In the experience of this dutifully somber scribe, somberness alone does not quality death doom make. While the genre in question clearly relies on emotional heft, staying power is all too oft nonexistent when the sheer weight of sadness is all a track has going for it. But in the case of Rise to the Sky, one-man atmospheric death doom outfit from Santiago, Chile, emotionally one-dimensional songwriting and a lack of lasting impact are most certainly not of concern.
Case in point: "Liebestod." This lead single from the (excellent) forthcoming Let Me Drown With You delivers the depressed and downtrodden air one might expect alongside funereal riffage...but also carries itself with a subtly triumphant air. It's a killer track, and before I scare you away with more talk, please do yourself a favor and check it out below. As always, we'll see you on the other side.
Readers familiar with this particular scribe's listening patterns may note that, in the grand scheme, I am more often than not drawn to the doomier and gloomier end of the multifaceted metal spectrum. But! Unbeknownst to many, the sweet strains of melodic death metal make for a non-insignificant chunk of my musical diet. When I'm feeling down, there's nothing quite like a vibrant melody riding in on the back of a boisterous riff to raise spirits a little higher. And, while it may seem sparse praise given the small dent we've made in 2021, my most-enjoyed melodeath release of the year thusfar is Means To An End, Svn.Seeker's forthcoming debut.
This small-yet-mighty collection features tight musicianship, concise and compelling composition, and, perhaps most importantly, a whole lotta sick riffage. Svn.Seeker fuckin' knocked it out of the park with this beast. Needless to say, we're pleased and honored to premiere here today the title track and second single. Give "Means to an End" a listen below, and, as always, we'll catch ye on the other side.
What, dear reader, makes a song--or an album, or an artist for that matter--quintessentially metal? That's obviously a question so broad as to be belligerently provocative, so let me just assert my two cents and get on with it: (italicized) metal is epitomized by chunky riffs, hefty atmosphere, a certain adherence to heartfelt aggression, and a devil-may-care attitude. Sure, the vast majority of music falling under the assorted subgenres will divert from this basic formula, but the existence of those factors can mean only one thing: metal is present. Time to break out the headbang.
New York's very own DemonScar are quintessentially metal, and their latest single--"MDCXCII," which we are honored to premiere here today--is a perfect exemplar of their Motorhead-by-way-of-Sabbath-by-way-of-Corrosion of Conformity aesthetic. In regards to the track in question, DemonScar state: “our new song has got a lot of those classic doom, stoner, and witchy vibes. Groove along with DemonScar as we journey back to Salem, 1692.” It's a tempting invitation, and I hope you take 'em up on the offer. Have yerselves a listen below:
We provide thoughtful reviews of music that is heavy, gloomy...and loud enough to wake us from slumber. Written by a highfalutin peasantry.
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