Written by: The Administrator
As time goes on, our posting here at ye olde Sleeping Village is increasingly determined and defined by whim. Promo procedure has fallen out of fashion 'round these parts. We operate primarily on meandering vibes and a disinterest--perhaps even a disrespect--for deadlines. However, for today's Very Important Announcement, exceptions must be made, which explains why we went through the trouble of dragging our town crier out of semi-retirement. No one issues a proclamation quite like the town crier. Anyways! Enough blathering. We slumbering scribes are pleased to announce that Wince and Frisson's debut album, entitled Tumult, will be released on Sept. 4th. The pre-order is active now, and, for any denizens of Bandcamp, today would be an excellent day to pick it up. At this stage, it is (hopefully!) clear that I have only the highest level of recommendation for Wince and Frisson. I've had the privilege of (consistently, obsessively) listening to this forthcoming album for several weeks now, and am happy to report that it is as utterly astounding as the singles indicate. Tumult is cacophonous and exceptionally well-executed. There's a real brilliance in the ability to refine, and Wince and Frisson writes songs that are exactly as long as they need to be. Of the seven tracks here, every single one is a genuine standout, not least because they all strive to represent sonic chaos incarnate. The debut album, says the band, is "a virulent cocktail of extreme metal genres. Seven tracks, all blackened and swathed in dissonance. It gets to the point immediately and offers no rest to the listener until its conclusion. All the while, guitarist, bassist, and vocalist Triumvir Kaleido maniacally spews warped interpretations of his experiences with religious and psychological abuse, and struggles with mental health." Completing the duo, Steve Wiener provides drum programming, additional vocals, and the assorted production/mixing/mastering duties. The first two singles, "Kärrhäxan" and "Liftoach Pandemonium," reviewed and premiered here respectively, serve as a fantastic appetizer. And, if for some reason you require additional convincing, we are very pleased to premiere here today a third single, entitled "Hypnagogic Haunt." It serves as Tumult's sixth track, and it is, as you might expect, an absolute bruiser. Check it out below! We'll meet you on the other side.
2 Comments
Written by: The Administrator It feels special to become aware of a band upon the release of their first single. This is especially so when said single (along with the total audio/visual package of the accompanying music video) is so blatantly intriguing. So exciting. So fresh. Wince and Frisson's chaotic and disquieting KÄRRHÄXAN was, arguably, the perfect first single. The listening/watching experience set the tone for an album rollout extremely well. After writing about said track, I have found myself revisiting the music video quite frequently to extract more of that delightful electrical feeling I had upon initial exposure. But! After witnessing a debut, it feels even special-er to be invited to premiere a band's second track (plus music video). Which brings us to today's track (plus music video) in question. The ritualistically entitled Liftoach Pandemonium is embedded below, available for your listening pleasure/intrigue/discomfort several days before official release. As always, we'll be waiting on the other side of the fold, long-winded analysis and words of recommendation presented proudly. Check it out! Written by: The Administrator The words "wince and frisson" in combination immediately evoke a very specific physical reaction, simultaneously positive and negative and ultimately overstimulating in combination. What musical stimuli, I couldn't help but wonder, drives one to such a powerful physiological and somatic response? A level of curiosity this heightened doesn't often apply in the context of a band yet to release any music, but an intriguing moniker (and a Steve Wiener* association) are promo pit cheat codes. Needless to say, I was very excited when Wince and Frisson's debut disso-black/death single hit the inbox, and that excitement has only festered and grown over the course of many listens. "Kärrhäxan" is a stellar first foray, a sharply conceived and intensely executed statement of intent. It very much succeeds at the presumed intended goal of a debut single. |
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