Upon fishing Psychlona’s debut from the Global Stoner Conveyor of Kyuss-ian psychedelia, my initial (& unfair) impression was that they sounded a whole lot like Fu Manchu, otherwise known as the okay-ist desert rock group of the decade. Upon further inspection, however, something became remarkably clear: Psychlona is not a middling band. The result? Mojo Rising makes a colorful addition to this year’s coffer of pleasant surprises. While this groovy outfit from northern England does feel, at times, like the aforementioned Foo,’ their sonic radius is actually fairly large, & they possess the ability to reach beyond obvious influences.
Take, for example, the back halves on Big River & Burning Cave, which both sound like Jethro Tull & Merlin (referring to band and warlock both, I suppose) had a multigenerational lovechild. Down In The Valley, a slightly cautious shroomy celebration, (This is the valley where the fungi grew/don’t overdo it boy, just try a few,) exudes that fuzz-bathed early Truckfighters vibe to a tee. Black Dog has that groovy 1000mods riffage similarly pegged, before breaking into a mean solo that remains both appealingly trippy & assuredly grounded. A common pattern here is for the back half of each track to revert into instrumentality, which, while always pleasing, eventually turns monotonous--granted, this from the perspective of decidedly sober critic.
In a similar vein, towards the end of Mojo Risings’ 45 minute length, the tracks become less distinct, & thus less memorable, with little variation in tempo. With that said, this is more a critique of the subgenre in question--ultimately, this Sleeping Villager remains suitably impressed by Psychlona’s abilities, both instrumental & compositional. While the album cover honestly tells a pretty accurate story, this outfit still has some secrets. Despite Ripple Music’s already stacked roster, Mojo Rising is certainly unique enough to merit worthy addition. Recommended both to fans of the genre, & to those of you looking to try a fresh-faced band on for size.
Released Nov. 9th via Ripple Music
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Providing thoughtful reviews of music that is heavy, gloomy, and loud enough to wake us from slumber. Written by a groggy-eyed, highfalutin peasantry.