As of late, reviewing anything under the voluptuous roster of Kansas City’s The Company has become a bit of a struggle--it’s honestly difficult to come up with constructive criticism to balance out the radiant fanboyism. Young Bull’s excellent Midnight Climax came out last year, but I'll be damned if it doesn't fit the pattern of relentlessly high-quality content, contributing to a certain, well, bullish trajectory. Worth a review? You bet.
If you don’t like music of the pugilistic variety, get ye gone. Characterized by coursing coarse-grit riffs and rhythms that recall Motorhead at their harshest, this debut takes genre expectation by the horns and wrestles it into submission with merciless mud- smeared aggression. Gravel gargling roars punctuate a rowdy, rollicking, and otherwise uproarious atmosphere. With a vicious punky streak and a sludgy swagger, Young Bull is like unto stoner metal as a Panzer is unto motor vehicles. Not transcendent, so much as willing 'n' able to pulverize anything in its massive path.
Given the quality of standout tracks “Horned One, “13 Reasons,” and “Chainwhipped,” Side B tips the scale, resulting in an album that feels slightly off-balance. That said, the break in formula these tracks provide is welcome. Tempo changes aplenty, combined with a distinctly hard-rockin’ and high-octane approach, pave the way to a satisfying…title track. As it were.
YOUNG BULL - Midnight Climax was released June 2018 from The Company, and comes highly recommended.
Providing thoughtful reviews of music that is heavy, gloomy, and loud enough to wake us from slumber. Written by a groggy-eyed, highfalutin peasantry.