Written by: Reese
I'm sure that most of you are aware that not all Cryptopsy albums are created equal. Those of you who’ve heard 2008’s metalcore-flavoured outing The Unspoken King are certainly aware of this fact. I will maintain that Cryptopsy have never released an album I would classify as “bad” but some come much closer than others. But fortune has smiled on the last handful of Cryptopsy releases, and the band seem to be on a much-needed upswing. After three years of keeping fans in suspense, Cryptopsy have finally unleashed the follow-up to The Book of Suffering - Tome I: Tome II.
I mentioned that Cryptopsy have been on a win streak over the course of their last few releases and they keep the momentum up on Tome II. This is very much a continuation of the sound found on Tome I. Cryptopsy are playing fast, and they’re playing tightly. Fortunately, they also manage to sideswipe the typical speedtrap that most modern tech death bands fall into: useless self-indulgence. There aren’t any riffs on this release that made me think “why?”, and the sad reality of the situation is that for Cryptopsy in 2018 that’s an accomplishment. I find that the EP is able to hold my attention for the entirety of its runtime, something unfocused, rambling techdeath rarely manages to do, even in short sub-20 minute bursts such as this.
Vocally, this is one of my favourite performances of Cryptopsy’s career. Matt McGachy’s screeching and howls are all over the place. He’s got a great range and he’s not afraid to play with it, something that helps develop modern Cryptopsy’s sense of identity that they might not otherwise have. The riffs on the other hand are a bit more hit and miss. For the most part though, they hit. They’re tight, technical and aggressive, but maybe not the most memorable. I enjoy myself while the songs are playing, but there are certain riffs I’d have a tough time remembering after the fact. But for the most part, these riffs are winners. I’d kill for the ability to play even half of them, and the tasteful but brief solos they toss in every once in a while only sweeten the deal.
My largest gripe with this EP is something that plagues the overwhelming majority of not only techdeath, but modern death metal bands in general: lame production. Not poor production, lame production. You can write the meanest riffs in the world, but when you scrub all the dirt off them in the mastering phase they’ll lose a significant amount of bite. Imagine this EP with None so Vile’s production. That would be sweet! I live for the day that death metal bands realize they aren’t doing themselves any favours with production jobs like these; not only does it take away from your band’s unique “sound”, it just makes your music sound less intense. And that’s the absolute LAST thing you want from your death metal.
All in all, this is a good EP that has some very good moments. It’s the best Cryptopsy have been in a while and it shows that the band recognize they have room left to grow and are doing their best to fill it. Whatever comes next for Cryptopsy should be even better. With a few more scans and a little more scum in the production and maybe a sharper set of hooks, Tome III (or whatever else the band have up their sleeves) could be a real killer.
Written by: Reese
Providing thoughtful reviews of music that is heavy, gloomy, and loud enough to wake us from slumber. Written by a groggy-eyed, highfalutin peasantry.