Here’s a factoid our eagle-eyed archivist doesn’t expect anyone to recall: back in the primordial days of this site, we published a track review of the delightfully entitled “Obstrinxerit,” from a Albuquerque-dwelling sludge duo named Sword Horse. It made an impression on me then--to quote: “‘Obstrinxerit’ maintains a free-flowing ambiance, an irresistible pull into a cave that is too small. In this case, Death doesn’t beckon, so much as leave you with no other option.” Chilling stuff.
Given a certain enamorment with this track, as well as a healthy appreciation for their prior work, I was suitably intrigued by the release of a self-titled EP way back in August of last year. I listened to the damn thing quite frequently, a little sludge-me-up between other releases. Despite an intent to put pen to paper and scratch out a review, I simply...didn’t. And so the apology tour continues. I arise today from an apparent Rip Van Winkle situation to inform you that, unlike yours truly, you really shouldn’t look this gift Sword Horse in the mouth.
Written by: Carlos Balmaceda
Orphans of Doom is a Kansas City based metal band that offers a refreshing mix of familiar genres. Combining elements of thrash, sludge, and a decent coating of crossover, has helped them out a stamp on their local and regional scene. The band formed in the summer of 2016 and consist of Jeremy Isaacson (Bass/Vocals), Bryan Sedey (Guitar), Greg Koelling (Drums) and has since released released two full length albums. Their first album, Strange Worlds/Fierce Gods, came out of the gate hot and made for a strong debut. Strange Worlds/Fierce Gods was an intense ripper that kept your head banging through the entirety of its run time, and is a great foundation for what could be a very strong career in heavy music. The question is, “Does this new album keep that fire rolling?”
After long last, we slumbering peasantry arise from Rip Van Winkle-hood, back with another edition of our neglected Sleeping Village Sampler.
For those of you not in the know, this is our (regrettably infrequent) column wherein we review, in brief, two of the bands that have escaped the clutches of a full length writeup. Usually there is an underlying current, a theme connecting the two. In other words, a method behind the madness. This time, however, all I’ve got is this: both bands featured here today have the word “Serpent” in their name, and they both requested a review on the same damn day. That’s simply too coincidental to neglect, and so here we are. Pull off your boots, pull up a chair, and stay awhile. You may want to check your boots for snakes later on, but that's life.
Written by: Izzy
What does anxiety feel like to you? When your chest tightens up and breathing becomes heavy? Sweat dripping down your neck and your heart beating like a kick drum? Being paralyzed with fear, unable to move, your back becoming heavy and the air around you turning into a thick sludge you can barely drag yourself through? For me, it’s all of the above, because anxiety feels to me like how Body Void sounds.
This Californian drone-punk-sludge-metal-death-crust-doom-core trio creates some of the most viscerally disgusting and hideous sludge in existence, and I have loved them since the second I first heard them. I could go on for hours about my infatuation with their music. However, I would be remiss for not mentioning Keeper as well, despite my unfamiliarity with them. These Cali contemporaries provide the perfect companionship to Body Void here, and are one of the few bands with a comparable style, except with an extra blackened edge, partnering flawlessly with Body Void by adding their own flavour to the split.
Guest Post: Carcassbomb (of Noob Heavy)
Experimentation is my magic word… and my safe word. It’s an approach that can really go anywhere, including some dumb places, but Rat King challenge song writing conventions in a far more subtle way that makes for an interesting listen without alienating fans of experimented genre in anyway. Previously with their 2016 debut LP Garbage Island they had a similarly experimental take on sludge so it’s interesting to see they have taken their approach into the realm of death/grind, a completely different arena. Here’s the thing though, they fucking pulled it off and in my opinion this release is both a better album and a better representation of their signature craft. There’s been an evolution here that I respect and admire. Vicious Inhumanity will be released Jan 17th via their very own label Within The Mind Records, CD, Vinyl and cassette, so dig in mother fuckers. They’re also giving away CDs to two lucky people, entries close on release day so there’s time.
Providing thoughtful reviews of music that is heavy, gloomy, and loud enough to wake us from slumber. Written by a groggy-eyed, highfalutin peasantry.