar, are a sci-fi lovin' and death-grindin' unit out of Arizona. Their 2019 debut effort, the excellent Parasligm, was quite well received amongst the metal blog-o-sphere, and while I never did get around to penning a writeup myself, their brand of frenetically slam-imbued grind/powerviolence/crust left one hell of an impact. This was (and is) music for violent incidents in the cosmos, for obliteration at the hand of extraterrestrials. In other words: sign us up. Parasligm routinely receives airtime 'round these parts, and so when news of their followup effort breached our Village inbox, I was more than happy to do my part. We're honored to present here today the (animated!) music video for "Swillbirth," a standout track on their forthcoming Slimewave EP. Without further ado, cast yer earholes and eyeballs below.
Written by: The Administrator
Wait, don't tell me. I know what you're craving in the midst of a uniformly chaotic week: a potent dose of grunge inspired space-rock.
What? Not the prescription you were expecting? Me neither. Oddly, this unique genre synthesis, courtesy of Ghost:Hello--also know as Ohio's most gloriously inventive fuzz rock outfit--does the damn trick. This psych-laden cover of the perennial (albeit underrated) "Tyler" by Texan grunge rockers Toadies adds a level of intrigue to the original track's disturbing persona. Needless to say, we're pleased to present it to you here today.
Without further ado, then, check out Ghost:Hello's rendition of "Tyler" below!
Written by: The Administrator
When it comes to the simple pleasures associated with the simple scriberly life, front-row access to an artist's evolution over time is one of the most consistently exciting. The artist in question? Ye eagle-eyed readers may recall that this spring, we premiered Eclipse, a conceptual album from a certain progressive Yukonian one-man outfit. I quite enjoyed Rick Massie's ability to seamlessly blend genres in a symphonic landscape, bringing the listener on a series of sonic voyages through dynamic scenery.
But! Eclipse lives in the past. It is now, I am happy to report, a time of year we affectionately refer to as "spooky season." With the change in atmosphere comes an appropriately ominous Rick Massie track. Give "The Dance (of the Dead and Alive)" a well-deserved listen below, and, as always, we'll meet you on the other side!
These premiere things typically come equipped with a vaguely tangential intro. However, I'm too damn excited about today's track to meander en route to our destination. Without further ado, then:
Breaths is the latest project from multi-instrumentalist (and multi-talented, while we're at it) Richmond's own Jason Roberts. If you recognize the name--or the vocals, in due course--it's because we slumbering scribes have previously covered not one but two of his other bands: dreamy post-metallers CHNNLR and doom-afflicted post-metallers Conductor. This time around, however, he's striking out in a solo endeavor...that also carries itself with a certain post-metal gravitas. The track lurking below, "Lined in Silver," is the titular lead single in advance of Breaths' forthcoming debut album. Give it a listen, and, as always, we'll be waiting beyond the fold.
In the grand scheme of riff-worship, a cover doesn't get much more salient than Sabbath's 1971 classic "Lord of This World"--a highlight track on an album crammed full of 'em. It's a track that Magnetic Eye Record's upcoming Best of Black Sabbath tribute compilation would, frankly, be incomplete without.
But, perhaps most importantly, it's a track deserving of a band worthy to shoulder the monstrous mantle. Howling Giant is without a doubt such a band, and we slumbering scribes are honored to premiere here today their stellar take on "Lord of This World." Give it a listen below! We'll meet you on the other side.
We provide thoughtful reviews of music that is heavy, gloomy...and loud enough to wake us from slumber. Written by a highfalutin peasantry.
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