CLIPSE - Let God Sort Em Out (Mini-Review)

Written by: The Administrator

Yes, I know I don't formally rank my favorite albums of the year, but Let God Sort Em Out is indisputably #1. And yes, I know I don't rate albums, but after much consideration I am considering it a perfect 10. I have no complaints, no unsolicited notes. I am consumed by a radiant admiration for the impeccable execution of the craft.

There are zero skippable tracks. Pretty sure skipping is cosmically impossible, in fact. If I get the urge to listen to any track in particular, you know I'm starting at the top and letting the whole damn thing play out. From the emotional "The Birds Don't Sing," to the intimidating swagger of "Ace Trumpets," to the narrative-driven snarling coke rap teamup with Stove God Cooks on (song of the year?) "F.I.C.O.," the Brothers Thornton deliver on literal decades of wordcraft and worldbuilding experience. Pusha T nails a level of intention-setting intensity that has become a bit of a trademark over the years, and Malice's similarly trademark second verses absolutely level the playing field with masterful wordplay and punchy rhyme schemes. He is an absolute force of nature as a lyricist, and his delivery is as pugilistic as they come. Pusha T has always been antagonistic, but at times Malice's tone practically drips with vitriol. Have you ever heard someone say "penne a la vodka" with such force? They both operate with an extremely admirable precision and care, with every single word feeling essential in the greater construct of the whole. They are masters of impact. And that's not even mentioning the glorious pantheon of Kendrick Lamar, Tyler, the Creator, Ab Liva, and Nas guest verses. While Kendrick has received much recognition, Tyler's verse on "P.O.V." is a standout for me--the way he delivers "I need God to play the lead in my biopic" is so unreasonably hard that, upon first listen, I needed to pause the track to refill my lungs. And then Malice drops in like a tungsten rod from God to absolutely demolish the third verse. 

And lest he be forgot, it's excellent to see Pharrell at the reins of production once more. I swear he's saved his best beats for years, saving 'em and breaking 'em out for the perfect occasion. His drums are striking and vivacious; his sample game succeeds enormously creating dramatic and attention-grabbing moments. I love, for example, the repeated integration of "cuz it's hot!" on "M.T.B.T.T.F." And if you haven't yet had the pleasure of hearing the masterful utilization of Tahal Maddah's "Maza Akoulo" on "So Be It," I highly recommend giving it a listen below. The cohesion Pharell's production imparts upon the tracklist is essential.

I mean, I'm still in awe. Let God Sort Em Out is God-tier. What an incredible comeback project on all counts. I wish I had the time to devote a full review to this release. From the extensive backstory to the sheer influence it inevitably carries into the future, it deserves a dissertation.

Clipse - Let God Sort Em Out was released July 11th, 2025 via ROC Nation Distribution.

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Clipse can be found here