After spending untold hours uprighting the fruit carts, replacing the cobblestones, and hiding the corpses in the plague-pit, we here at the Sleeping Village were forced into a conclusion of sorts: maybe our Town Square isn’t the best place to celebrate 2018’s absolute domination in the death metal department. But oh, what righteous dominion! In reflection, despite some furious big-name releases, this year belongs to the lesser-known bands. Those bands are (more often than not) represented by some of the most innovative & forward thinking labels of our time, and these labels deserve our support. Example? Redefining Darkness Records, who notably put out Oxygen Destroyer and CIST this past year, are always on my radar in terms of extreme music that both embraces the past and celebrates ingenuity. The forthcoming 2-track demo from Warp Chamber--who, judging from their short bio, prefer to let their music speak for itself--fits brilliantly into this fold.
Taking inspiration from the obvious death metal greats--they cite Suffocation, Morbid Angel, and Demilich, but you could honestly take your pick of early 90’s death metal and call it a wrap--Warp Chamber is an exercise in chaos. Unlike these early influencers, however, individual Warp Chamber songs never feel tied to a central theme. Featuring two tracks of respectable length, Abdication of the Mind is a pummeling voyage through brief soundscapes. In the midst of exploration, some moments seem to lurch deliberately--like a subway car that is perpetually achieving a little too much momentum before each stop, Warp Chamber often applies the brakes with a gleeful aggression, before launching once more into a breakneck pace. If you prefer a musical comparison, think early Dying Fetus’ tendency to adjust tempo at the drop of a hat, perhaps mixed with Nocturnus’ excitable and perpetually shifting riffage. The result is a constantly evolving piece of music. The growls and guitar weave and wend, the drums lurch, and both tracks are stitched together with unexpected complexity and technicality.
While not particularly unique in the grand scheme of death metal howlers, the nature in which the vocals are buried really allows Abdication of the Mind’s ambiance to gel. Abandoning all attempts are remaining a vehicle for lyricism, the vox becomes another feature in the chaos. The throat-clearing hacks and snarls on the title track are particular highpoints--in the swirling aether, these noises keep Warp Chamber with one foot firmly planted in the grotesquery of firma terra.
At 16 minutes, give or take some twisted riffage here and there, Abdication of the Mind is a perfectly timed affair. A solid intro to Warp Chamber’s dimension-trodding sound, and a wholly worthwhile addition to the year’s veritable corpse-tsunami of quality death metal.
A certain groggy-eyed, highfalutin' peasantry