If you haven't yet checked out Bostonian power trio Death Pesos, but had the chance to skim through the playlist they graciously curated for the Village over on spotify...you've got a pretty decent picture of what awaits. Scuzzy riffs and grimy licks are the name of the game. Throw some forthright aggression in the direction of the drums, supplement heavily with groovy bass, and bury deep in the mix some filtered buzzsaw vocals, a la your favorite Uncle Acid. These self described “garage-metal stoners” are all about noisy guitar, fuzzy ambiance, and rockin’ attitude--and on their latest single/B-side, they present a raw and rollicking amalgamation of influences. It's high-quality fuzzy rock ‘n’ roll, so we've gotta roll out the red carpet: with echoes of Cream, to Captain Beyond, to Stoned Jesus, to Faux Ferocious, to Graveyard, there's a lot of influential sounds on display in these 7-ish short minutes.
Look, we've got a lot of stoner metal to get through today. Rather than bore you with a vaguely tangential introduction, let's just get to it, shall we?
earthdiver's Leave Something Witchy is one helluva EP, taking the smudgy groove of stoner metal and infusing it liberally with the glorious devil-may-care vivacity of punk. The entire 3-track is delightfully raw, rough-edged, and nearly feral in its execution--like if Pan, the God of the wild things, decided to throw away the pan pipes and start a garage band. Angsty vocals and slightly goofy samples are upheld by the loosest and otherwise grooviest bass I've heard in a long damn time. This thing grinds and bounces around with a deliciously organic bent, keeping the low end moving forward with an egregiously thunderous confidence. Indeed, the bass forms the backbone of earthdiver's approach, with the uber-distorted guitar appearing more as embellishment to the groove.
It's seldom that I encounter a fresh-faced band with such jubilant energy behind them. Doom benefits greatly from a swift kick in the ass, and earthdiver might just be the ones to deliver. If you like a little zest and zeal in your stoner doom, this particular Villager highly, highly recommends you check this one out. Listen to the title track here:
Sometimes, an album I place on frequent rotation for review simply...well, never leaves rotation. It becomes so integral to my listening habits that the notion of writing a review becomes almost antithetical, because to write a review is often an admittance that it's time to wrap up my thoughts, take a break, and move on to other releases. Where Light Goes to Die, the sophomore effort from Atlanta's hard-rocking HOT RAM is, needless to say, such an album.
This power trio have been waiting a long damn time for this write-up, so let's get to it!
In many ways, HOT RAM appears to hit the ground running as a fairly prototypical doom/stoner rock outfit. Thick and bluesy grooves. Relaxed and expansive vocals, with just enough pent-up aggression to merit that sweet sludgy association. Fuzzy riffs that stretch and wind with a laid-back mentality and an exploratory spirit. That's all well and good--I mean, honestly, what else are we really here for. But alas, HOT RAM conquers the expected tropes with ease, and, fairly immediately, demonstrate that they have much more in store.
Where Light Goes to Die is, at heart, a hard rockin’ album, and it is this quality that took me most by surprise. HOT RAM fire on all cylinders with marked consistency, performing with the braggadocious air of a demin-clad classic rock outfit, without delving into the airy arena of radio-friendly singles. It’s like if Accept or early Judas Priest were converted by the Church of Misery. This mix of high energy riffage, pounding drums, and bass with ‘tude on one hand, and psychedelic meanderings on the other, is pretty damn potent.
The guitar feels fairly staple and straightforward in its approach, but it becomes apparent quite quickly that mere amp-worship ain't necessarily the name of the game. Take, for example, the frantic scale climbing that marks the finale of "Tribes of Titan," or the delightful sidewinding riff on (psych standout) "Petra," or the grinding aggression of "Nova Caesari," or the earnest rollicking of "Snake River." It is to their great credit that these tracks, and indeed every song here, feels like a very unique entity in the album's overall fabric. There's nothing here that should be cut, or refined, or even trimmed. As much as I love the genre, we all know the truth of the matter: in the hazy confines of stoner rock, sophistication and brevity aren't always the qualities most sought. HOT RAM throw that stereotype in the woodchipper, delivering six massive (yet varied) bangers.
I just listened to this album in full for the sole purpose of determining which track is my favorite. In conclusion? I genuinely cannot make that determination. Yer just gonna have to grab this HOT RAM by the horns and experience it in full unadulterated glory. Be part of the reason these guys get a little more attention. If it isn’t obvious thusfar, Where Light Goes To Die comes highly recommended. But yet, the question remains: will it leave constant rotation as a result of this review finally being unveiled?
Written by: Tales_of_deception
Most of the time, singles off of records are my least favorite thing to cover/review, but on the other hand, why not pick one my favorite tracks off a record and talk about that instead? Welcome in Wulfhound. A three-piece doom metal outfit from Tennessee that pulls few punches.
Now, I could be reaching extremely far here but just stay with me, please? Imagine this: Ozzy Osbourne and a sprinkle of Candlemass all wrapped into one giant burrito. Add a vocal style that is a bit similar to a very young Ozzy Osbourne along with what early Candlemass produced, and you have everything you need from Wulfhounds' Riddle In The Dark. In an effort to capture my attention these three giants decided to do what I love in doom metal, and that's build me up until I can't take it anymore. Hitting me right in the chest with the drums and walls of harsh fuzziness from the guitars until those vocals come in and dominate me to the point where I can't say no anymore. Production is on point with a little bit of grit and grain, but still clear enough you can check mark the boxes for what you hear. Their EP is out now so don't believe a damn thing I say, go check out for yourself.
Like I said above, I could be reaching so tell me what you think after you here what I've heard. Riddles In The Dark is streaming below so make sure to push that play button to see what all the glorious noise is about. Want more of Wulfhound? Purchase the record on bandcamp.
Sometimes, a conceptual underpinning is all a song has going for it. Not so in the case of Glow, a walloping track that comes to the Sleeping Village by way of Chicago's own Cloud Cruiser.
Steeped in a thick desert rock fuzz and convincingly constructed around a monolithic central riff, this track chronicles the protagonist--a young man--as he seeks out powers of flight. It's everything one wants out of hard-rockin' desert rock, plain n' simple. A top-notch job in the production job makes for an aggressive low end, and vocals are mournful, gruff, and just reminiscent enough of Red Fang to pass you firmly into the genre's windswept (yet assuredly badass) embrace. It may sound a little trite, but my only critique of this track is that, as a stand-alone, it could definitely use some company. This particular villager eagerly awaits developments in Cloud Cruiser's "I: Capacity" installment.
Give Glow a listen here. For those of you in Chicago, Cloud Cruiser will be playing a show on February 8th at Burlington Bar.
We provide thoughtful reviews of music that is heavy, gloomy...and heavy enough to wake us from slumber. Written by a certain groggy-eyed and highfalutin' peasantry.