Here's one of those reviews that has sat, half-completed, for an embarrassingly long time. The catalyst for completion? A lyric analysis that CHNNLR posted over on Instagram for the second single released under this project moniker. As stated there, “In Dreams”--the track in question--focuses on the “forms and stages” of clinical depression or anxiety, and how they “can debilitate and take over someone’s mind and body.” Like the artist, I am not diagnosed with these demons, but the person I love most in this world has routinely lived in the midst of a “waking nightmare” (as he astutely puts it) due to machinations of the mind: chemical, situational, or otherwise. Depression and anxiety are legitimate diseases with legitimate implications, and, as CHNNLR states, treatment is a necessity: “Don’t ignore the signs, and don’t just think things will get better. Reach out, connect, check in.” And, given the current state of affairs out there: now more than ever.
Written by: Izzy
Have any of you noticed this trend in recent years of more post-black bands mixing in elements of post-hardcore, and vice versa? Harakiri For The Sky, Asunojokei, Cara Neir, Unfurl, Oathbreaker, Glassing, King Apathy, John The Void, Møl, they all do it, and as both a hardcore nerd and someone who's often annoyed by the stagnation of black metal due to the attitude of trve kvlt worship many bands have, it's a trend I've loved to see popping up.
I adore black metal, it's easily one of my favourite non-core genres, but post-black especially is where I get off, as you can likely tell by the Sunbather aesthetic plastered everywhere on my Instagram (@izzlesreviewvault yes I'm a self promoting shill.) I'm absolutely a sucker for any bands that know how to blend the heavy, melodic, emotional, and vicious aspects of the genre or experiment and mess with the genres aspects all together, and no one does that better than the post-black community. But despite my adoration for a good black metal album I'm not particularly active in the black metal community for, uhm... obvious reasons.
Providing thoughtful reviews of music that is heavy, gloomy, and loud enough to wake us from slumber. Written by a groggy-eyed, highfalutin peasantry.