Let’s start Sunday off with something fun. Between the doom and the depressive black metal, we here at the Sleeping Village get, on occasion, a little too gloomy for our own good. The cure for such a self-inflicted diagnosis? Our plague doctor heartily recommended some overt NWOBHM nostalgia...and what kind of plebs are we to deny the good doctor’s word? To that end, let’s talk about High Risk, lead single (and title track) from Blade Killer’s forthcoming debut album.
High Risk is plucked directly from the 80’s. As such, the most common comparison, musically speaking, is undoubtedly Di’Anno-era Maiden. Prominent bass a la Harris? Check. Energetic vocal stylings with just a hint of graceless gruff? Check. Galloping--nay, runaway train riffage? Just let me have that check, please. If we’re talkin’ shameless NWOBHM gravitas, however, Angel Witch, Tokyo Blade, and the ever-fantastical Tygers of Pan Tang might be closer to the mark. High Risk is a track imbued with an undeniably rambunctious energy, a pure distillation of no-nonsense 80’s headbanging glory. No intro is necessary--the guitar kicks right in with a head-bopping enthusiasm. The lyrics, while fairly standard fare, are delivered with a similar gleeful kineticism.
This is air guitar-inducing, chorus-belting, demin-stitching music if ever there was, and Blade Killer’s blatant commitment to the NWOBHM aesthetic comes highly appreciated, even in a fairly saturated market. If the rest of the album has an inkling of the balls-to-the-wall determination of its title track, its safe to say Blade Killer have gifted a worthwhile depository into our collective horn-throwing hands. From what I’ve read thusfar, no worries on this front. Lookin’ forward to Nov. 23rd.
High Risk will be released Nov. 23 through M-Theory Audio.
Check out Blade Killer on Bandcamp.
Providing thoughtful reviews of music that is heavy, gloomy, and loud enough to wake us from slumber. Written by a groggy-eyed, highfalutin peasantry.
What are ye looking for?