Once we get the ol' interviewing machine up and running, there's no accounting for how to slow it down. Graciously joining us for today's interrogation here at the Sleeping Village Dungeon--err, I mean "conference room"--is Joe Huls, the bassist for Flint, MI based melodic groove band Torn Away. Taking inspiration all along the gamut of heavy music, these guys represent, a tenet of music as catharsis and absolution. Indeed, as they say: "as a phoenix rises from the ashes, so do the members of Torn Away."
We Villagers would like to thank Mr. Huls for the in-depth answers to our prying questions! It's always an honor to receive heartfelt and informative responses such as these. Without further ado:
Empty Joy. If you follow the Sleeping Village over on Instagram, you may be aware that they are my favorite band to pester. After premiering the lead single from their forthcoming debut, I've been sittin' on the edge of my seat, waiting to hear more from this Floridian harsh-noise-ambient-blackened-hardcore (?) project. Rather than waiting any longer, I decided it was high time to get that inside scoop. And so, needless to say, this inksplattered scribe was quite honored that two thirds of the band--Child of Wither (Drums, Guitars, Vocals) and Ancient Hand (Synth, Vocals, Artwork)--were willing to sit down and provide such in-depth answers to prying questions.
Read on! And when you've completed this opus, head over to Empty Joy's bandcamp.
Night Goat deal in a brand of aggressive music that shakes this Village's walls on regrettably infrequent occasion. Chaotic. Scuzzy. Fuzzy. Filled to the brim with hot-tempered vitriol. This is noise rock as it should be, and on their debut Milk, released in December of last year, these Ohioans delivered a righteous riot. I regretted not reviewing the thing then, so here is some vague recompense for my oversight.
Needless to say, this scribe was quite excited to chat with the outfit in question. Our eternal thanks to Night Goat for A. being the cool people they are, and B. willingly subjecting themselves to our interrogation.
Let's get to it, shall we?
Sometimes--and I'm sure you'll agree, dear reader--one just needs some rock n' roll that captures the spirit of the good ol' days. As one who (admittedly) wasn't alive during said days, I'm here to say that Cincinnati's Brass Owl offers a genre-melding approximation of the best parts. From classic rock, to acid jazz, grunge, to fun-lovin' improvisational jammery, Brian Tarter (vocals/guitar) and Lonnie Buckley (drums) deliver the goods.
Brass Owl's debut will be hitting the street on April 10th, so you've still got some time to daydream about the possible implications of the aforementioned confluence of sounds. It's damn good, but rather than tantalize further, we slumbering scribes offer up this interview to tide ye over.
We'd like to thank Brian Tartar of Brass Owl for taking the time and energy to chat! As always, we're deeply honored that cool bands are willing to sit down and churn our such thoughtful answers. Read on!
Interview by: Scribe Nathaniel
Our very own Scribe Nathaniel--the Sleeping Village's resident lover of all things abrasive and chaotic--was lucky enough to chat with the one and only Jon "Eva05" Chang. Known for his vocal chops in such groups as Gridlink, Discordance Axis, Hayaino Daisuke, and No One Knows What The Dead Think, among others, Mr. Chang has left a significant mark on the evolution of grindcore and affiliated scenes. If the spirit of grind permits the notion of legends, you're pretty much lookin' at one.
Needless to say, we slumbering scribes were quite excited by the prospect of this interview, and offer our collective thanks for A. making stellar music and B. willingly engaging in Scribe Nathaniel's interrogation. Let's get to it, shall we? Without further ado:
Interview by: The Voiceless Apparition
The name Matron Thorn may not be a household name, but for almost 20 years, Reuben Christopher Jordan, the man known as Matron Thorn, has been releasing some of the most personal, heartfelt, and authentic music in the metal scene. Since forming Benighted in Sodom in 2006, Matron Thorn has gone on to release 17 full-length studio albums and create various other projects, (Aevangelist, Devil Worshipper, and Vagrant Starscape to name only a few) building a massive discography (close to 200 albums). He's a musician that has greatly influenced me and his music has helped open my eyes to other worlds of music, even outside of metal. So when I reached out to him for a possible interview opportunity, I was elated that he agreed to do this interview. Here is the amazing result, in which we Matron Thorn discusses early projects, Benighted in Sodom, Carrier of Poison Apples, and future projects.
Wraith's excellent Absolute Power officially hits the streets today, and...and I'm not sure what to say about it that hasn't already been said. Thus, in a stunning display of self-plagiarism, please let me remind you that: "Absolute Power is--besides a successful sophomore release--a killer slab of bombastic, aggressive, and otherwise heartfelt heavy metal. It's a certified headbanger, and remains one of the most fun releases I've had the pleasure of reviewing this year."
Needless to say, this particular Villager was quite excited to chat with the thrashers in question. Our eternal thanks to Wraith for A. being the ass-kickers they are, and B. willingly subjecting themselves to our interrogation. Let's get to it, shall we?
We groggy-eyed scribes never did get around to writing a review for Bright Curse's latest, the undeniably impressive Time of the Healer. But if you take that to imply we didn't think it was a damn fine collection o’ tunes, you're dead wrong. Drinking deep from the well of 70's psychedelic and prog rock, Bright Curse nonetheless feels fresh--avoiding, gracefully, the stagnant waters in which so many of their peers flounder. Weaving intriguing instrumentation with a decidedly blues-ridden ambiance, Time of the Healer marks a strong step forward, and another feather in Ripple's cap.
Needless to say, we were tickled pink to chat with the outfit in question. Big thanks to Romain of Bright Curse for taking the time!
Alright, dear readers. This is it. So sorry we had to be the bearer of bad news...
...but in the end, will our vague affiliation with the harbinger of humanity's collective devastation even matter? I think not, and I hope you've ready to face the otherworldly visage of your impending demise. Advent Varic plays a unique brand of progressive blackened stoner metal, and Parts I and II of their Tumulus saga are both incredibly solid track in their own right, but, more importantly, Captain Graves and Co. are here to annihilate.
We slumbering Villagers would like to thank the Captain for taking the time to speak with us and answer our questions. And for better or worse, we wish him all the best.
Much like the horn'd horse blazoned on their assorted artwork, Spokane's Merlock constitute an intriguing beast. As we said back then, these guys peddle "a kind of caustic, trippy, and rough-around-the-edges stoner doom, and it lights a little fire in my heavy (metal) heart." Melding psychedelia with a distinctly hard-rockin' attitude, they impressed us Villagers with their 2018 demo EP, and we've been itching for more since our initial exposure. Luckily, as ye shall soon read, a debut full-length is in the works.
We'd like to thank Merlock for taking the time and energy to chat! As always, we're deeply honored that cool bands are willing to sit down and churn our such thoughtful answers. Read on!
Providing thoughtful reviews of music that is heavy, gloomy, and loud enough to wake us from slumber. Written by a groggy-eyed, highfalutin peasantry.
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