The news-report strains of ‘“From the Graves We March” rise, with staticky dial-up gravitas, above the groans. Without further ado it's officially on: Apocalypse by way of Zombie, the viscerally apropos downfall of humanity as we know it. Is there really any better fodder for a death metal album? I think not, and, evidently, neither does the international two-piece Reign of Terror. Comprised of Jereth Fewings on the instrumentation and Oscar Diaz handling vocal duties, these guys brandish their influences on their sleeves with a forthright pride, citing and recalling their heroes--be it Death, Deicide, or Dethklok, among a host of others--with the glee that one simply can not fake. I mean, just look at the logo. These guys love death metal, and their debut album is a well-conceived expression of said passion.
Decimation of Mankind is defined in many ways by the toilet-gurgle vocal stylings, which will either suck you in or reject you violently, depending entirely on your tolerance for the regurgatorial approach of, say, Aborted, Deicide, or Dying Fetus. In our track premiere for “Sacrificial Slaughter," the expulsive vocal tendencies of Vomitory were brought into play, and that descriptor continues to hold well here. Mr. Diaz displays a balance between gurgles and screams mightily, layering a certain raspy scream that, at it's best, inject a little hardcore ‘tude into the melting pot. While, as a whole, the vocals are improved upon in Reign of Terror’s sophomore release, they are still energetic and remarkably dynamic on Decimation.
Given the prior stage-setting, I hesitate to use the term "clean” in reference to Decimation of Mankind, but no bones about it: this is good clean death metal. Nothing flashy. Nothing heady. Just good ol’ brain-pummeling. As it should be. That said, the majority of the tracks herein are strangely hypnotic--recalling, oddly enough, a darkwave-esque sonic quality. Dance With the Dead comes to mind, in terms of the lurching riffs that ebb and flow, typically muffled and subdued by the sheer force of the vocals, but occasionally forthright in a show of primal ferocity.
This album is stuffed to the brim with fun moments. Take the simple yet invigorating buildup on “Thy Savior is Thy End,” which never fails to elicit an ill-advised neck whipping. The eventual tempo changes on this track do wonders to avoid stagnation, as do the electronic leanings on “The Plague”--one of the albums more intriguing moments. “Machine of Vengeance” is an absolute goddamn barnburner, rivaled only by its immediate follow-up in terms of violent zeal. “Creation Breeds Decimation” is a stellar track, grinding and driving with assertive abandon. Here, the Reign of Terror formula operates at its best, as the vocals, guitar, and percussion mesh together in a relentlessly satisfying sense. Tracks such as this demonstrate that at their best, Reign of Terror are genuinely following--and filling--the footprints of brutal death's giants. Tying things up with an intestinal bow, the album ends off with the purely atmospheric church bell ringing of “...And to the Graves We Return.” While outros are largely unnecessary, it works in Reign in Terror's benefit to bring the overall narrative to a satisfying close.
From a needs-improvement standpoint, there are several aspects of note. The first--as is often the case when this particular villager turns a critical eye--is song length. This particular brand of death benefits from punchy runtimes, and with multiple songs stretching across the 6 and 7 minute marks, a trimmed refrain here or there would serve each track's individual impact. As a result, the album’s back half--home to some of the shorter tracks on display--is the more impressive. The vocal cadence is another sticking point, as a similar chanting rhythm appears enough times across the album to become overly familiar. That said, in both cases Reign of Terror's sophomore effort is a giant step in the right direction. Self correction in practice.
Bottom line? These guys aren't revolutionaries of the death metal scene by any means...but this is death metal, after all, and the vast majority of the time all we're looking for is a neck-snapping good time. To this end, Reign in Terror deliver in spades. And if you’re a fan Decimation, fear not: they release new music on a ridiculously impressive timeline, and, as mentioned, their follow-up, entitled Revolution Through Violence, is already out. Listen to "Thy Savior is Thy End" below:
Providing thoughtful reviews of music that is heavy, gloomy, and loud enough to wake us from slumber. Written by a groggy-eyed, highfalutin peasantry.