Written by: Volt Thrower
Old sticky beer gripping the bottom of my shoes. Sweaty dudes bumping into me. The crushing weight of Tatsu Mikami’s bass tone laying waste to my chest cavity. Was it all a dream? The last show I went to in the pre-pandemic times was Church of Misery in February, less than three months ago, but it feels like it's been at least three years. The concept of time of has become a black hole since ~March 13th. Anything prior to that date genuinely feels like it's beyond the grasp of memory or record, i.e. Time Immemorial.
We’re in unprecedented times, people feel hopeless. Canadian sludgers Heron build atmosphere on the back of hopelessness, and deliver perhaps the most relevant release of 2020.
Written by: Lord Hsrah
One of the best aspects of doom metal is the way the music encapsulates the pure essence of grief, of tragedy, of sadness, and of sorrow--all in the most beautiful and grim way. With all that's happening around us these days, as well in the near past, "the days have been long and heavy" is saying the very least. Marrowfields' Metamorphoses captures the true effects of all of those aforementioned feelings and emotions in the most melodiously dark way.
Based in Fall River, Massachusetts, this 5-piece band have very boldly brought forth this debut full length effort, hitting the hammer hard and heavy with excellent material and musicianship. Composer and guitarist Brandon Green's guitar work is immaculate, and, paired with fellow guitarist Josh Moran, the strings get pretty heavy. The Candlemass and Pallbearer influences are evident without even feeling the need to be explicitly mentioned as the loud and clean vocals laid down by Ken Gillis add to the album the eerie sorrowful effect, while the rhythm section holds down the line extremely well as bassist Tim Cabral and drummer AJ Grimes combine to produce the very heartbeat of the album.
We provide thoughtful reviews of music that is heavy, gloomy...and loud enough to wake us from slumber. Written by a highfalutin peasantry!