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TRASH COMPACTOR - Trash Compactor (Review)

2/21/2026

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Written by: The Administrator

If you've been reading reviews here at ye olde Sleeping Village for a while now, you may remember (B)Easton Lane, who contributed some fantastic writeups back in our prolific '20-'21 era. He has continued reviewing on Instagram under the moniker LaneListens, and we had for all intents and purposes fallen out of touch...until last October, that is, when a very interesting promo email landed in the inbox.

As it turns out, Easton is a guitarist and vocalist as well as a reviewer, and his intriguingly entitled band Trash Compactor has released a self-titled debut EP. While I initially and incorrectly assumed it was slam or brutal death metal band due exclusively to the name, the world of Trash Compactor is a little more extensive. Thematically, the band presents a story wherein we discover a wormhole to a (supposedly) barren wasteland located in another time. This portal serves as a convenient Disposal Pipeline for humanity's waste. I wholeheartedly enjoy the premise of an entire band being based on a singular sci-fi world from the moniker down. From a worldbuilding perspective, Trash Compactor have created an environment rich with narrative potential. And as cool as their unique world is, the music itself is certainly nothing to scoff at.

But what do Trash Compactor sound like? After many listens, I'm still not sure how to answer that question in a succinct fashion. Promo material mentions a wide variety of inspirations, ranging from Gojira to Megadeth to Lamb of God to Horrendous to Mastodon to Carcass. What do these bands have in common, beyond a penchant for engaging riffage? I'm not entirely sure myself, but I see slivers of their respective influence across the four tracks herein. In any case, Trash Compactor sits between a variety of genres in the amorphous zone I would confidently call "metal." The four tracks here are groovy, and proggy, and deathy, and a little thrashy as well. The guitar is punchy and present, often delivering the kind of groovy motifs that feel defined, first and foremost, by their headbangability. That said, the instrumentation is quite flexible, incorporating a sliver of tremolo'd black metal bite (see the opening of "Ziggurat,") a healthy dose of invigorating thrash ("Golem,") alongside a general prog oddity (perhaps most prominent on closer "Cenotaph / Epitaph.") This latter element never feels entirely unleashed, and I'd love to see how weird Trash Compactor can get when they really let loose.
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​Of the four tracks here, I have trouble determining a favorite because they all bring something unique. Opener "Compacted Consciousness" is a prime stage-setter, both musically and narratively. The vocals feel the most decipherable here, and I quite enjoy how they follow and emphasize the riffage in the first half. After a filtered spoken word interlude, things comes back a tad slower, showing a mere glimmer of the more expansive inclinations to come. Following track "Ziggurat," as mentioned, starts with a little blackened aggression, which soon morphs into a stomping thrash/groove aggregate. I particularly enjoy Julian Santucci's drums here--there's a tangible and exciting momentum. The vocal delivery is a little more deathy and, in my opinion, a little more refined. The growls sit well within the instrumentation. Third track "Golem" succeeds due to the urgency intrinsic to the thrasher influences styling, which pairs nicely with Easton's barking vocal stylings, and the sense of drama imparted makes for a gripping listening experience. Closer "Cenotaph / Epitaph," embedded above, is quite lengthy by comparison, and, as aforementioned, brings a little progressive flair--the back half in particular is expansive, yet simultaneously embraces a mighty churning groove to close things out. It's a very satisfying combo, and I think it was a smart move to keep things instrumental at the end here. A great closing track all told, and a strong indication that Trash Compactor can fare well when it comes to longer form composition. Also, the first verse starts with an emphatic "GO!," which is probably my favoritest thing in the whole damn world. Just saying.

Trash Compactor marks a strong first outing for Trash Compactor, and I'm ready to see where they take the Disposal Pipeline story and the genre conglomeration(s) in future releases. With the benefit of the keen execution Trash Compactor demonstrate here, I feel like thrashy prog with a rock-solid  foundation of grounded groove is a sonic arena with significant room to explore. In sum: these four tracks are very much worth your while, and I'm excited to see what kind of sci-fi riffage and oddities Trash Compactor cook up next!

Trash Compactor - Trash Compactor was released October 24, 2025 and can be found here!

Trash Compactor can be found at LinkTree.
Cover art by Rein Van Oyen
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