Written by: The Administrator
If you, dear reader, have A. frequented our humble halls with some regularity, and B., have a remarkably keen memory, you may recall prior coverage/adoration of one Rick Massie. Over the past few years, this one-man outfit from the wilds of the Yukon consistently presents a healthy blend of rock, prog, and metal, whether in the form of an ode to Halloween, a foreboding single, or across the breadth of an expansive album. Each Rick Massie moment features a very different sonic and aesthetic backdrop, but the intentionality and sheer quality remains consistent. For further proof, look no further than today's track in question, a largely faithful cover of the mighty Opeth's "The Moor." It officially comes out on May 20th, but until then, you can listen to your heart's content at ye olde Sleeping Village. Check it out below! As always, we'll meet ye on the other side.
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Almost a year ago, Desolation Plains' fantastic Sword of Hailstorm was drafted into service as the focal point for our inaugural INTO THE DUNGEON column. Due exclusively to, well, my own laziness, this proved to be the only entry in said series. In retrospect, that's a damn shame, considering how many stellar exemplars of the genre I checked out exclusively on the basis of really fuckin' enjoying Sword of Hailstorm. I listen to it frequently to this day.
Needless to say, I'm pleased and honored to present here today a new track from Desolation Plains' forthcoming Kingdomfall. Check it out below! As always, we'll meet ye on the other side.
This year, in an attempt to cover more music that would all-too-oft slip through the very large cracks, we're trying something new and novel around these parts. Namely, we're gonna actually publish the little one-off reviews that were previously (and arbitrarily) deemed too short for publication. In that spirit, here's a mini-review of a single worth checkin' out.
Written by: The Administrator
Fuzzy psyched-out stoner rock. I want it. I need it. Thankfully, AAWKS have delivered the goods on a silver platter, in the form of a fun new single preceding their forthcoming debut. "Space City" delivers exactly what it promises: Built on the back on the kind of trippy meanderings and monolithic fuzz we've only come to expect from the genre, this track doesn't stray terribly far from the classic Fu Manchu-ian school of thought. Notably, however, the hefty riffs aren't the only thing holding "Space City" together--like unto the masters of the craft, AAWKS inject their songwriting with healthy dose of melody and just enough psyched-out meandering to keep things from feeling, y'know, too grounded. "Space City" slows it down to a fairly plodding clip for a significant portion of the runtime, which is a smart choice, given the blissfully languid quality of the fantastic vocals. There's a sense of pure calm that ensconces the track as a whole. Indeed, this is the kind of music that practically demands the listener be A. chilled out and B. in the mood for some overt amp worship. While I do hope that the forthcoming full length demonstrates a modicum of variety across the breadth, this single is an excellent indication of AAWK's ability to write a high quality (and highly replayable!) stoner rock song. "Space City" bodes well for what's to come. Give it a listen below!
This year, in an attempt to cover more music that would all-too-oft slip through the very large cracks, we're trying something new and novel around these parts. Namely, we're gonna actually publish the little one-off reviews that were previously (and arbitrarily) deemed too short for publication. In that spirit, here's a mini-review of a Very Good heavy psych single.
Written by: The Administrator
Today's mini-review is brought to you by my noteworthy inability to get stuff done when I intend on getting it done. I first heard this stellar single by Kansas' own They Watch Us From The Moon upon release back in December of 2021, and it's taken a few months to muster the wherewithal to actually put my praise to text. I apologize to the band for my tardiness. In any case, we're here now. In a word (or rather two): holy fuck. "Return to Earth" is a magnum opus from a band that inevitably has another magnum opus in store. This 10-plus minute track is a stellar display of the mastery of craft They Watch Us From The Moon have accomplished in a relatively short time. Their heavy-psych-by-way-of-doom is heavy on atmosphere, and carries itself with a comfortable air that recalls the more cosmic sides of Slomatics and Mammoth Weed Wizard Bastard, and perhaps a doomed-out interpretation of Meddle-era Pink Floyd. The multiplicity of vocal styles is a particular strong suit, with Luna Nemeses leading the pack with a simply delightful tone that sails comfortably above the instrumentation and various backing vocals. While spacious enough to leave the listener vaguely untethered, the track is ultimately grounded by the sheer catchiness of the refrain, which runs across the whole with a hypnotic consistency. While some may find the runtime excessive for the elements presented, I'm a huge fan of the borderline meditative environment that blossoms from the repetition of the stirring chorus, particularly in the back half. If this moon crew's next project contains tracks of this caliber, we're in for one helluva treat--which says something, considering how damn good 2020's Moon Doom! was. Bottom line? This is a stunning song, and if you enjoy stoner doom, heavy psych, or any related variations thereof, I can almost guarantee that you'll find yourself kicking back and throwing "Return To Earth" on repeat.
This year, in an attempt to cover more music that would all-too-oft slip through the very large cracks, we're trying something new and novel around these parts. Namely, we're gonna actually publish the little one-off reviews that were previously (and arbitrarily) deemed too short for publication. In that spirit, here's a mini-review of a thrash single worth checking out.
Written by: The Administrator
Karachi's Tabahi are, in their words, the only thrash metal band from Pakistan. "Politricks" is their first track in seven years. The math is pretty clear: there isn't a whole lot of thrash coming out of Pakistan. Despite being the sole bearers of the banner, Tabahi are evidently making a hell of a scene on their own--this new single is an absolute ripper. If you're a fan of the pounding riffage and general savagery of the progenitors of German thrash, you'll inevitably find "Politricks" an enjoyable ride. Kreator, Sodom, and Destruction are accurate points of comparison. There's not much seat-of-the-pants Bay Area freneticism here--the solo towards the end, for example, feels contained rather than something you might find coming from, I dunno, Forbidden. Indeed, the band describes the guitar's approach as "claustrophobic," which feels accurate, given the meaty tone and propensity to pummel. While there isn't exactly much innovation at play, the extremely polished aggression that this duo offers up only serves to demonstrate the reality that newer bands can execute the formula as confidently as legacy acts. The instrumentation is tight, the vocals are muscular and vicious, and the energy is through the roof. This is everything a modern thrash track should be, and when it comes to overtly targeting the political deception and hypocrisy they witness in their environ, Tabahi are utilizing their songcraft to its fullest extent. The band considers this single "a direct call out." You love to see it. Notably, this track prompted me to check out their self-titled album from 2014, which is quite enjoyable as well. They've got a second album coming out this summer--keep yer eyes and ears appropriately peeled. 
Written by: The Administrator
Hardcore. I don't listen to a whole lot of it these days, but when I do, it inevitably comes from Upstate Records. They routinely drop absolute bangers, and when I'm in the mood to go apeshit whilst having my skull sledgehammered, Upstate's excellent roster always does the deed. Gloves Off is a prime example of a band that swiftly quenches such moods swiftly and with great violence. Their forthcoming Life...And Everything After is a prime example of how intensely immersive a solid metallic hardcore release can be. Their sound is kinetic as hell, with attention divided fairly equally between pummeling instrumentation and emotive catharsis. They just dropped the second single, and good lord, it's a killer track. |
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